A collection of Orchestral Romantic Classical Film Score oriented pieces.

Orchestral Classical

Written, Arranged, Produced & Engineered by Mike Luv

ML- Programming & Patching in VCV Rack

Mundane Task

Wait another day
To say goodbye
Just choose another face
And give it anohter try

Though I know your battle is at it's end
I am not oke losing a friend

Now I keep on wishing 
For you
To see the sun
One more time
And then the moon

One more time
One more day
To stay

I know you said,
That you wanne stay
But not in the way,
You are today

That is why it's better to say goodbye
That is what you told me, that last time

Now I keep on wishing 
For you
To see the sun
One more time
And then the moon

One more time
One more day
To stay

Goodbye - Original Song

painting by me, a little cropped and resized

Cyclopean Descendants of Magpies

Cyclopean Descendants Of Magpies

Part 4 of my "All Hope Is Lost" mini track series.
The world is broken and all hope is lost but still the nomad wanders, into territories unknown he escaped but not without sin, now longing and searching for salvation...

Salvation

FULL INSTRUMENTAL!

“The Way” started with a piano melody and kept unfurling as I healed from the loss of a few loved ones last year…which was capped off with my beautiful family dogs both passing. The lyrics to this song took on their loss, but the whole thing is really an open entry from my own grief process through to happiness again.

Written, performed and produced by Jason Langvee
Mixed & Mastered by Uezurii (audius.co/uezuriiwav)

The Way [Instrumental]

O-Nuit Noire Funk

HELLO GABI THIS IS SIGGI TALKING ON THE PHONE
 KNOCK KNOCK HEY STEPHANIE ANYBODY HOME?
JUST WANTED TO REACH OUT AND PASS MY THANKS ALONG 
SO I FIGURED WHY NOT MAYBE PASS THEM THROUGH A SONG

BRAVO LADIES MERCI AUSSI FOR THE BRILLIANT JOB YOU’VE DONE 
AND YOU KEEP DOING DAILY MAN ! YOU TWO ARE ONE AWESOME
SHAKING UP THE DANCE FLOOR TURNING HEADS AROUND 
YOU LOVE MEZCAL I DO TOO SO NEXT ONE IS MY ROUND
DOO DOO DOO
WE WON’T GET BASHED JUST RAISE ONE GLASS FOR YOUR SHOW TO COME WHICH I’M SURE WILL BE A BLAST QUELQUE CHOSE D’ÉNORME 
HORS NORME

HELLO GABI ET STEPHANIE POUR VOS CRÉATIONS
DE LA PART D’UN SIMPLE FROGGIE FÉLICITATIONS
YOU GOT GUTS LOVE ENERGY PLUS IMAGINATION
I GUESS THAT’S THE RECIPE OF WHAT’S MORE THAN JUST FASHION

SO MAYBE JUST ONE MORE SHOT MY VERY LAST ROUND 
SEEMS TO ME YOU’RE ON A HOT SPOT ACCOMPLISHMENT BOUND
DOO DOO DOO DOO DOO DOO

WISH I WAS A MODEL AND I COULD FLY LIKE SUPERMAN 
WISH I WAS A MODEL

SIGGI'S APPLAUSE (Lyrics) Song for Gabi & Stephanie

He spent his whole life. He tried to do right
He gave them his best years. 
He worked late each night
He ruined his eyesight. 
Trying to get ahead

He was a company man through to the bone.  
He was always at work even when he was at home.
But like a commodity to be bought and liquidated
They had to let him go when the economy deflated

Hot prospects turn cold some say he’s too old
To start all over again
There’s too much free time he just can’t unwind
He’s forgotten how to play

He gave them his heart he gave them his soul  
and then they turned around and let him go
They said they had to watch the bottom line
It was getting pretty close to corporate bonus time
They said here’s wishing you the best of luck it’s nothing personal

He sits on a park bench smelling the stench 
of his broken dreams
And people they walk past no flags at half-mast 
for the demise of the company man

He was a company man through to the bone.  
He was always at work even when he was at home.
But like a commodity to be bought and liquidated
They had to let him go when the economy deflated
They had to let him go and now he needs to be sedated
He gave them his heart he gave them his soul  
and then they turned around and let him go
They said they had to watch the bottom line
It was getting pretty close to corporate bonus time
They said here’s wishing you the best of luck it’s nothing personal
They said here’s wishing you the best of luck it’s nothing personal

Company Man

Film Score Orchestral Romantic.
A journey from the Mountains of Tibet ... to ...

