Lava Lamp

you light an incense as i watch the world through your window

6 years ago, we’ve started following a boy who decided to go all-in for what should be the love of his young and naive life. Two.Zero became an over-the-top happy album. 3 years ago we’ve met with this boy again. He’s had his heart broken by love and didn’t really know which way to turn to next. Frozen Waves did this feeling justice. It was a rollercoaster of emotions and genres. It was not knowing what tomorrow would bring, and not knowing how to feel with every new experience.

Let’s meet again. “One Night Only” doesn’t span multiple months, like Two.Zero. It doesn’t span multiple days, like Frozen Waves. It spans one night. Just one night. 8PM - 8AM. One. Night. Only.

The evening starts out, with feelings for a special girl. Though the feeling that she’s unlike most of us is surrounded by the spirits of his earlier failures. The boy is afraid to open up again, afraid of the possibility of gaining new scars. Is it worth to feel somewhere safe, while you have to keep thinking about how you might get hurt? Slowly the night is passing. He’s fighting to stay awake, to keep talking to this girl and he’s feeling better and closer to her than he ever imagined he could. His mind is empty. Could she join him in this crazy idea? Could it be someone who makes every other person that ever entered his life fade with a joy of life unknown to him?

She feels different to him. Her eyes laugh, her smile shines brighter than all the stars they’re finding themselves under. It’s weird to feel this safe, yet his inner child’s enthusiasm can’t be contained. He goes in for the kiss.

Dawn comes too fast. The 2 people, who entered the night with their own identity leave it as lovers. They have nothing to lose, and everything to gain. If only they trust each other and remember to live life, love lasts.

Under The Stars

Day 16:
Bruus (Feat.Peter Jericho) - "Title Music"
Produced By Kelly Portis!
Visit: www.MineralWaterH20.com

Bruus (Ft. Peter Jericho) - Title Music (Prod. Kelly Portis)

Anna Homler & The Pylon King (Voices Of Kwahn) – Almost Beautiful

Parted Plains

Raiments

The title track from the forthcoming album https://dallasacid.ffm.to/thespiralarm
Out worldwide on All Saints Records on all formats 1 November 2019

The Spiral Arm

Dallas Acid - The Spiral Arm (Edit)

'Crush', out now on Ninja Tune: https://floatingpoints.lnk.to/crushSo

Follow Floating Points -
Spotify: https://found.ee/floatingpoints-sp
Apple Music: https://found.ee/floatingpoints-am
Instagram: https://found.ee/floatingpoints-ig
Facebook: https://found.ee/floatingpoints-fb
Twitter: https://found.ee/floatingpoints-tw
Youtube: https://found.ee/floatingpoints-yt
Bandcamp: https://found.ee/floatingpoints-bc
Soundcloud: https://found.ee/floatingpoints-sc
Songkick: https://found.ee/floatingpoints-sk

Crush

Bias

Meitei / 冥丁 - Sankai / 山怪

Taken from the 'Calypso' album - out 28th February
https://smarturl.it/Gigi-Masin-Calypso

Gigi Masin - Calypso

Join filmmakers Josh & Benny Safdie for a behind-the-scenes conversation about their new film Uncut Gems. The brothers discuss how they used sound design and music to create the perilous, uncomfortable world of Adam Sandler’s character, Howard Ratner. They are joined by composer Daniel Lopatin, who talks about using the classic 1970s Moog synthesizer to create the movie’s emotional score, and re-recording mixer Skip Lievsay, who talks about how he used Dolby Atmos to give the audience the experience of being in the world of the characters. Recorded in front of a live audience at the New York Film Festival Artist Academy.

Josh Safdie, Co-writer, Co-director 
Benny Safdie, Co-writer, Co-director 
Daniel Lopatin, Composer 
Skip Lievsay, Re-recording mixer

The Sound of Uncut Gems

Celeste

Illusion Of Time

Raw Silk Uncut Wood

Blonde

radio visions 1

'Yelli' is the opening track on 'Cape Cira' - the forthcoming debut LP by K-LONE.

Out on 24th April. Pre-order direct at wisdomteethuk.bandcamp.com/album/k-lone-cape-cira-lp

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The result of a short creative burst during a grim British winter, Cape Cira explores music as escapism, comprising a series of lush, warm vignettes that demonstrate music’s unique transportive power.

Cape Cira takes place in a sensuous sonic world between the natural and digital realms: FM synthesisers mimic acoustic instruments, tuned percussion and bird song; and found sounds and field recordings are processed with a hyperreal sheen.

In contrast to his clubbier productions, Cape Cira sees K-LONE explore the full melodic and textural potentials of his sound, drawing influence from ambient, fourth world, and modern classical music to create a work more closely related to the outputs of SND, Jon Hassell, Burnt Friedman, or - more recently - Don’t DJ and Visible Cloaks.

K-LONE - 'Yelli'

Order 'The Mosaic of Transformation' at: https://ghostly.com/products/the-mosaic-of-transformation
Or at the retailer of your choice: https://ghostly.ffm.to/kaitlyn-aurelia-smith-the-mosaic-of-transformation

Lava Lamp

S. J. Papen