le bain roof spring 2021

Eli Escobar live at Le Bain (April 2021)

recorded @ cod 1201 w. Devon Ave.
February 14, 1986
recorded by Frankie Knuckles for PG Ltd.

Frankie Knuckles Recorded Live @ COD Valentine's Day  1986

OVER&OVER 040 with the legendary DJ Garth recorded live at Love Long Beach Festival in July 2022.  All vinyl.  

Peep the blog and interview at https://overandoverstudios.net/mixes/040-garth

OVER&OVER 040: DJ GARTH

Eli Escobar Live At Redbud Dance Hall Oct.8th 2022

"I recorded this mix during the last days of summer. I spent a lot of the summer in Europe, gigging and swimming along the coasts of Italy. I wanted to preserve those feelings of joy, tranquillity and lushness in a soundtrack that could be revisited any time of the year. The mix ends on a special track by Eli Escobar and I called “Take Me,” released earlier this year."

Dj/ producer Kim Anh has been serving her diva-soaked and acid-laced sound for well over a decade. Once dubbed by Vice as a “club queen” she has been a long-time figure in the underground queer club scene. With appearances on several labels such as Gigolo Int’l, Afro Acid and Robert Johnson Live she is now at the helm of her New York based record label Can U Not Talk.

SlothBoogie Guestmix #358 - Kim Anh

Thank YOU for everything! Dance like every day is your birthday w/ @rissa at HOY 7YR Anniversary
Find out more at houseofyes.org | @houseofyesnyc

Rissa Garcia @ House of Yes 1.07.23 ☆ Thank U 4 Everything HOY 7YR Anniversary

Franklin, You made me look 4 thiz tape.... 1st track by The Look "March" ...That'z you!!!lol Now I have 2 dig that up!!haha So much good muzik & memories.
Thiz tape I believe came with Underground News Magazine. As alwayz, brother Danny deliverz tha good'z!!! I don't even want 2 talk... Let'z just listen as Danny & Franklin open thiz set.

YOU WILL ENJOY!!!

Manny Cuevas
aka
DJ M-Traxxx
aka
Thee Professor Of House & Techno Muzik

Psalms 150=My Truth

Underground News Presents 60 Minutes of Danny Tenaglia 1994'

1. Brian Lucas - Slave to the Vibe
2. Aliyah and Timbala - Try Again
3.  SyntheTigers with Tobirus Mozelle - Move Me (Aaron Ross)
4. Homero Espinoza - Blues in a Rose
5. SuSu Bobien - Believe
6.Kaylow - Nothing Better
7. Matthew Bandy - Pieces of a Dream
8. Sandy Rivera - Fall For You

*NEW SET*  STEVE FABUS  September 2014

+++ posted with kind permission of Marsha Stern (copyright holder) +++
...an epic 6.5 hour DJ set by legendary DJ Roy Thode at the even more legendary night club "The Saint" where dance music history was written. This is a special, so-called "morning music" set.

Quote from Tim Lawrence about this:
Robbie Leslie: "At around 6:00 AM, in a ritual that was not replicated in other venues, the DJ would let the final record of the peak set fade, accept applause from the crowd and acknowledge the work of the lighting person and the generosity of the crowd (if indeed the applause was enthusiastic, which wasn’t always the case). After that, the DJ would take the tempo right down and play a set that was commonly referred to as “sleaze” or “morning music”."
[taken from "The Forging of a White Gay Aesthetic at the Saint, 1980-84"]
http://www.timlawrence.info/articles2/2013/7/2/the-forging-of-a-white-gay-aesthetic-at-the-saint-1980-84-dancecult

...and Barry Walters on RBMA:
"As the night progressed, the tempo and intensity increased by tiny, nearly imperceptible increments until climaxing around 6 AM, when the DJ would stop the music and the still-sizeable crowd would applaud as if giving a Broadway cast their standing ovation.

