This 1 minute track was created for an infographic commercial. 
For licensing inquiries-- kylekwarr@gmail.com

Photo Cred:
http://instagram.com/bjuddleyadventureclub

And The Days Keep Passing

Pictures from Childhood - Andantino (Ivan's Song) - Aram Khachaturian

in the deep 12.2.25

want but can't have
it's not right yet
to deserve better
may be a burden

A Function Of Desire

Picture by Witizia: (https://pixabay.com/de/pyren%C3%A4en-berge-schnee-zenith-351266/)

Hope

Narcissus

Return

Once

Written and recorded over 2 days in South East London, ‘Carried’ is a collaborative EP from violinist Fiona Brice, cellist Tony Woollard and composer/producer Jim Perkins. The project began as an antidote to the sometimes laborious academic tradition of composing, scoring, revising, rehearsing, recording, editing and producing music. 

Each piece was created without score or prior preparation, relying on instinct, discussion and collaboration, with a focus on capturing the energy and essence of an idea whilst it is still fresh. 

The result is a suite of 5 emotive, meditative and distinctive pieces combining drones, elements of minimalism and chamber music with textured harmonics and the occasional melodic line. ‘Carried’ honours the spontaneity and spark of a new idea and nurtures it, creating a deeply engaging and cinematic sound.
credits
releases May 24, 2019 

Violin - Fiona Brice 
Cello - Tony Woollard 
Piano - Jim Perkins, Fiona Brice 
Tape Processing on Murmurs by Jameson Nathan Jones 
All tracks written by Tony Woollard, Fiona Brice and Jim Perkins 
Recorded and produced by Jim Perkins 
Mastered by Ben Wiffen 
Artwork by Lucille Clerc.

Carried

Cenes - Hope?

Into The Dawn - A quiet composition, for those quiet moments.

Into The Dawn

original music: luca longobardi
piano: luca longobardi

Setup:
Scholze Upright Piano (1985) + Hologram Microcosm

At First Sight

↓↓↓ بالعربي  ↓↓↓
Fourty Five? Why Fourty Five? 
This piece came to life one evening after a long time away from my piano, after a while of feeling restless and lacking any sort of motivation or inspiration to write/compose. Anytime I would attempt to play anything my fingers would direct me to the same 2 notes, and so the challenge began. The first part of this piece represents my unlimited thoughts where my right hand has the freedom, meanwhile my left hand plays the same 2 notes maintaining order and structure. Gradually my left hand switches roles with my right hand allowing it to slowly make sense out of the overwhelming right hand thoughts. Beauty emerges through the chaos as my hands learn to make use of the overthinking and live in harmony... and so applies to life. Now where did Fourty Five come from you may ask... every key on the piano is assigned a number from 1 to 88, and the 2 notes this whole piece was created from are keys 40 & 45. Therefore I chose to call it FOURTY (Not Forty) Five as a way to highlight both keys. 

Dana 🖤

خمسة و أربعين؟ لماذا خمسة وأربعين؟
ظهرت هذه القطعة إلى الحياة في إحدى الأمسيات بعد فترة طويلة من الابتعاد عن البيانو الخاص بي ، بعد فترة من الشعور بالضيق والافتقار إلى أي نوع من الحافز أو الإلهام للكتابة / التأليف. في أي وقت كنت أحاول كتابة أي شيء وجهتني أصابعي إلى نفس المفتاحين ، وهكذا بدأ التحدي. يمثل الجزء الأول من هذه المقطوعة أفكاري اللامحدودة حيث تتمتع يدي اليمنى بالحرية ، بينما تلعب يدي اليسرى نفس المفتاحين للحفاظ على النظام والبنية. تدريجيًا تقوم يدي اليسرى بتبديل الأدوار مع يدي اليمنى مما يسمح لها بالتخلي عن أفكار اليد اليمنى الساحقة. يظهر الجمال من خلال الفوضى حيث تتعلم يداي الاستفادة من الإفراط في التفكير والعيش في وئام ... وهكذا ينطبق على الحياة. الآن أنت تسأل من أين أتت خمسة وأربعين ... يتم تخصيص رقم من 1 إلى 88 لكل مفتاح على البيانو ، والمفاتيح التي تم إنشاء هذه المقطوعة بأكملها منها هي المفاتيح 40 و 45. لذلك اخترت تسميتها خمسة وأربعين  كطريقة  لتمييز كلا المفتاحين.

🖤 دانة

Once

Steven Gutheinz

Recent comments

Carmen Park

Related tracks