@sunny-gianni: Thanks, Sunny! Glad you enjoyed.

@ttuttle: Indeed. and it gets interestinger and interestinger. Thanks for listening!

Yes, musical pointillism, inspired idea beautifully executed

Buttery bass and sultry vocals Nairobi.

Download and tracklisting: https://bit.ly/XLR8Rpodcast_Jinku

@jinkubeats

XLR8R Podcast

Download & Tracklist

XLR8R Podcast 749: Jinku

Download: http://www.xlr8r.com/mp3/2014/05/i-fell-love

Download

Gidge - I Fell in Love

this one is not on the album.  its an alternate version of track five, which (in it's original form) is on the album.
short stuff EP / releasing july 2023
10 songs in 5 minutes. *

album artwork by my daughter - www.instagram.com/iboyte/

1. big fuzzy bumblebees 00:39
2. you're everything to me 00:34
3. handsome model man 00:35
4. street fighter theme for bass guitar, oboe* and flute** 00:35
5. any other way 00:11
6. i am not the one (ft taxihome) 00:30
7. hoochie mama (ft auntspinkick) 00:24
8. and they wait for the tiny bone 00:47
9. right behind you 00:21
10. sad little scratchy thing 00:32

all music and what not by andrew salvner except for:
- the reversed drums on track 2 are from plex auchta
- track 4 is a cover of a riff from a street fighter video game
- track 6 uses a reversed portion of a taxihome song

@plex-auchta
www.streetfighter.com
@taxihome

* 5:05 if you're gonna be a dick about it

short stuff

any other way (slowed+reverb)

Rich, delicate electronics from Jeff McIlwain.  

Tracklisting and download: https://bit.ly/XLR8Rpodcast_Lusine

Tracklist & Download

XLR8R Podcast 814: Lusine

High energy house with a twist. 

Tracklisting and download: https://bit.ly/XLR8Rpodcast_Miki

@tirumiksu

XLR8R Podcast 827: Miki

VIMES release their new single Celestial (Reprise) next week via Needwant, bringing their unique brand of stylish, future-forward electronic music, combining both melancholic 80s touches with a contemporary live instrumentation and upbeat production, from Germany to the UK and beyond.

Release date: 29 September on Beatport

http://www.needwant.co.uk
https://www.facebook.com/Needwant
https://soundcloud.com/seanneedwant



Celestial (Reprise)

Funky Chicago house from a pioneer.

Tracklisting and download: https://bit.ly/XLR8Rpodcast_DJSneak

XLR8R Podcast 836: DJ Sneak

« Language gap » que l’on traduirait par « barrière linguistique » ou « fossé du langage ».
Voilà qui caractérise et achève prématurément ma rencontre avec Mat Ward (@no-mates-ensemble), musicien Australien des plus dingues dont je suis le travail depuis plus de 10 ans.
Il est rare de connaître des créateurs qui, bien que monstrueusement éloignés géographiquement, vous donnent le sentiment d’une proximité de goûts, d’un partage d’une même curiosité, la même excitation de transformer des influences communes - autant de points de ralliement que vous seriez en peine de dénicher, même, chez vos amis les mieux établis ou les membres restreints de votre propre famille.
Une longue période, donc, à écouter / commenter / analyser nos opus respectifs, à nous rassurer dans les moments d’agacement / de rancœur de n’attirer jamais un cercle d’oreilles plus attentives, à nous encourager dans les périodes où il nous semble que nous n’avons plus rien à dire…
Des mots, des phrases qui annotent les formes d’ondes de nos morceaux publiés sur Soundcloud. Le temps laissé à la réflexion et l’aide de traducteurs automatiques en ligne ; l’exercice est confortable.
L’échange est bien plus périlleux lorsque, chairs et os, l’on se décide à enfin se rencontrer.
A l’occasion d’une résidence artistique, Mat s’extrait enfin de son Australie et séjourne à Paris. Et ce sont 15000 km qui doivent se compacter en une parole jaillissante.
Autant vous avouer que ce fut bien raté. Pas foutus, l’un comme l’autre, de réaliser un assemblage franco/anglais explicite. De longs silences, beaucoup de frustrations. Je me rappelais soudain la gêne que j’éprouvais à communiquer en vain avec ma grand-mère devenue sourde.
Chienne de vie !
La conclusion implicite fut que nous ne communiquerons jamais mieux, à l’avenir, que par le partage à distance de fichiers sonores…
Voici donc une première concoction commune ; en espérant que nous arriverons à constituer un album en fin de compte, si le temps et l’inspiration nous le permettent.
Je souhaite surtout que ce titre vous donnera l’envie de vous ruer vers l’écoute de ce musicien-monde de Mat Ward, cet homme-orchestre auto-suffisant et ultra-inventif qui a la bonté et la curiosité de multiplier les collaborations avec des musiciens aux esthétiques diversement marquées.
Ci-après, le lien précieux vers son Bandcamp :
https://nomatesensemble.bandcamp.com

Bonne écoute !!

Mars 2021.

Language gap

Language gap (Mat Ward & Fardeau Losange)

Then She Reaches For The Gun was a one off project, bringing together more than 50 artists from across the globe, releasing an album in late 2022  https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future   But it was so much fun we are back for more.

