Ornithology Today. Vol. 4. issue 2.

Ornithology Today Volume 4. Issue 4.

Theme music forJ.Y Larsson & Lars Sandved Dalens book, podcast and website "Den fantastiske skogen" (The Fantastic Forest) These pieces are made for background music for the associated Podcast. Bird song recorded by Hans Petter Kristoffersen.
www.denfantastiskeskogen.no

River Warbler & Grashopper Warbler (Elvesanger&Gresshoppesanger)DFS9

Theme music forJ.Y Larsson & Lars Sandved Dalens book, podcast and website "Den fantastiske skogen" (The Fantastic Forest) These pieces are made for background music for the associated Podcast. Bird song and water recorded by Hans Petter Kristoffersen.
www.denfantastiskeskogen.no

Den Fantastiske Skogen. (Main  theme, dialogue  version)

Ornithology Today Vol.1 Issue 1.

Tree Pipit and Skylark (Trepipelerke og Sanglerke)

Blackbird & Chaffinch (Svarttrost og Bokfink)

Jackdaws and Crows (Kaier Og Kråker)

Marsh Warbler (Myrsanger)

Yellowhammer (Gulspurv)

Wood Warbler (Bøksanger)

Theme music forJ.Y Larsson & Lars Sandved Dalens book, podcast and website "Den fantastiske skogen" (The Fantastic Forest) These pieces are made for background music for the associated Podcast. Bird song recorded by Hans Petter Kristoffersen.
https://linktr.ee/Sternklang

Further listening

Song Thrush

Disquiet Junto Project 0527: Magic Number (3 of 3)

The Assignment: Complete an asynchronous trio begun by two other musicians.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0526). Note that you are finishing a trio — you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0526 2

And additional tracks appear in the discussion:

https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Step 3: Record a piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and it should be placed dead center between the left and right stereo channels. When composing and recording your part, do not alter the original piece of music at all. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.

Step 4: Also be sure, when done, to make the finished track downloadable, because it may be used by someone else in a subsequent Junto project.

Step 5: As with last week, you can contribute more than one track this week. You can do up to two total. If you choose to do a second, you should preferably try to use a duet track that no one else has used yet. The goal is for many as people as possible to benefit from the experience of being part of an asynchronous collaboration. After a lot of detailed instruction, that is the spirit of this project.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0527” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0527” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.






More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: https://disquiet.com/0527/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0527-magic-number-3-of-3/

Disquiet0527 Dead center. With Dan Simpson & J. Benjamin Niemi

Paul Beauodin Right channel, Caustic Gates Left Channel

Disquiet Junto Project 0527: Magic Number (3 of 3)

The Assignment: Complete an asynchronous trio begun by two other musicians.

More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: disquiet.com/0527/

More on the Disquiet Junto at: disquiet.com/junto/

Subscribe to project announcements here: tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: llllllll.co/t/disquiet-junto-pr…agic-number-3-of-3/

Veeliin. Disquiet0527 With Paul Beaudoin & Caustic gates

22.02.2022

Major thanks to Saga Söderback for having come up with this project.

More on this 530th weekly Disquiet Junto project – Minimally Viable Music (The Assignment: How much less is just shy of too little?) – at: https://disquiet.com/0530/ 2

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0530-minimally-viable-

enormt minimal (Disquiet0530)

A Droning, slow Sweep through the Resonance-/Frequency-range.
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

disquiet0569

Kappverdestormsvale1.5 (Cape Verde Storm Petrel)

Sunday 26 February ´23

Birds Of Japan 1 ( v.1.4)

Tricky Girls Sternklang Remix. Vocals: Therese Lunde. 

Tricky Dub 2006

Euphoric Fifties

Tonbandstimmen

In 1931, Marinetti published a Manifesto of Futurist Aeropoetry, in which he urged the Futurist poets to emulate the aeropainters. Evoking the physical and psychological sensation of flying, Marinetti and his fellow poets described not only what they felt but also how it affected them. Attempting to describe what they saw from their aerial perspective, they indulged in verbal pyrotechnics.

Aeropoéme

SCELSI (Draft V.2.5.7)

In 1959, while recording birdsong in the countryside with a reel-to-reel tape recorder, Jürgenson claimed to hear inexplicable voices on playback. One of the voices reportedly called his name and spoke in a manner that suggested it was not from a living person.

He initially dismissed this as interference but soon became convinced these voices were messages from the dead or other dimensions.

The "Jürgenson Frequency" is not an established scientific term or concept but is sometimes referred to in paranormal circles as a supposed specific range of radio frequencies or sound wavelengths where Electronic Voice Phenomena (EVP) are more likely to occur. This idea is loosely attributed to Friedrich Jürgenson, based on his experiments with EVP and his claims of receiving voices from the dead via tape recorders and radio static.

The Jürgenson Frequency

The meandering side river of Namsen in Northern Trøndelag Norway, Nordåa, captured with sounds of Song Trush and Blackbird singing in the back woods. This is the place I spent my summers in my childhood days.

Nordåa

Lanterns

Winter Wren (and a bunch of other birds) caught in the brief summertime of Norway. Moog Labyrinth and Pittsburgh Modular Taiga used as main instruments.

Gjerdesmett I

Field recordings from early May this year, in company with Analogue gear. The East Coast of Norway meets West Coast synthesis...

Jeløya

Mesnali Woolgathering

Gjerdesmett II

Midnight In Europe

Not quite there yet, might not make it to the album, but what the hey, this is work in progress, and I´d love to hear what you might think!

Terraplane

First recording: Messing around with two instances of Korg Volda Micro Modular. A Great little machine with a lot of potentials.

VolksTanz

An alternative (less frantic) version of the remix of "Playmachine" by Wibutee, only available on the japanese pressing of the album. I quite like the calmness of this version.

Meander (Wibutee Remix by Sternklang 2004)

Theme music for Lars Sandved Dalens book "den fantastiske skogen" (The Fantastic Forest) These pieces are for background music for the associated Podcast.

Kaier Og Kråker1.3 Strippet

Theme music for J.Y Larsson & Lars Sandved Dalens book "Den Fantastiske Skogen" (The Fantastic Forest) These pieces are for background music for the associated Podcast. Sounds of Golden Plover recorded at Steinfjellet, Norway by Hans Petter Kristoffersen.

Heilo, Steinfjellet (Golden Plover) v.1

European Nightjar (Nattravn)

Sternklang from Norway. I make electronic music, often with elements from field recordings.
Listen on Spotify Tidal Apple etc.
www.gate.fm/Quk54BB5g
gate.fm/wzjix5MPN
gate.fm/YWTok1a
gate.fm/v8Hh45rxY
gate.fm/vdHsjK

Sternklang

Pinned to spotlight

Popular tracks