The Diamond

Film Score Orchestral Romantic
A theme from the past.
Written and titled before the video game ever existed.

The Age of Empire ( a theme from the past )

A brisk ballet piece based on an old theme written on guitar in the 1970s.

Safety's Beginning

And they say that on the night before the great crossing, Hannibal climbed the warm earthen moon-baked wall of his beloved’s home, sure-footed as a cat in the cool misty night. She waited for him on the balcony, her eyes bright with laughter, though her light dimmed when his hands found hers. They spoke not of armies, nor of the great beasts that would march beside him, but of almond blossoms drifting on the night air, and of how the stars seemed to lean closer to hear their words.

He told her he would return with tales so strange she might never know which were true, and perhaps a trinket or two from far-off lands. She teased him about the elephants — whether they loved figs as much as he — and he swore to bring her the answer. And when he slipped back into the dark, she could still hear the soft ring of his sword and smell the cedar oil in his hair, as if the night itself had promised to remember him.

Film Score Orchestral Romantic. A night meeting and farewell at the window. Hannibal crossing the alps.

Majesty of Charms

Epic, Heroic, The Lucid Champion. 
With a bit of circus music tossed in to spice it up!

Look Forward, Dreaming

2017-05-09 1512

Hey up Ryuk!

Our story begins with Jorrit disembarking at Boston Harbor with the ambition to give up life on the sea.
He's a salty ol' dog and it might be a difficult transition but his mission is to make it to the west coast of the United States.
Jorrit has some wild adventures and drunken debauchery in Boston before eventually making his way west into Pennsylvania where he buys a used Conestoga wagon and a team of horses
and sails off into the sunset towards his new life.

Hailing from Vondelingenplaat Netherlands, Jorrit Brouwer, son of a brew master, is frightened of large four legged animals because as a child he was kicked by a drunken donkey.

Conestoga Schooner - The Drunken Sailor Song

Shuffling toward him in the darkness was the gigantic, blasphemous form of a black thing not wholly ape and not wholly insect. Its hide hung loosely upon its frame, and its rugose, dead-eyed rudiment of a head swayed drunkenly from side to side. Its fore paws were extended, with talons spread wide, and its whole body was taut with murderous malignity despite its utter lack of facial expression. After the screams and the final coming of darkness it leaped ..

http://www.hplovecraft.com/writings/texts/fiction/hm.aspx

IG track (p)2020 for V/A Lovecraft Creatures, released on Cian Orbe ..
https://cianorbe2nd.bandcamp.com/album/lovecraft-creatures-cior-376

Dimensional Shambler

Thank you for visiting and listening. I appreciate your comments and messages. Please feel free to say hello! - Steve
General life - info / bio - - -
I began my musical education with listening as an infant and at the age of 7, in 1958, composed my first piece of music which was a brass quartet.

Early influences were guided by the musical taste of my Mother which was often Tchaikovsky and other romantic composers, with an occasional diversion to Big Band and pop music of the late 40's and early 50's.

The Boys Club Band, Grade School Choir and High School Band were a great education in basic orchestration and harmony and in the mid 60's, and self taught as a guitarist, I began live performance, which lasted until 1999.

Music and technology have always been my main interests and as those two elements continued to merge through the late 90's to the present, they have led me to the point where I now can successfully realize my earliest childhood dreams of musical expression in composing for full orchestra.

Special thanks to Mom for the great listening experience, brother Greg for the continued guidance in music from a formal perspective, and brother Lew for the technological expertise.

Look Forward, Dreaming

Steve Karl

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