07 - Le Chant Des Sirènes - ISRC OK

First improvisation I recorded after returning to Hungary from the USA. Petrof upright with felt, recorded with AKG C 451B stereo microphone pair to tape with a ReVox A77 reel to reel machine.

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Oliver Patrice Weder just dropped the 2nd single from his new album The Shoe Factory. This one’s called RS, and it’s a moment of calm & introspection that’s full of warmth. You can give it a spin wherever you find your music : https://moderna.ampl.ink/RS

The Shoe Factory

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Oliver Patrice Weder - RS

Teo Collori presents his new project Momento Cigano with all-acoustic, all-original gypsy swing compositions, inspired by the one and only Django Reinhard.

Out now on Lowtemp Records.

The band:
Teo Collori - guitar
Matija Krečič - violin
Matej Kužel - clarinet
Metod Bank - rhythm guitar
Jan Gregorka - bass

Follow https://soundcloud.com/teo-collori
https://facebook.com/momentocigano


Hot Club Piran

Cara Negri Theme

Inside of the Sea

Atlas

Imagine

Return

Overlander

Near

About Time

I Do Care (https://youtu.be/rPjfaIwdhaw)

I made a little video about how I made this piece and it's story here: https://www.youtube.com/watch?v=0RfIRPWCpCQ&t=72s 
I begun to write this track for last year's Pianoday amongst other album tracks. I was inspired by prepared piano composers and used recordings of the strings of the piano being strummed with the keys taped down to allow them to resonate. I didn't complete it till later on in the year and felt it belonged on the album alongside other tracks that we're being written sequentially at the same time ( https://orcd.co/alone-not-alone-album ) so I'm thrilled to now see it come home and contribute to Piano Day 2020!

In the track delicate beginnings give way to an overwhelming sense of wistfulness, surrounded by the sirens of compassion.  A reflection on the challenges of departure and the need for independence and, in the end, solitude and the possibilities therein. The piano strings we're close mic'd and gently strummed for the intro and background soundscape. Later on they we're hit with the handle of a glockenspiel beater to make the stronger sound for the middle section. The piano melody is joined by bow'd xylophone and string glissando's and melodies to create an atmospheric track that speaks of the tensions of solitude and togetherness, inspired by a visit to Crozon in France and our country's own challenges of leaving the EU and the tensions therein.

The Near Isle

Spring of 2021 is off to a good start! Well, at least when it comes to beautiful music that I love to feature on Headphone Commute! This week has already been full of introductions, announcements, and exciting premieres! And today is no exception! In fact, it’s the highlight of my week, as I’ve been awaiting to share this release with you for almost a month now. “Anxiety Mist” is an opening piece from Matt Emery‘s upcoming six-track EP on Injazero Records, titled Spotlight Series : Cello, and it holds no prisoners! As you may have already glimpsed from the title, Emerie intends to release a series of recordings, focusing on an individual instrument for each one – with the opener prominently featuring the cello. In addition to showcasing the virtuosity, tonal range, and timbre-rich textures of each one, there is also a story with each release. Perhaps the album cover [and my tongue-in-cheek pun of mentioning ‘prisoners’ above] gives away the theme of this first entry, as the dark, intense, and cinematic climax of this piece retells a story of a samurai preparing for a battle. Anxiety is at the core of rising tones, increasing tension in dynamics as if performed in one big breath until exhale brings on comfort.

Opener ‘Anxiety Mist’ is made up of fifteen individually-performed lines, its core revolving around a rising glissando figure, eventually accompanied with lush, building harmonies and punctuated by stabs and erratic higher melodies that paint the picture of warriors waiting in line amid the mist, a thunderous charge into battle forebodingly imminent.

Overlander

Steven Gutheinz

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Eric Kenney

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