IMPROBABLE

Our third release is a collection of various artists.
"Tincture For The Soul part one" includes 5 ambient tracks for deep self-immersion.

Tracklist :
1. Symphocat - A Question To Reality (opus3) 
2. Vitaliy Koltygin - Hill Traveler 
3. Konstantin Beresnev - Liores 
4. Mind Landscape - Alchemy 
5. BOTN - Nostalgia 

Наш третий релиз - это коллекция разных артистов.
"Tincture For The Soul part one" включает в себя 5 эмбиентных треков для глубокого погружения в себя.

Music by Various Artists
Photo by N. Aniskin
Mastering and design: Sonus Fora

Tincture For The Soul part one

Symphocat - A Question To Reality (opus 3) [SF003]

Vitaliy Koltygin - Hill Traveler [SF003]

Der Waldläufer - Great Plains (Revisited) 🎑
🎧 Stream & Download: https://ffm.to/greatplains
🌆 Spotify Ambient Playlist: http://bit.ly/AmbientSpotify

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💬 I don't think of all the misery but of the beauty that still remains.
-Anne Frank

🧡 Der Waldläufer
http://www.linktr.ee/waldlauf

💿 Suggested track: https://youtu.be/9saCUyJu-sg

🎶 YouTube Mixes Playlist: https://amg.fanlink.to/Mixes

🎵 More Spotify Playlists
Cinematic Paradice: https://amg.fanlink.to/CinematicParadice
Relaxing Journey: https://amg.fanlink.to/RelaxingJourney
Downtempo Vibes: https://amg.fanlink.to/DowntempoVibes
Vocal Dreams: https://amg.fanlink.to/VocalDreams
Chill Beats Lofi: https://amg.fanlink.to/ChillBeatsLofi

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#Ambient #Cinematic #Instrumental

Music Video 🎵

Der Waldläufer - Great Plains (Revisited)

Caldon Glover presents us their Cryo Chamber debut album "Ùir". A haunting collection of dark ritualistic explorations of pre-Roman Celtic tribes lost in time. They evoke an atmosphere of stone covered hills and gnarled trees in the mist, and create a sense of what could have been, a timeline where the history of the Picts took a different path.

A journey through bleak windswept moors and the dark mountains of the highlands. Each track captures the raw power and majesty of Gaelic temples and ancient woods.

Recommended for fans of ritualistic drumming and dark minimalistic cinematic music.

Ùir

Bandcamp

Luibhean

Circle

Thread

välvillig kärlek

01 Lustmord - Er Eb Os
02 Hexenhammer - Do As Thou Wilt Shall Be The Whole Of The Law
03 Biosphere - The Silent Orchestra
04 Steve Roach - Black Cloud
05 Robert Henke - Studies of Thunder
06 Edge of Motion - Iceberg Holiday
07 Chra - Adorable Vanity
08 Robin Fox - Dark Rain
09 The Drome - Squirrel
10 Ryan James Ford - Lempt Jarkarin

End Of Days A Dark Ambient Special 2015 - 16

This track for yoga vid 
https://www.youtube.com/watch?v=SBrmtkS6Tlo
:)

Nyang Beach (Manu Shrine synth edit)

from 'Electric Stutter' [CD|2xLP|Digital]
Denovali Records · den281
available on all formats at [http://denovali.com/orsonhentschel]

Almost one year after his debut LP Feed The Tape, Orson Hentschel enters new musical terrain wearing old shoes. His second LP Electric Stutter, which is almost 55 minutes long, is only loosely connected to his debut. Whereas Feed The Tape was strongly shaped by Classical Minimal Music, Hentschel now incorporates influences of Trip-Hop and Electronic Pop Music. Since his childhood, he considers artists like Massive Attack, Portishead and Björk as some of his most important sources of inspiration. The influence of this kind of popular music is clearly audible. Hentschel’s new tracks are shorter, more shaped and reduced in the density of their sound material. Pattern-oriented repetitions, which where in the focus of Feed The Tape, now fulfil the function of sophisticated sub-components of the overall composition and are subordinate to the melodic forms or merge with them. Also the amount of sample-based material has decreased in order to create space for synthetically produced sounds with melodic character. Electric Stutter is more complex and more detailed than Feed The Tape. At the same time the reduced density of sound material and the higher amount of melodies form a kind of music that is more easily accessible.

Whereas the Düsseldorf-based composer started off with classical piano, he by now concentrates on electronic and experimental music and film compositions. Even though Hentschel has experienced a classical education, his composition techniques are anything but traditional. His creative starting point is rarely rooted in musical ideas, but consists of finding appropriate sound material. His sources are diverse: sounds and samples like soundtracks, film sounds, music albums or internet findings encounter polyphonic vocal-music from the 14th century and composition techniques of Minimal Music such as Steve Reich. In his compositions Hentschel draws a cross-section through the history of music and its genres in order to form his own musical expression. Considering his studies of music science in Düsseldorf and previously in Vienna and Dresden, his musical time-jumps appear less surprising.    

