Live recording of Nepal
Written & Performed by Stephanie Cole (piano, looper)
Backing Vocal and Instrumentals:
Lars Scott (@thelaurenscott)
Christa Aikins (@ChristaJAikins + @oviettemusic)
Miles Orion Butler (@littlelivesmusic)
Kristin Daelyn (@kristindaelyn)

Nepal (YA Songwriter Sessions 6.20.23)

Elegy V3

Kim Doeon - melting e 
Merope - Koumu Lil
Lino Capra Vaccina - Antico Adagio
Celia Hollander & Photay - Live at LTMOITDUAT 10.14.23 
Aphex Twin - pretend analog extmix 2b,e2,ru (Manchester 20.09.2019) 
Taikuh Jikang - Tano qansa 
Jorg Kuning - Dripgroove 
Glances - Camber 
Koreless - Deceltica
Jex Opolis - Drive Safe 
Swavé - Sabor
Hugh Masakela - Don't Go Lose It (Crackazat Edit) 
Church Andrews & Matt Davies - Shepherd 
Barker - Percussive Maintenance 
Schuttle - Goo Imprint 
Global Electronic Network - Time Square — No Time 
Selfsame - Selfsame 04b 
Dj Babatr - Chu-Me-Enga 
Gabor Lazar - Event 
Orchestre Kiam - Kamiki (Umoja edit)
SP:MC - Oh My Gosh 
Kirk Barley, Matt Davies  — Verre  
Taikuh Jikang - Frying Daughter 
Bennie Maupin - Ensenada

Extravagant Frequencies on Dublab Radio (1.28.25)

Official Music Video: https://youtu.be/QEJa_hePztw

Instagram:
http://instagram.com/FuegoFBM
Facebook:
http://Facebook.com/FuegoMusica
Twitter:
http://Twitter.com/FuegoFBM

Fuego - Cuando Suena El Bling (Hotline Bling Remix)

New York producer @photay merges 90's IDM with pop sensibilities and exotic drum arrangements on a superb debut for @astronautico. His 30 minutes for GPWW touches on greats like Laraaji and Dizzy Gillespie, while also teasing his own new material. 

Tracklist: http://bit.ly/gpww-photay

Tracklist

Photay Mix on Gilles Peterson Worldwide (GPWW964)

"Party" is the second single from Sejva's forthcoming EP, "Coquet", out July 28th on Company Records.

Pre-orders available here:
Company shop - http://smarturl.it/coquet_company
iTunes - http://smarturl.it/coquet_itunes

Check out more from Sejva here: https://soundcloud.com/sejvasound

Sejva - Party

I remember the day clearly. I was searching for treasures in a record shop in Yaoundé, the Capital city of Cameroon, when suddenly I came across a 7-inch record with a picture of a young man wearing a traditional hat and bearing the marks of several imposing vertical scars on the side of his face, carved when he was just a boy as a reminder of his heritage in the Musgum tribe of the northern part of the country.

The record contained two songs – ‘Gandjal Kessoum’ and ‘Touflé’ – by an artist I had never heard of before named Hamad Kalkaba. Both cuts were raw classics of fuzzed-out bass, pin-sharp horns, built upon the unshakable foundation of Northern Cameroon’s mightiest rhythm: the Gandjal. The shop owner - who noticed that I was listening to the same record over and over again - mentioned that ‘There is another single with a green cover of the same artist, if I am not mistaken’.

Over the next six years I searched for that ‘green cover’ and finally found it in a record collection belonging to an old bar in Parakou in northern Benin. While most of the records had been beaten and worn by a life spent in the jukebox, this one had been sitting in its paper sleeve for forty years, untouched and unplayed, seemingly waiting for us to pick it up and rip the two soulful Gandjal tunes from it, the masterpieces ‘Fouh Sei Allah’ and ‘Tchakoulaté’.

These two records, plus a third simply named ‘Nord Cameroon Rythms’ constitute the entire discography of Hamad Kalkaba. Neglected for decades by all but the most devoted collectors of Afro music, Hamad Kalkaba and the Golden Sounds at long last gathers together the body of work of one of Cameroon’s forgotten geniuses.

But unlike many musicians who emerged from nowhere, recorded a few singles and vanished again, Kalkaba hadn’t disappeared. Far from it. He was a distinguished public figure, a retired Colonel in the army of Cameroon, and a former member of Cameroon’s Olympic Selection Committee. When we tracked him down he was serving as president of the Confederation of African Athletics. And Although Kalkaba’s job kept him busy, and he seemed initially dismissive of the music he’d made as a young man, he turned out to be an enthusiastic ally in this project. He arranged interviews, helped fill in the blanks and, when we finally met him in Yaoundé in 2016, provided us with photographs, lyric sheets and notes.

During the interview Kalkaba explained how the songs recorded in the mid 1970s were part of a movement, a movement initiated by musicians from all around Cameroon who, with the help of keyboards, drum kits and electric guitars, had started to modernise the traditional rhythms of their regions. For Kalkaba it was no different and backed by his band the Golden Sounds, devoted himself to the promotion of the sounds of northern Cameroon.

One of the aims of Analog Africa is to showcase the colourful diversity of styles that exist in Africa and its diaspora and today we are very proud to be able to give these Gandjal tunes their first worldwide release.

Hamad Kalkaba and the Golden Sounds 1974 - 1975

Get the Record here:

Hamad Kalkaba - Astadjam Dada Saré(Leave a comment, tell kalkaba how much you love his song!)

This was the first song we both worked on together as a collaboration in 2017.

Free Download

Aaliyah - Are You That Somebody (Justyle & Kawelo Mills Remix)

3.15.20 – experience it now https://smarturl.it/3152020CG4
 
https://donaldgloverpresents.com/
 
#donaldgloverpresents #childishgambino #31520

3.15.20 live now

DJ NEGRONI is back in the game with a cheeky edit of the mighty Stevie (hopefully he won't get mad).
fun fact: the kick just blown up one speaker. be careful :DDDD
lyrics
All I do (Oh baby)
Is think about you (Think about you baby)
All I do
Is think about you
YEE YE YEEEEEH EYEYEYEYEYY
Ciao.
OUT ONLY ON BANDCAMP.

BANDCAMP

DJ NEGRONI - All I do (ILLEGAL EDIT)

New-ish singer songwriter sharing some Meditations, mantras, and general loopty-loops...process and play only

Elegy V3

Stephanie Cole

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Julian Hartwell

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