So reminds me of Dubstar that smooth electronic indie sounds on a wave of melody. The voice is similar to Sarah’s as well . Nice work Steven 👍

Melodic and soothing! Added to playlist, Steven Vellou & Friends vol 1 https://soundcloud.com/gothic-funk/sets/steven-vellou-friends-vol-1

STEVEN VELLOU & FRIENDS vol 1

Miasma

Tema principal del cortometraje promesas disponible en Luna pictures https://www.youtube.com/watch?v=b2TvN6e9lvY&t=33s

SONOROS vol.2

Promesas

Trumpet Dream / Paploviante Download Bonus 
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering 
Free Download

Trumpet Dream - Paploviante

3 hour flip.
Original Track - https://youtu.be/WbpZVKvDkFk?si=0VF446w-L1UKrz_y
Vox & Lyrics - https://www.looperman.com/acapellas/detail/21744/poom-pow-115bpm-pop-acapella

Loop Diggers SRC 134 Gino's Diary 6 - Frank Zozky Poom Pow (Looperman)

Written and Performed by Stefano Manotti

Arrangement and mixing : Giulio Carmassi (ex Pat Metheny group)

Executive production and mastering : Paolo Schianchi and OmniaMusica Recording Studio


TESTO

Se sei il solo a credere in te stesso
Almeno è già qualcuno
È già una gran fortuna
E non guardare loro
Quei numeri uno
Che se poi vai ad indagare
Sono dei signor nessuno


Hanno tutti un bel lavoro
Lo stipendio, la casa nuova
Ma quelle sono solo foto 
E tu la vittima del gioco

Ma la vita non è così 
È togliere, è scegliere
Non avere neanche il tempo per giudicare

Ma la vita non è così
È trasformare il dolore
Cercare la leggerezza 
E lasciarti scivolare 



Se hai capito solo adesso
Almeno è già qualcosa
È una bella conquista
Puoi già guardarti indietro 



Ma non guardare loro
Lavora su te stesso
Risparmia le energie 
Buttati più spesso


E la vita è così 
Non c’è niente da fare
È fare quello che ti piace

È dormire tutto il giorno
Toccando il vuoto 
Ma finire sempre con la chitarra in mano 


È trasformare il dolore
Cercare la leggerezza 
E lasciarti scivolare

LYRICS

If you are the only one who believes in yourself
At least there's someone
That's already a great fortune
And don't look at them
Those number ones
Because if you investigate
They are nobody special

They all have a nice job
The salary, the new house
But those are just pictures
And you're the victim of the game

But life isn't like that
It's about taking away, choosing
Not even having time to judge

But life isn't like that
It's about transforming the pain
Seeking lightness
And letting yourself slide

If you've only understood now
At least it's something
It's a nice achievement
You can already look back

But don't look at them
Work on yourself
Save your energy
Throw yourself more often

And life is like that
There's nothing to be done
It's doing what you like

It's sleeping all day
Touching the void
But always ending up with the guitar in hand

It's about transforming the pain
Seeking lightness
And letting yourself slide

Leggerezza

Gogo Pistachio

funk👻

"Four Strong Winds" is a song written by Ian Tyson and recorded by Canadian folk duo Ian and Sylvia. Tyson has noted that he composed the song in about 20 minutes in his then manager Albert Grossman's New York apartment in 1962. A significant composition of the early 1960s folk revival, the song is a melancholy reflection on a failing romantic relationship. The singer expresses a desire for a possible reunion in a new place in the future ("You could meet me if I sent you down the fare") but acknowledges the likelihood that the relationship is over ("But our good times are all gone/And I'm bound for moving on ...").
The song has a clear Canadian context and subtext, including an explicit mention of the province Alberta as well as references to long, cold winters. In 2005, CBC Radio One listeners chose this song as the greatest Canadian song of all time on the program 50 Tracks: The Canadian Version. It is considered the unofficial anthem of Alberta.
Ian Tyson would recall "Four Strong Winds" as the first song he ever wrote and credits Bob Dylan with giving new impetus to Ian & Sylvia's career by inspiring the duo to follow his lead in writing "original folk songs":(Ian Tyson quote:)"We had to go in some direction, because we had used up all the real roots music from the Delta on north. Bob blazed the trail into the wilderness, into unknown territory." Specifically Tyson would recall meeting up with Dylan in the autumn of 1962 at the Greenwich Village bar Kettle of Fish:(Ian Tyson quote:)"this kind of little grubby kid in there"...said: 'I got this new song': it was Bobby Dylan - he sang me 'Blowin' in the Wind', he'd just wrote it. And I thought: I can do that"...He wrote 'Blowin' in the Wind' and the next day I wrote 'Four Strong Winds'."     Wikipedia

Mastered Track: Distrokid Mixea

"Four Strong Winds"- Neil Young/ Ian Tyson (Cover)

The DRUMAX PROJECT present track number 36 ! Have a peaceful time ! Merry DRUMAX ;-)
@joerxworx > Composition, Instruments, Arrangement, EWI Soprano, Mix
@docfritz > Rhythm Design, Drums, Artwork, Final Mix
© 2023 by joerxworx and docfritz / DRUMAX PROJECT

XMAS

DRUMAX No. 36 // XMAS

Youtube video: https://www.youtube.com/watch?v=PMMtlkDesIg

GET UP OFF YOUR KNEES (BREAK OF DAWN WE'LL OWN THE STREETS)

Back to high energy with this one 😁

Two teenagers are on the run from the police in a stolen car, after being told they are too young to be together.

This one is for Jeff 💛🎵

Vocals: various royalty free sources

Free download if you like it 😊

Thank you for listening 💛

On The Run

Lets hope you are never literally dying to see someone. This is a remix of a song from one year back.  Loved the song then but this version has a better everything.

Dying To See You ( Indie Remix )

Flying Mountains

Psychedalic - Ska

For Corelle

Magical Maybe is Steven Parry who lives in Chorley Lancashire.  He writes songs in his spare time and  in his studio under the stairs. The original idea was to produce music for fun and that's exactly the same idea today. Ideas come in many shapes and forms and if anything gets done of any valve then maybe that is the magic. If anyone ever wants to use the songs for any reason please just reach out.

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
>
Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
>
#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
>
My tunes are ten times better than you might imagine!
>
A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
>
SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
>
For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
>
Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
>
Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
>
I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
>
When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

>
UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
>
#ExplodeTheMyth
>
Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
>
I MAKE TUNES NO ONE WILL EVER LISTEN TO!
>
Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
>
Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
>
My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Dying To See You ( Indie Remix )

Magical Maybe

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