n o i s e

Dragumano - La Miseria

'The Double Face of the Zero' revolves around the progressive crumbling of the human condition, trapped in a Babel of toxic languages, hypnotised by seductive as much as false myths. The traversed architectures are empty or abandoned; inside, only faint echoes of mechanical rhythms reminiscent/incubus of models destined for passive consumption and the reproduction of consensus. Babbling, bare syllables are all that remains of a one-way communication. The new alphabets of communication systems do not need expressive space but consensus time. This journey is closed, however, by a text that is, in its own way, full of hope and that, like a compass, indicates a possible escape route from this mortal spiral of spectacular-media-political consensus. The sound sources from which the work originates are multiple. All electronically processed so as not to show their origin, in order to place themselves in an “other” space. All this not out of sonic sadism but out of a desire to elaborate a sound palette that is as personal as possible. A palette of sounds that tries to place itself outside the fences and categories that delimit even the area of research music, which instead, by definition, should be as model-free as possible.

Limited edition of 50 professionally dubbed tapes
Composed by @danieleciullini
Mastered by Francesco Brini (Spectrum Mastering)
Artwork by Alessio Di Mezza
Duplicated in Milan, 2024

TOCCA IL FUTURO

Daniele Ciullini - The Double Face of the Zero

ALBUM STREET DATE 2025-05-02

Finn Loxbo: acoustic steel string guitar
Lisa Ullén: grand piano
Anna Lindal: violin
Leo Svensson Sander: cello
Vilhelm Bromander: double bass
Ryan Packard: drums


Kommun, led by Swedish guitarist Finn Loxbo, resides in the tension between
the experience of circular time; an elongated now, and the expectations
contained within our linear perception of time. The ensemble explores the
tension between the individual’s own lines and the collective meaning-making.
Every sound is equally important, concrete in itself, as much a building
block as a decoration. The ensemble collectively improvises phrases that are
formed together as a singular element. They are distributed across the
ensemble’s instrumentation: acoustic steel-string guitar, piano, double bass,
violin, cello and percussion. The phrases are born together and continue on
a cyclic journey, folding into themselves. They are constantly moving but
also going nowhere.


Kalpa, Utsnitt 2

info: https://radio.syg.ma/episodes/pba-masaya-kato
https://901editions.bandcamp.com/album/9-2

Personal Border Assist

PBA – Masaya Kato

From double LP " The loa of music complete sessions " by Cinedelic - Soave Records , 2017

http://www.cinedelic.com/en/catalogue/the-loa-of-music-detail.html

The Age Of Fragmentation

𝕕 𝕠  𝕟 𝕠 𝕥  𝕘 𝕠  𝕘 𝕖 𝕟 𝕥 𝕝 𝕖  𝕚 𝕟 𝕥 𝕠  𝕥 𝕙 𝕒 𝕥  𝕘 𝕠 𝕠 𝕕  𝕟 𝕚 𝕘 𝕙 𝕥 

n o i s e

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