Describing Orson Hentschel only as a composer of contemporary music does not do him justice. In his self-conception as an audio-visual artist he creates his own live show, combining lights, visuals and fog to a stunning atmosphere, which cannot be eluded. Supported by live-drummer Lukas Baumgart, Hentschel delivers a sound, whose energy is physically palpable and electrifies the audience. A live-show generating an intense experience, going to the limit and erasing any sense of time. Orson Hentschel moves perceptions not merely through sheer volume, but with driving repetitions and extensive tension.

Electric Stutter

Orson Hentschel - Fade In, Fade Out

Dead Melodies presents us a dark cinematic space album with Primal Destination. 

The dying star shone weak in the ancient system. Desperate bursts of green-tinged solar flares scattered towards the nearest planet; a terrestrial world circled by a ring of moons. The crew's search for habitable lands seemed to be reaching an end. 

Upon descent, as far as the eye could see, jagged lapis-blue karsts peaked the horizon, almost reaching up to meet the flares above as they breached the atmosphere. Dazzling pearlescent skies laced with layers of swirling clouds gave the impression this was a land harmonious with nature, but as the exploration pod set down in the clearing of a misty swamp, this seemed far from true. 

Remnants of civilizations tore through the land from what appeared to be a long forgotten race. The karsts were hollowed-out with metal shards spiking out the sides, entangled in flora and corroding at the roots. Strange bird calls carried on the wind, underpinned by bloodthirsty growls that echoed from the tangled foliage. In the distance, beyond the low lying mists, sentry beacons lit up the overlooking foot hills followed by search lights that scoured the glade highlighting the endless sea of ruins before focusing right on the pod, and then the chase began... 

Deep drones, sweeping atmospheres and a mysterious setting creates an immersive setting for this sci-fi journey.

Primal Destination

Superdrone Descent

Línia / Pedra / Paisatge / Solc has been finally released by the wonderful Whitelabrecs run by the super talented Harry Towell. You can already listen, purchase and support my latest work based on a very specific landscape.

This special limited edition release is in a run of 100 copies, modeled around the classic gatefold vinyl LP. It includes printed front, rear and inner sleeves featuring photography by myself, along with a card sleeve which houses a printed vinyl-effect CDr.

This is the outcome of my residency at Culla during Fall 2018 and marks the second collaboration with Double Bass player Rafa Ramos Sania. Album has been mastered by Pedro Pina. The whole thing has been possible thanks to Culla, mágica y medieval, Espai Nivi Collblanc, Mariano Poyatos Mora.

You can get a copy of it at: 
➡️ https://whitelabrecs.bandcamp.com/album/l-nia-pedra-paisatge-solc

And you can learn more about this project at:
➡️ http://www.educomelles.com/2019/11/linia-pedra-paisatge-solc.html

Línia Pedra Paisatge Solc (excerpt)

@nomiistvision

Download: https://nomiistvision.bandcamp.com/album/nomiist-vision-the-album

Stream: https://spoti.fi/2Y19W0E

Nomiist Vision: The Album

Losing Her

~ IIKKI 013 ~

music : Toàn
photography : Gilles Roudière
album/book : Volta No Vento
duration : 35.52 mn (vinyl) 36.52 mn (cd)
date : November 2020

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Composed, recorded and mixed by Anthony Elfort between 2017 and 2019 in Cruguel, France.

Mastered by Taylor Deupree
Artwork by Gilles Roudière
Design by sprflxgrfzm

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edition :
vinyl : limited to 250 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 400 copies hand numbered + hand stamped

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pre-order : October 29th, 2020 / official release : November 29th, 2020

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Links :
https://ambientoan.bandcamp.com/
https://soundcloud.com/toan-3
https://www.gillesroudiere.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music
https://www.facebook.com/iikki.books/
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℗ & © 2 0 2 0 - I I K K I - I I K K I 0 1 3

Toàn - Volta No Vento (album preview)

track 7 from “Abstract Elegies” by Rahikka (@iamrahikka )

https://rahikka.bandcamp.com/album/abstract-elegies

Abstract Elegies

Rahikka - Elegy VII

~ IIKKI 014 ~

music : Observatories (Ian Hawgood & Craig Tattersall)
photography : Miho Kajioka
album/book : Flowers Bloom, Butterflies Come
duration : 40.58 mn (vinyl) 45.10 mn (cd)
date : March 2021

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All music by Ian Hawgood & Craig Tattersall.

Mastered by Ian Hawgood
Artwork by Miho Kajioka
Design by sprflxgrfzm

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edition :
vinyl : limited to 300 copies hand numbered
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 750 copies hand numbered + hand stamped

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pre-order : February 15th, 2021 / official release : March 25th, 2021

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Links :
https://www.leavings.co.uk/
https://www.folkreels.com/
https://www.mihokajioka.com/
https://www.iikki-books.com/
https://iikki.bandcamp.com/music

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℗ & © 2 0 2 1 - I I K K I - I I K K I 0 1 4

Observatories - Flowers Bloom, Butterflies Come (album preview)

ambient record label and radio network (Ambient Sleeping Pill & a.m. ambient)

Rahikka - Elegy VII

Stereoscenic Records

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