coup2keur

Umek - Gatex

Dk8 - Murder Was The Bass (Dk8 Reworked)

Emanuel Top - Acid Phase

Jay Lumen - LondOFF (Afterhours) [PURE099]

Stranger - Picklehead (REFLEKT002)

For our 58th release we welcome 2 debutants from Buenos Aires Argentina, Nicolas Taboada & Drigo. These amazing techno prospects deliver an excellent 3 track EP which will definately do some serious damage!!
➖
Get your copy here at Beatport: https://www.beatport.com/release/voices-ep/2016512
➖
Early support from: Joseph Capriati, Markantonio, Paco Osuna, Vinicius Honorio, Paride Saraceni, Irregular Synth, Hollen, Rob Hes, JSPR

Nicolas Taboada & Drigo - Conciousness (Original Mix) [Orange Recordings] - ORANGE058

SØKAR - Future Thoughts
Release : 29.08.17
All rights reserved for the producers of these tracks.

Future Thoughts

EKLPX - Virées Nocturnes [CR006]

EKLPX :
@eklpx
www.facebook.com/EKLPX/

Ocult : 
@ocultt
www.facebook.com/ocultmusic/

Deevai :
@deevai
www.facebook.com/deevai.music/

Carcères Records :
www.facebook.com/carceresrecords

Available on "Pay what you want" on Bandcamp:
https://carceresrecords.bandcamp.com/album/vir-es-nocturnes

Artwork : Maéva Davis

Virées Nocturnes

Pay what you want

EKLPX - 6am (Deevai Remix)

Betty Ford

It is not the honor that you take with you, but the heritage you leave behind. We don't have every day a rework of a classic techno milestone on a label that tries to push the boundaries of the future, but this time is the time. Thomas Schumacher represents one of those artists that was there since the very beginning, and he is the proof of how an artist can evolve in many ways during the years, but always been devoted to techno, and the meaning of it. 'When I Rock' was played all over the world for decades but now gets a brand new rework by label boss Emmanuel, and the creator itself Thomas Schumacher. The record has a B/W sleeve cover design by Caitlin Schumacher on 12", and you can buy it now, Worldwide. Listen: bit.ly/2NNGwN8
▬
Buy the 12" Worldwide or in these online shops: 
Vinyl: fanlink.to/UcY - #ARTSRECORDS
Digital: bit.ly/2KZueU7

Written & produced By Thomas Shumacher,
Remixed by Emmanuel Beddewela
P+C 2018 Arts Ltd
® all rights reserved ＡＲＴＳ.

B1. Thomas Schumacher - When I Rock (Original Mix)

Emmanuel Top - Climax V1

Plastic City 1994 Germany
http://www.discogs.com/AWeX-Its-Our-Future/release/1088

AWeX - It's Our Future

Special Acid Edition

DJ Misjah & DJ Groovehead - X-Pact

LF RMX 017

A1 Planet Love Ink - Living In Pain (Len Faki Deepspace Mix)
A2 Brotherhood Of Structure - We Are Structure (Len Faki Hardspace Mix)
B Illuminatae - Tremora Del Terra (Len Faki Hardspace Mix)

For this edition of the LFRMX-series Len Faki is turning to 1990‘s trance and acid. The bpm might be lower than back in the days, but there‘s just as much energy coming off these irresistible tunes in their updated versions.

Featuring the original‘s sizzling synth work by Kompakt co-founder Wolfgang Voigt‘s early collaborative projects, Planet Love Ink strikes an upbeat chord in order to show off its grand piano break for maximum effect.

Equally tapping into the early nineties, Structure – We are Structure is a weighty acid banger with no frills attached. Straight, honest and nailing era‘s vibe to the core. B-Side‘s all about old school trance, booming breaks, and epic synth-sweeps, in this instantly captivating, elevating and driving rework of Illuminatae – Tremora del Terra, a hymn to many back in the days.

www.lfrmx.com

bandcamp

B Illuminatae - Tremora Del Terra (Len Faki Hardspace Mix)

http://smarturl.it/lamusicaesdios

ARTIST: ELLEN ALLIEN
EP TITLE: UFO
LABEL: UFO Inc.
CAT. NO.: UFO3
BARCODE, PHYS.: 4260600220291
BARCODE, DIGITAL: 4260600220307
FORMAT: 12“ / DIGITAL
RELEASE DATE: November 25TH 2019
DISTRIBUTION: CLONE / THE ORCHARD



Ellen Allien Keeps It Raw with the Third Release from Her UFO Label

Ellen Allien returns with the third release from her label UFO Inc. Focused on a raw aesthetic, UFO Inc. serves as a space for artists to explore the dark, rugged side of the music. On this third installment from the label we get three deliciously dark productions...

First out of the block is ‘La Musica Es Dios’ , which comes in two mixes. On the first mix the mood is upbeat with bright frequencies and skipping beats. Though, once the main body of the track comes in, a menacing swathe of analogue growls and snarls at you with aplomb. A breakdown tinged with 8-bit leads us into a rousing sec- tion of the track before another slight break ushers in more menace in the low end.

The second works from the deeper tremor of its juddering bassline, subtle beats tease this cut along with a contagious rhythm. As a master of vocal hooks, Ellen skillfully introduces a distorted clip that repeats over and over as the drama unfolds. Wistful pads and a sombre riff keep it melancholy.

Finally, ‘Junge sein’ (german for ‚being a boy‘) penetrates our minds with its punchy drums and snares. The pace is quicker and more energised with a pervading sense of dread emanating from the background. This cut is downright nasty, with a sneering riff and shadowy atmospherics. Rough, rugged and raw analogue technoid funk from an unknown future.

La Música Es Dios

La Musica Es Dios

Buy it at iTunes: https://itunes.apple.com/us/album/new-time-new-place-egbert/id627528059

When Mauro Picotto&#8217;s enormous New Time New Place landed in 2003, it came as one of the pioneering Italian techno producer&#8217;s most stunning tracks yet. 10 years on and it still sounds incredibly fresh and unlike any other track, fizzing with rampant synth energy, thumping beats and delightfully warped, ultra-melodic riffs. It&#8217;s lost none of its charisma or power over time, and still does the damage on a contemporary dancefloor. Great Stuff are bringing back this classic for a new generation, along with three immense remixes.

Dosem comes fresh from big releases for the likes of Intec Digital armed with an absolutely killer groove, laden with chugging sub bass and bouncy percussion. He teases the original&#8217;s soaring chord progression in and out of focus, making for a tensely contrasted version.

Holland&#8217;s Egbert goes heavy on the cowbell and makes the most out of the original&#8217;s manifold refrains, extracting the maximum energy from the sounds therein and fusing them to a funk-fuelled groove that fans of Joris Voorn will likely appreciate. His remix builds pleasingly, utilising the original&#8217;s parts in gradual fashion to reach a fever pitch.

Gary Beck has other ideas, however. He loops the riffs into submission, slowly building a steamroller of a groove that&#8217;s got pace and lots of classic techno weight. The cymbal rides are tough, the bass is murky and dark, and it&#8217;s one for those who likes things tough and heads-down.

Mauro Picotto & Riccardo Ferri - New Time New Place (Original Mix)

Stay awhile and listen.
IMHO some of best techno tracks ever.

Tracks are not available for download.

Dk8 - Murder Was The Bass (Dk8 Reworked)

Stereo Miljac

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