Then the DJ would resume, but at a somewhat slower tempo, and in a more lyrical and romantic style known as “morning music.” In a morning music set, the tempo of the tracks might build again, but typically not their intensity. Instead, DJs programed morning sets to ease dancers off stimulants and take them down an ethereal, more relaxing and soulful path for several more hours. Then the jock would usually take another encore, henceforth playing what many call “sleaze.” Sleaze might be overtly sexual, like Skatt Bros.’ “Walk the Night,” but usually not; its foundation was openhearted R&B; songs of longing, or regret, or sorrow or unmitigated joy.

This misnomer – Leslie emphatically objects to it – was especially deceptive because quintessential “sleaze” selections like Sharon Ridley’s “Changin’” or Viola Wills’ “Somebody’s Eyes” ranked among the evening’s most sensitively arranged tracks. Even when club music lost much of its compositional sophistication as the decade progressed, a “sleaze” set always radiated class. "
[taken from: "Nightclubbing: New York City’s The Saint"]
http://daily.redbullmusicacademy.com/2015/07/nightclubbing-the-saint

Roy Thode - Morning Music at The Saint (6.5 hours!) NYE 1981/82

Live recording from Cologne is for Lovers April 2019

James Hillard live @ Cologne Is For Lovers

Growing up in the UK, Carrie discovered her love of house music at the tender age of 14, when she started attending acid house parties. After moving to London at age 20, she became a resident DJ at the Friendly Society, a SoHo bar where she warmed up the London crowds before they went out clubbing. During her five-year residency, she also began playing at clubs and bars in Brixton, branching into soulful house and disco. She was fortunate to DJ with most of her DJ idols and favorite producers before leaving the UK for San Francisco in 2010. In SF, Carrie continues to play a combination of nu disco, classic disco, and house under the moniker CarrieOnDisco, with a singular focus on bringing joy to the dance floor. She has DJed at the Stud, Holy Cow, the Lookout, the Eagle, BeatBox, New Parrish, and Oasis. She is one of the resident DJs at Pound Puppy and has played for SF institutions including Honey Soundsystem, Some Thing, Hard French, Polyglamorous, and Go Bang.

https://soundcloud.com/carrieondisco

Art by Blake Cedric

Deep South Podcast 048 - CarrieOnDisco

Steve Fabus, one of the few club DJs whose career spans almost the entire history of the profession and art form itself. He has played at legendary clubs Trocadero Transfer, I-Beam and EndUp in San Francisco, Tracks and River Club in NYC and Does Your Mama Know and Probe in LA. Currently in SF he is co-founder with Sergio Fedasz and resident of Go BANG going into its 12th year. He plays all over the San Francisco Bay Area and has done guest spots across the country in NYC, Chicago, LA, Seattle, Philadelphia, Miami and other cities. Across the pond he's played at Horse Meat Disco and Dalston Superstore in London, Cocktail d'Amore in Berlin and Sub Club in Glasgow. Last summer he played a banner closing set at the Honcho Campout queer music gathering on the East Coast and was scheduled to play the Glastonbury Music Festival in the UK this June.

BIO  Early years details:
While playing the city’s infamous all-night loft party, Boiler Room in 1977, Steve was recruited to spin San Francisco's first large venue disco, The I-Beam. Trocadero Transfer opened shortly thereafter where Steve shared the booth with Bobby Viteritti.  In 1980, Steve became a resident of San Francisco’s legendary EndUp.  His shift was the 6 am to 2 pm slot for the Sunday morning party and many people credit him for starting what is still known as "Church".  

Offered residencies at both River Club and Tracks, Steve moved to New York City in 1983. Steve was inspired by many of the great DJs of this pinnacle period of Dance Music, from Larry Levan and David DePino at The Paradise Garage and Tracks, to Robbie Leslie at The Saint. Disco transitioned to Garage and House on Steve's Sundays at Tracks, where the night would not end until Monday morning.  

In 1988 Steve moved back to San Francisco to reopen Dreamland, and not long after, joined forces with promoter Gus Bean at the House club, Crew at the the former Trocadero space.  Steve then moved to Los Angeles in 1990 and quickly became a resident at Axis, Asylum and Pulse, and often played at Probe and the legendary afterhours club, Does Your Mama Know?

NEW SET STEVE FABUS September 2014

Steve Fabus

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