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This Is Steve Bug

Vhyce returns to Pets with more of his beautiful signature cosmic disco and his timing is exquisite. Making his debut on Catz & Dogz label earlier this year with 'One Day We'll Float', the release landed just at the right time as we all plummeted into a bleak new year.

Now as summer begins to open up again, and things look a little brighter, he returns with equally precision-timed sounds. With its sultry bassline and big romantic pads, 'Monde Réel' hits with a big dose of hope. Translating to 'real world', this is a homage to the future. And that positivity remains on 'Insieme'. This time translating to 'together', it's another moment of unity as Vhyce takes us up and down the scale in classic Q&A arpeggiated style. Soft, gentle but emotionally soaring; you can almost feel the hugs as the woozy synths roll out.

Always one for balance, Vhyce includes the much tenser and introspective 'Subdued' for those darker moments when unity and togetherness seemed so far away. Then Catz N Dogz close the show themselves with a startlingly bright and dreamy take on 'Monde Réel'. Hopeful, fun, wholesome feel-good electronic music. Because Vhyce makes it so damned well. And because we all deserve to float again.

Monde Réel EP

Monde Réel (Catz 'n Dogz Pride Mix)

Following the more house & techno focused Spring Club Collection, The Visionquest dream team return with the sun-dappled Summer ‘Beach Collection’, starring Maceo Plex, Tale Of Us and Pillow Talk.

Part II of the Spring Summer Collection features a fresh selection of summer jams – a three-tiered melting pot of hot talent, dishing out a warm mix of sun drenched house steeped in soul, both dusky and bright, with an 80’s disco infusion. This next installment is testament to the ever-changing moods and winds across Visionquest sonic footprint. It sounds like the breeze and the heat of a memorable summer romance, soul music for the feet.

House maestro Maceo Plex steps up first with the bittersweet summer anthem ‘Falling’, the dreamy vocal drifts into the uplifting melody, funky guitar licks and subtle undercurrents of softly jackin’ beats build into psychedelic waves of hooky synths. Maceo Plex’s recent superb singles and Life Index album on Crosstown Rebels is a contender for album of the year.

Hot on the heels of the moody, epic ‘Dark Song EP’, Tale Of Us are back representing Visionquest with the deep melancholy of ‘Winds Of Change’. Eerie atmospheres unfold with gently broken beats, minor key bass notes and a mysterious vocal cut that penetrates the soul with its yearning clarity.

Sammy D aka Pillow Talk has been a fixture on the San Francisco house and techno scene for the past 12 years, having released as Justin Martin & Sammy D on luminary labels such as Derrick Carter’s Classic Records, Ben Watt's Buzzin'Fly and Claude Von Stroke's Dirtybird. Sammy's new project Pillow Talk (alongside production partners Michael Tello and Ryan

Williams) is straight up soul dance music. Influenced by the great RnB singers of the 50s and 60s, Sammy’s velvet vocals displayed here in the majestic ‘Love Makes Parks’ wash over the laid-back, swinging groove and the message is clear; It’s the Visionquest summer of Love.


TRACK LISTING

1.Maceo Plex – Falling
2.Tale Of Us – Winds Of Change
3.Pillow Talk – Love Makes Parks

Beatport link ; http://www.beatport.com/release/visionquest-beach-collection-spring-summer-2011/395616

Juno link; http://www.juno.co.uk/products/visionquest-beach-collection-spring-summer-2011/428407-01/


1. Maceo Plex - Falling (VQ 005)

Buy on Traxsource

The Black 80s - Move On (Kollektiv Turmstrasse Remix) [Freerange Records] (96Kbps)

The Mekanism - Touch

Let's Go To The Beach

Buy On Bandcamp

Simon Sim's - Let's Go To The Beach

Gotta Keep Movin!!! (Original Mix)

Released on Vinyl and Digital on Seth Troxlers "Pay it Say It " Label

OUT NOW ON BEATPORT - https://www.beatport.com/release/the-magic-room/1884147

Dino Lenny & Doorly - The Magic Room Main (Dino Lenny & Seth Troxler Edit)

http://www.beatport.com/track/lovework-dj-t-remix/3564464?utm_campaign=bp_share&amp;utm_source=bp_share_facebook&amp;utm_content=bp_share_track&amp;utm_medium=bp_share_track_3564464

Black Light Smoke - Lovework (DJ T. Remix)

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

Ian Pooley - CompuRhythm (Dixon 's 4/4 Treatment)

Solomun-Hypnotize

I hear you feat. Black Soda

Low Blow

Low Blow (Bug vs. Hawtin)

Resilience

Steve Bug is one of electronic music’s true originals. His relentless commitment to quality - both in his own work and in the many producers he has championed - has made him one of the world’s most revered artists and curators, and along with his labels Poker Flat, Sublease Music, Audiomatique, Dessous Recordings, Traffic Signs or Raw Elements has made a sizeable contribution to building the European house and techno scene as we know it.

I hear you feat. Black Soda

SteveBug

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