DEFECTED RECORDS dj stéf l'événement

1. Donnell Rush – Symphony
2. Joi Cardwell – Run To You (Philip Damien Mix)
3. Joey Negro – Take Me Higher
4. Sueno Latino - Sueno Latino ft. Manuel Goettsching (Paradise Version)
5. Michael Watford - Holdin' On (Underground Solution Mix)
6. Michael Watford - Luv 4-2 (Extended Mix)
7. Jamie Lewis feat Michael Watford – It’s Over
8. Bang The Party - Bang-Bang You're Mine (Original Mix)
9. Mike Dunn - Dance You Mutha (Jazz Mutha Mike Mix)
10. Todd Terry – Get Over (Coxhead Rubber Dub)
11. Cool Jack - Jus' Come - Ralphi's Main Mix
12. Acid Jerks – The Tribute 
13. Arthur Baker - The Break 98 (Cevin's NYC Peak Mix)
14. H.C.C.R – Son Of Mongo
15. Hardrive 2000 – When You Touch me

4TTF

4 To The Floor Radio Show Ep 29 presented by Seamus Haji

Denmark’s very own breakthrough producer, DJ and label manager S.A.M. has thrived in carving out their distinctive sound, often described as striking the balance between delicate and thumping. From club-heating releases on PIV to a dreamy collaborative album with Chris Stussy, S.A.M.’s elite production shines through in every track with groove always at the forefront. S.A.M. now joins the Defected crew with ‘Spotlight’, featuring striking vocals from Sarah Ikumu who seamlessly covers the well-known Jennifer Hudson song. ‘Spotlight’ is no stranger to big club moments with Chris Stussy championing the record as a staple in his sets from Fabric to Printworks, to Sam Divine and Simon Dunmore seeing in the New Year of 2022 with the release. This eternal dancefloor gem is one to be heard loud amongst a crowd and the moments that accompany it are bound to blow you away

S.A.M. featuring Sarah Ikumu 'Spotlight (Club Mix)' - Out 04.03

Born out of a lockdown night when their usual Saturday night plans were off limits, Defected regular Darius Syrossian and South Records boss George Smeddles decided to cook something up for the anticipated return to the club. With just a vocal to work with, they decided to produce something with the 90s, uplifting vibe dancefloors would be needing. Demonstrating the same addictive, dancefloor-ready grooves seen on their previous collabs like ‘Get Toast’ and ‘Blood Orange’, this latest joint venture once again delivers the heat. With its deep organ bassline, playful keys and irresistible 4/4 swing, this record oozes club appeal in a way you can only expect from producers rooted firmly in the scene. It sure feels good to be Back In The Dance.

Darius Syrossian & George Smeddles 'Back In The Dance (Extended Mix)' - Out 04.03

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Running Out (Angelo Ferreri 'Glitter' Mix)

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Angelo Ferreri & Moon Rocket feat. LauMii - RUNNING OUT 'Glitter' Mix // Mood Funk Records

Following huge releases 'Mvinline' and 'All I Want' featuring Jake Shears, Boys Noize completes a triptych of heavy-hitters with 'Let Us Rave' featuring Naeem & Velvet Negroni. A squelchy four-on-the-floor groover laden with acidic bleeps, rumbling bass and distorted riffs, vocal talent in the form of Baltimore's Naeem and Twin Cities native Velvet Negroni add layers of spoken-word texture to the cut. With a noise complaint warning intwined in the track's lyrics, 'Let Us Rave' is a bold, dynamic cut coined "the perfect party starter," by its creator.

Boys Noize featuring Naeem & Velvet Negroni 'Let Us Rave (Extended Mix)' - Out Now

Originally released in the mid 2000s, Nic Fanciulli has come a long way since remixing 'SOS' under his Skylark alias. The international DJ, Grammy nominated producer and Saved Records boss is arguably one of the biggest names in electronic music, and now revisits the remix with a new edit for 2023 dancefloors. Maintaining the bouncy, rolling feel of the original and glistening vocal melody, this time with an amped up, chugging bassline and squelching synth-work, there's no doubt this reincarnation of 'SOS' will take dancers late into the night.

