Very calm and relaxing music. Could be used as nice background sound in some video game :)

This is a small LP of 7 tracks in the style of soul jazz, which immerses listeners in the atmosphere of retro films about spies, special agents, gangsters, mafiosi, cowboys, sheriffs, well-aimed shooters.

We present to your attention a new cool track in the style of symphonic-retro-funk with soul jazz elements. The track sounds very glamorous and rich, as it was fashionable in the 50-60s. You can use our track in advertising jewelry, hotels, restaurants, VIP cars, fashion clothing, shoes and other goods and accessories. Also, the track is ideally suited to feature films, television series, documentaries, TV shows, various events such as weddings, birthdays, anniversaries, corporate parties, etc. Wherever it is necessary to emphasize prestige, success is useful this track. Such tracks were used in the 1950s and 1960s in films about rich people, great businessmen, secret agents, gansters, mobsters, cowboys, etc.

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Vintage Soul Jazz

glam funk

03 Glam Funk

Old song I made in High School. Hope you dig it!

Years Divide

Planes & Buses

What You Gave

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Winter Songs

Eating Variations - III. Even The Dyspeptic Music Eat

Links & Chains for Violin and Marimba
Duration: 5'
Performers: Robin Zeh, violin; Robert Paterson, marimba

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1210

For more information: https://robertpaterson.com/links-and-chains-six-mallet-version

Four-mallet version also available: https://robertpaterson.com/links-and-chains-four-mallet-version

PROGRAM NOTES

The title of this piece reflects the structure: many parts and motives are linked and looped together, forming chains. There are also missing links throughout the piece, spots where notes have been dropped out and placed in other parts of the piece or else lost entirely. The violin part is designed to be a showy and slightly virtuosic, coupled with a solid, ostinato-like marimba counterpart. Both parts utilize flashy, extended techniques.

Six Mallet Marimba

Links & Chains (Violin and Marimba - Six Mallet Version)

Combstead sent me a track to play with and this is what we got! TOO much fun!

Medicine Man

Medicine Man - Combstead, R Grigg

New In Mind

Blue Collar

Here I Am - Kristopher Bolin & Combstead

Small Flute Concerto written using BBC SO Professional.

Flute Concerto

TRANSITION

LAST WORDS 

The world never owed you a thing for your existence so don't expect to receive from the hands you even know. 

Build what your hands can only build, put your heart in what ever you make, that's the key to what makes you unique and not just seem like you're trying to fit the esthetic, let your art represent your mind and heart to the fullest. 

The art that you have at mind is a world that only you can express so express it with gratitude and everything you got to it's perfection cause potential can not be recognised with with a bad execution. 

Just have fun doing you and appreciate the days you witness growth. 

Born from the unknown 
Yungxcitant 


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