Say What! Stevie Ray Vaughan guitar cover

Gravação feita ao vivo em 2007.
Victor Simar - Bass  Theo Machado - Guitar   Plinio Drums - Drums

Stevie Ray Vaughan_Chitlins con carne (Live)

Art credit: http://society6.com/MichaelPaukner/Total-Ellipse-of-the-Heart_Print#1=45

Total Ellipse of the Heart

In April 2014 sound man Craig Isaac (craigisaac@hotmail.co.uk) dropped by to record us live during a practice. He also did a lovely mix for us too. 

Tuesday Blues Club is:
Vocals and blues harp- Mark Lucas-Phillips
Guitar- Mike Taylor
Bass- Chris Chapman
Drums- Matthew Cross

We play pubs and parties!

Statesboro Blues (Taj Mahal cover)

Willie Mabon  -I don't know at Chicago

A big tribute to the fabulous Blood, Sweat and Tears from me.

strumental hits vol.1

Blood Sweat & Tears - spinning wheel - latin jazzfunk vers

Trio:
Martin Berloto Guitarra y Voz
Paco Pintos Bajo
Marcelo Martino Bateria

Invitado Especial:
Bruno Berloto en Armònica

Técnico de grabación:
Luis Ravizza

Mix de Audio:
Martin Berloto

Producción:
Berequetum Productora - Tributo

Berequetum Estudio - Abril de 2014
Montevideo - Uruguay

Couldnt Stand The Weather


WE IN THE CLUB – A-Thugga developed a high degree of attention that would later characterize his rhymes. At the same time, through, he delved into street culture and flirted with danger, such experiences similarly characterizing his rhymes. His synthesis of well-crafted rhetoric and street-glamorous imagery blossomed in 2011 when he connected with we in the club and laid down a fiY verse on ITZBMRadio.com that earned him up-and-coming notice among the west Harlem coast rap scene. The ambitious rapper responded with a significantly different approach then he had taken with the fuel to the fire album . A-Thugga – produced it the signature album with much street cred however to the pop crossover market
WE IN THE CLUB PROMO
http://www.youtube.com/watch?v=TbCm0fmbAi4

A-THUGGA LIVE WITH PINKY VIP 
http://www.youtube.com/watch?v=o8feEt145xo



WE IN THE CLUB-A-THUGGA FEAT SUNNY LOVE (B.R.S TRACK MUSIC GROUP)

So Glad Your Mine

That's All Right

The good folks at Vaatican Records have published another release of mine, "Persimmon Trees and Comic Books". Check it out here: http://gestrococlub.org/SCOXROX2.htm

"Stump Speech" is still available as well: http://gestrococlub.org/SCOXROX1.htm

I was recently featured on the Studio d'essai program on Brisbane's Global Digital radio broadcast: https://studio-dessai.github.io/2017/11/02/sdecv/

I was thrilled to be invited by S♨ciété Cantine to participate in an international collaboration with some of the finest experimental musicians on Soundcloud: 
https://soundcloud.com/societecantine/theyve-found-a-flying-saucer-in-my-stomach-an-international-exquisite-corpse

Be sure to check out "Star Stuff",  an hour long mix of my more quiet and contemplative tidbits culled from years of messing about with bits.

I have some older sets on Mixcloud: https://www.mixcloud.com/scoxrox/ The first one, "Bumper of Life" is particularly special to me.

Steve Cox is a Hudson, Ohio based information technology professional who has been obsessed with music for his entire life. Though he quit formal music education in the 6th grade, he began banging on pianos and recording crude tracks using 2 Panasonic portable cassette recorders and overdubbing in the early 80s. In the 90's, he recorded a bunch of original MIDI compositions consisting of sequenced loops and live improvisations. The album, called "Steve Cox Vol. 1", is so legendary and underground that it cannot be found anywhere. Steve himself probably doesn't even know where it is. Starting in 2009, it became apparent to Steve that people were charging pennies for iOS Apps that provided more power and functionality than thousands of dollars in electronic gear did only a few years ago. A new creative burst ensued, and Steve reinvented himself as an iOS musician.

Steve calls himself a "recovering jazz snob". Indeed, until the mid 2000s, you probably couldn't talk to him about music unless you knew who Don Pullen or Phineas Newborn, Jr. were. A few years ago he discovered the music of Steven Ellison (aka Flying Lotus), and came to an epiphany that good music had in fact been made after 1972, lots of it even.

Steve cites the following influences:


Louis Armstrong, Duke Ellington, Harry Belafonte, Charles Mingus, Wendy Carlos, Joni Mitchell, Joe Zawinul, The Eagles, Henry Threadgill, Peter Brötzmann, John Coltrane, Albert Ayler, Ken Vandermark, Prince, Miles Davis, Don Pullen, John Zorn, Paulo Moura, Pixinguinha, Pachora, Marc Ribot, The Boredoms, Yes, Otomo Yoshihide, Merzbow, The Beach Boys, Liberation Music Orchestra, Orchestra Baobab, Aether (aka Diego Chavez), Art Ensemble of Chicago, John Cage, Rahsaan Roland Kirk, Flying Lotus, Flying Luttenbachers, Public Enemy, Ametsub, Pat Metheny Group, Daedelus, Olivier Messiaen, Steve Reich, Sigur Rós, Hermeto Pascoal, DJ Shadow, Yamantaka Eye, Autechre, Sergio Mendes, Burial, Evan Parker Electro-Acoustic Ensemble, Galt MacDermot, J Dilla, Lester Bowie, Beirut, Art Blakey, Clifford Brown, Arvo Pärt, Mahavishnu Orchestra, Krzysztof Penderecki, Herbie Hancock, Bill Frisell, Himuro Yoshiteru, Art Tatum, Hudson Mohawke, Last Exit, Marco Benevento, Pere Ubu, Nosaj Thing, Prefuse 73, Rovo, Sonic Youth, Zs, Jim O'Rourke, Gang Gang Dance, Tim Berne, Madlib, Four Tet, Dimlite, Count Basie, OOIOO, Muhal Richard Abrams, Weather Report, Derek Bailey, Merle Haggard, Edgard Varèse, Sidney Bechet, Steve Lacy, Sun Ra, Jim Brickman, Buckethead, and Parliament