‘SOS’ (Skylark Remix - Nic Fanciulli Edit)

A’Studio featuring Polina ‘SOS’ (Skylark Remix - Nic Fanciulli Edit)


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As I Am - Saving Grace (Defected Records)

Lee Walker vs. DJ Deeon feat. Katy B’s ‘Freak Like Me’ is without question the house record of 2016. Lee Walker’s remix of DJ Deeon’s rare classic first made its national radio debut via an Annie Mac ‘Hottest Record’, with Pete Tong making it his Essential New Tune the same night; further radio support quickly followed from Danny Howard (Future Anthem), MistaJam (Jam Hot), Kiss Fresh, and more. Within weeks the track had hit No.1 on Beatport, topped tastemaker charts (Buzz), and went Top 15 on Shazam’s Future Hits. 

Now featuring a new vocal from UK dance queen Katy B atop the track’s distinctive bassline,  ‘Freak Like Me’ is a surefire contender for one of this summer’s biggest anthems. On air and on sale from 17th June, with an impact date of 19th August, this single is a joint release between Defected Records and Ministry of Sound – a partnership that previously took Storm Queen’s ‘Look Right Through’ to No.1 in the UK singles chart in 2013.

‘Freak Like Me’ first set the dance music world alight after being played by Marco Carola at the Music On Ibiza 2015 closing party, a now seminal moment which went viral via YouTube. The cross genre appeal of the track has attracted heavy support from a range of DJs, including Disclosure, Dixon, The Martinez Bros, Loco Dice, and many more. And - alongside the recent remix from Armand Van Helden – it’s dominated the first waves of this year’s Ibiza parties and summer festivals.

In April, Katy B released her album, ‘Honey’, her third album and the follow-up to ‘Little Red’. Late last year she hit No.1 in the UK with Ministry of Sound alongside Tinie Tempah and KDA with her flawless vocal performance on ‘Turn The Music Louder (Rumble)’. She recently released singles with Craig David and Major Lazer (‘Who Am I?’), and Four Tet and Floating Points (‘Calm Down’).

Young British producer Lee Walker burst onto the scene in a way only possible in the digital age, transformed overnight from a bedroom producer into a breakthrough star thanks to his edit of ‘Freak Like Me’, but there's more to Walker than just one record. He’s released a slew of tracks for respected labels including Wiggle, No Idea's Original and Circus Recordings. 2016 gig highlights include Sankeys in Manchester, Ibiza and at Studio 338 in London, and The Zoo Project. He’ll appear at Radio 1 in Ibiza on 5th August.

During the 1990’s the now legendary DJ Deeon released 30 singles in four years for cult imprint Dance Mania, since then he’s continued to build upon his classic recordings with tracks through his own label, Freakmode, and DJ sets that carry on the raw spirit of ghetto house. Recent UK shows include Bloc and XOYO.

Freak Like Me

Freak Like Me (Radio Edit)

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Lee Walker Vs DJ Deeon feat. Katy B 'Freak Like Me' (Radio Edit)

Kicking off what’s set to be a huge year for him as an artist, Franky Rizardo’s ‘Same Man’ sets the tone for an upcoming year of new material. Somehow achieving the improbable and balancing his touring with consistently strong productions, plus his own Flow radio show and parties, Franky returns to Defected to take things up yet another level in 2017. 

Sampling a 1983 rare groove track ‘For The Same Man’ by B Beat Girls, Franky’s version is all about the groove-laden house beat, designed for building up the dancefloor before that unmistakeable and catchy-as-hell vocal hook drops just shy of the track’s midway point. ‘Same Man’ is destined for dancefloor destruction and has become the most sought after record in Franky’s sets.

