Techno-drumcode 🙈

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - The Catalyst - Drumcode - DC134

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

Mr McKay is back on Drumcode with an EP that is very close to home, titled ‘Glasgow Safari’. Harvey has blended his synonymous synth stabs and vocal hooks together and has created another outstanding EP. The drums are fat and chunky as always and allow Harvey’s ideas to flow effortlessly over a solid foundation. The smooth use of dynamic throughout Harvey’s tracks also create impressive drops to add to another exceptional EP from Harvey.

Harvey McKay - The Cure - Drumcode - DC138

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Alan Fitzpatrick makes a triumphant return to the scene-leading imprint this August. The typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘Love Siren’ packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. ‘U Said U’ is a massively hyped track that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Alan Fitzpatrick - Rumours - Drumcode - DC144

Alan Fitzpatrick - U Said U - Drumcode - DC144

This typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘U Said U’. A massively hyped tracks that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. However, ’Love Siren’ will battle it out for the most attention from punters, packed with all the power and punch required to knock over festival crowds as it systematically builds and drops this is one for the big open air stages. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Love Siren

Love Siren [Drumcode]

PAWSA presents the second release on his Solid Grooves imprint with three broody house tracks including Tiger Stripes on remixes duties.

Buy on Beatport

THE SHAPESHIFTER

‘We Do What We Want’ will be the first release on Alan Fitzpatrick's We Are The Brave label. A cut that took on a life of its own after fan videos from Junction 2 and Hideout Festival sparked hysteria among followers on Twitter for the as-then unnamed track.

Finally revealed during BBC Radio 1’s broadcast of Alan’s set from Hideout Festival, ‘We Do What We Want’ is a euphoric slice of summer rave that’s already showing signs of being Fitzpatrick's biggest track to date. 

Stay tuned to the We Are The Brave channels for more information on future releases and events, as well as visual art and a clothing range, designed by Fitzpatrick himself.

Released now via all good digital stores: 
https://WeAreTheBrave.lnk.to/WDWWW

https://www.facebook.com/wearethebraveofficial
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
 

We Do What We Want

Alan Fitzpatrick 'We Do What We Want' (recorded live at Hideout Festival 2016)

Kicking it with names like Hessle Audio, Drumcode, Berghain and Fabric – Perc & Randomer are more than well versed in the scriptures of electronic music. In cahoots for their EP collaboration Igneous, the London-based maestros have spawned a three-track demon, combining Randomer’s ruthless 4x4 and Perc’s rambunctious fabrications.

From this latest sermon, we’ve cherry picked “Breezeblock” as our favourite – a molten hot foray into the twisted world of London bass. An underpinning cacophony of pneumatic percussion lies amidst schizophrenic nuances, catering perfectly to sweaty metal caverns. “Breezeblock” has all the tell-tale signs of a stomper.

Igneous drops on 7th October through Perc's renowned Perc Trax on wax and digital.



Igneous EP

Perc & Randomer "Breezeblock" - Boiler Room Debuts

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - Flow - Drumcode - DC162

Sam Paganini - Mega - Drumcode - DC162

Sam Paganini - Surrender - Drumcode - DC162

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Well, 2016 was a bit of a mixed bag wasn't it? It's certainly a year that I wont forget in a hurry - for all sorts of reasons - good and bad. However the one common denominator throughout pretty much all of it has been music. Whether its what you turn too to make you happy or whether its the cause of what occasionally makes you sad, there is no denying that music is the one thing that brings us all together to share what is best about being a human. So here's to sharing and caring. We can all do more of both in 2017 but I want to sign off for the holidays by saying a MASSIVE THANK YOU to you all for caring about my music. As for the sharing, I'll start us off with this... ;)

Special thanks to Flow & Zeo for letting me use their acappella

https://wearethebrave.co.uk

FREE DOWNLOAD

Alan Fitzpatrick - Skeksis (Drunk & High Mix)

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

astral projection

Ramiro Lopez drops the electrifying follow up to his ‘Pretending’ EP from May this year. 

For almost a decade, Spain’s Ramiro Lopez has established himself as one his country’s leading proponents of techno, with strong releases across labels that include Suara, Intec, Octopus Recordings and Bedrock. He first debuted on Drumcode in 2016 with the rousing collaborative track ‘Clap Your Hands’ that ranked among one of the label’s standout tracks for the year. With one Drumcode release already under his belt in 2017 and a new label project Odd Recordings with fellow DC cohort Arjun Vagale recently launched, he’s enjoying another strong year.

His return to the label comes in the form of ‘Being Alone’, a powerful trio of cuts, all of which featured in Adam Beyer’s Awakenings Festival Day 1 performance. The title track is a multi-layered weapon, propelled by a dizzying vocal, swirling synth effects and pin-sharp percussion that build toward a smooth classy finish. ‘Dark Science’ is an effective stomper brought to life by a bell chime hookline and undulating synth melody ensuring its peak-time prowess. ‘Der Raum’ rounds out the EP, highlighted by Lopez’s deft drum work, proceeded by a driving, euphoric climax.

Ramiro Lopez - Der Raum - Drumcode - DC181

Ramiro Lopez - Being Alone - Drumcode - DC181

Buy On Beatport: http://bit.ly/2xO0D9S
Release: Being Alone
Label: Drumcode
Genre: Techno
Release Date: 2017-10-30
Catalog: DC181

Ramiro Lopez drops the electrifying follow up to his 'Pretending' EP from May this year. 

For almost a decade, Spain's Ramiro Lopez has established himself as one his country's leading proponents of techno, with strong releases across labels that include Suara, Intec, Octopus Recordings and Bedrock. He first debuted on Drumcode in 2016 with the rousing collaborative track 'Clap Your Hands' that ranked among one of the label's standout tracks for the year. With one Drumcode release already under his belt in 2017 and a new label project Odd Recordings with fellow DC cohort Arjun Vagale recently launched, he's enjoying another strong year.

His return to the label comes in the form of 'Being Alone', a powerful trio of cuts, all of which featured in Adam Beyer's Awakenings Festival Day 1 performance. The title track is a multi-layered weapon, propelled by a dizzying vocal, swirling synth effects and pin-sharp percussion that build toward a smooth classy finish. 'Dark Science' is an effective stomper brought to life by a bell chime hookline and undulating synth melody ensuring its peak-time prowess. 'Der Raum' rounds out the EP, highlighted by Lopez's deft drum work, proceeded by a driving, euphoric climax.

Techno-drumcode 🙈

Steven Mcfadden