The following Artists appear on this track :
Angostura Elwar -  2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano 
Ambient Annie    -  Electronic
Banalytic  - Noise 
Chicago Word Brigade - Metal Electronica
Dane Renshaw  - Drums/Voice
Dani Kirby              -  Piano/Voice  
JZsuperstar - Doors/Keyboards/Water 
Libby Laksmi   -   Jazzy Loops      
Oberlin   -   Electric Guitar
Paul Miller - Electronic Percussion/Funk/Keyboards
Phil Bywater - Saxophone/Voice
Rosin Dust - Field Recordings/Saw/Violin
Robert Jefferson - Percussion
Wivresse - Electronica/Vocals
Mat Ward - Noise/Bass Guitar/Voice/Arrangement

Then She Reaches For The Gun - This Isn't Even Creating A Sense Of Space

« J’ai travaillé péniblement, des jours et des jours, à la fabrication d’un piège ; quand il a fonctionné, j’ai pu manger des oiseaux sanglants et douçâtres. J’ai suivi la tradition des solitaires : j’ai mangé aussi des racines. La douleur, une lividité humide et terrifiante, des états cataleptiques qui ne m’ont laissé aucun souvenir, d’innombrables cauchemars d’épouvante m’ont permis de reconnaitre les plantes les plus vénéneuses. »
Adolfo Bioy Casares, "L’invention de Morel" (1940)

3 juin 2024.

J’ai mangé des oiseaux sanglants et douçâtres

Fardeau Losange - J’ai mangé des oiseaux sanglants et douçâtres

Stippled!

The good folks at Vaatican Records have published another release of mine, "Persimmon Trees and Comic Books". Check it out here: http://gestrococlub.org/SCOXROX2.htm

"Stump Speech" is still available as well: http://gestrococlub.org/SCOXROX1.htm

I was recently featured on the Studio d'essai program on Brisbane's Global Digital radio broadcast: https://studio-dessai.github.io/2017/11/02/sdecv/

I was thrilled to be invited by S♨ciété Cantine to participate in an international collaboration with some of the finest experimental musicians on Soundcloud: 
https://soundcloud.com/societecantine/theyve-found-a-flying-saucer-in-my-stomach-an-international-exquisite-corpse

Be sure to check out "Star Stuff",  an hour long mix of my more quiet and contemplative tidbits culled from years of messing about with bits.

I have some older sets on Mixcloud: https://www.mixcloud.com/scoxrox/ The first one, "Bumper of Life" is particularly special to me.

Steve Cox is a Hudson, Ohio based information technology professional who has been obsessed with music for his entire life. Though he quit formal music education in the 6th grade, he began banging on pianos and recording crude tracks using 2 Panasonic portable cassette recorders and overdubbing in the early 80s. In the 90's, he recorded a bunch of original MIDI compositions consisting of sequenced loops and live improvisations. The album, called "Steve Cox Vol. 1", is so legendary and underground that it cannot be found anywhere. Steve himself probably doesn't even know where it is. Starting in 2009, it became apparent to Steve that people were charging pennies for iOS Apps that provided more power and functionality than thousands of dollars in electronic gear did only a few years ago. A new creative burst ensued, and Steve reinvented himself as an iOS musician.

Steve calls himself a "recovering jazz snob". Indeed, until the mid 2000s, you probably couldn't talk to him about music unless you knew who Don Pullen or Phineas Newborn, Jr. were. A few years ago he discovered the music of Steven Ellison (aka Flying Lotus), and came to an epiphany that good music had in fact been made after 1972, lots of it even.

Steve cites the following influences:


Louis Armstrong, Duke Ellington, Harry Belafonte, Charles Mingus, Wendy Carlos, Joni Mitchell, Joe Zawinul, The Eagles, Henry Threadgill, Peter Brötzmann, John Coltrane, Albert Ayler, Ken Vandermark, Prince, Miles Davis, Don Pullen, John Zorn, Paulo Moura, Pixinguinha, Pachora, Marc Ribot, The Boredoms, Yes, Otomo Yoshihide, Merzbow, The Beach Boys, Liberation Music Orchestra, Orchestra Baobab, Aether (aka Diego Chavez), Art Ensemble of Chicago, John Cage, Rahsaan Roland Kirk, Flying Lotus, Flying Luttenbachers, Public Enemy, Ametsub, Pat Metheny Group, Daedelus, Olivier Messiaen, Steve Reich, Sigur Rós, Hermeto Pascoal, DJ Shadow, Yamantaka Eye, Autechre, Sergio Mendes, Burial, Evan Parker Electro-Acoustic Ensemble, Galt MacDermot, J Dilla, Lester Bowie, Beirut, Art Blakey, Clifford Brown, Arvo Pärt, Mahavishnu Orchestra, Krzysztof Penderecki, Herbie Hancock, Bill Frisell, Himuro Yoshiteru, Art Tatum, Hudson Mohawke, Last Exit, Marco Benevento, Pere Ubu, Nosaj Thing, Prefuse 73, Rovo, Sonic Youth, Zs, Jim O'Rourke, Gang Gang Dance, Tim Berne, Madlib, Four Tet, Dimlite, Count Basie, OOIOO, Muhal Richard Abrams, Weather Report, Derek Bailey, Merle Haggard, Edgard Varèse, Sidney Bechet, Steve Lacy, Sun Ra, Jim Brickman, Buckethead, and Parliament

Stippled!

scoxrox

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