Franky Rizardo 'Same Man'

‘Cola’ had barely touched the ground when tastemakers’ ears were pricking up across the board. Having become a byword for quality house music, remaining at the #1 Beatport spot for over a month with their last record, the name CamelPhat and the cult status of the mysterious duo behind it become realised to their fullest with this track. Combining lush, saturated beats with Elderbrook’s crystalline voice which elevates and equalises, ‘Cola’ is an exquisitely sophisticated firecracker. Already snapped up by Danny Howard as his Hottest Record on Radio 1 and championed by the likes of MK, Solomun and Sam Divine, the track demonstrates the full strength of CamelPhat’s unique style and takes them into the upper echelons of today’s finest producers.

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Camelphat & Elderbrook - Cola

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There’s always a risk when tampering with a much loved classic record, it can be ruined or taken to a whole new level. With this update Amine Edge & Dance do the original justice and then some. The duo retains a lot of the elements of the original track that made it so special but in true Amine Edge & DANCE style, Lovelee Dae now comes with added punch, guaranteed to go off on the dance floor. These two keep going from strength to strength and 2017 has been their biggest year yet, and with lots going on behind the scenes this looks to continue into the New Year. Expect to hear this track being blasted out all over the world soon.

Amine Edge & DANCE vs Blaze (Kevin Hedge) ‘Lovelee Dae’

Dutch producer Ferreck Dawn and German mainstay Robosonic go head to head on their dancefloor smash ‘In Arms’. A firm favourite with Low Steppa, Sam Divine, Franky Rizardo and the whole crew of residents when it was road-tested during the Defected Australia tour in early 2018, the thumping, bass-focussed track received a huge reaction from crowds with its tightly-harmonised earworm vocal. Certifying its place as a standout summer record, ‘In Arms’ has all the makings of a future Defected hit.

Ferreck Dawn & Robosonic - In Arms (Extended Mix)

Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou has seriously delivered with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. Finally in the package is a brand new mix from the Shakedown duo themselves, the Galactic Boogie. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.

At Night (Peggy Gou’s Acid Journey Remix)

Jack Back is the new project from an as yet anonymous, ever-evolving and high profile artist from fine house music roots. Taking inspiration from Bessie Jones’ iconic record, which was made famous by Moby’s ‘Honey’, but here given new lyrics and meaning, ‘(It Happens) Sometimes’ is a thunderous record, self-assured with a powerful 4/4 groove and intoxicating vocal, ready to take the halls of house music by storm.

Jack Back '(It Happens) Sometimes' (Extended Mix)

It’s almost hard to believe that a record with anthem status like Pete Heller’s ‘Big Love’ was created out of a happy accident, but that is exactly how it happened. Left to his own devices as his studio partner Terry Farley left to watch a Chelsea game, Pete Heller was playing around with his Akai sampler when he produced what is arguably one of the most recognisable pieces of dance music of the 1990’s. Now this enduring classic has been remixed by Urbana Records boss and Spanish powerhouse producer David Penn. Modernised for 2019 dancefloors, Penn brings his signature rolling bassline and infectious groove to this club anthem, once again proving the timelessness of ‘Big Love’.

Pete Heller's Big Love 'Big Love' (David Penn Remix)

Big Love (David Penn Remix)- Pete Heller

In just a few years, Endor has risen through the ranks of the scene to become a champion of the underground. The Brighton born producer’s prolific nature of working, fuelled by an insatiable appetite for creating killer dancefloor cuts, has earned him high profile fans from Skream to Chris Lake, with an impressive catalogue of releases stacking up in his name. Making his debut on Defected with ‘Pump It Up’, Endor has already turned the heads of a number of seminal selectors with his latest cut, as its electrifying bassline and adrenaline-charged drops continue to energise dancefloors from Ibiza to Brooklyn. For those that are in-the-know, Endor tracks are surefire club dynamite, watch this space.