- Add on Spotify: play.spotify.com/album/1GBJH5uT15sNsouOaucEiT -
- Produced by Ben Coffinberger & Frank Chase -
- Written & performed by Stephen Lucas & Ben Coffinberger
- Artwork by Andrew Forestell (www.instagram.com/reptarhikes) -
- Mixed & mastered by Ben Coffinberger & David Stinnett -

All Along - Single

All Along

- Add on Spotify: open.spotify.com/track/67BSTIJHqF4FcQLz5PwbXv -
- Produced by Ben Coffinberger & Stephen Lucas -
- Written & performed by Ben Coffinberger & Stephen Lucas -
- Mixed by Stephen Lucas -
- Mastered by David Stinnett -
- Artwork by Andrew Forestell (www.instagram.com/reptarhikes) -
- Bass guitar by Alex Ioannidis -
- Additional drum production by Frank Chase -

Lyrics:

We've been playing it safe by the wayside.
We were drifting away.
Now it's time for us to break out.
We've been holding up our heads,
Holding our hands high,
Taking us to places we haven't been before tonight.

Impossible,
Don't believe in the predictable.
Now I'm seeing so much differently,
This has really taken hold of me.

All this time it's been a question of the perfect timing.
But now I can see that it's only perfect if you want it to be.
And we've been building up so high.
Searching, only to find ourselves in a world that left us behind.

Impossible,
Don't believe in the predictable.
Now I'm seeing so much differently,
This has really taken hold of me.
Possible, I believed in the predictable.
Now I'm seeing so much differently.
This has really taken hold of me.
Hold of...
(Before I go I wanted you to know)
(I believe in so much more and I, I believe in this)

Impossible

Executive Producer: Ben Coffinberger
Written by: Ben Coffinberger and Stephen Lucas
Drums, rhythm guitar and piano arrangement by: Ben Coffinberger
Acoustic guitar sampled from Beautiful Questions by BradoSanz
Lead guitar and Solo by: Brian Raubacher
Bass Guitar by : Darrick Atwater
Post production and additional sequencing by: Darrick Atwater
Mixed by: Agent Method | Darrick Atwater
Mastered by: David Stinnett
Artwork by: Focus Lab Studios | Andrew Forestell
Special thanks to Benjamin Levin