Symphonic Band Compositions

"Lost It To Trying" from the album Lanterns, now available on ITunes: http://bit.ly/1hqLie6

Watch the official music video here:
http://www.youtube.com/watch?v=TkLT5krv_6c

Written, Performed & Recorded by Son Lux
Vocals - Lily & Madeleine (http://lilandmad.com)
Baritone Saxophones - Jack Bashkow, Steven Temme
Tenor, Alto Saxophones - Steven Temme
Flutes - Alex Sopp

Ryan Lott Music (ASCAP) administered by Domino Publishing Company USA (ASCAP)
© 2013 Joyful Noise Recordings + Son Lux / sonluxmusic.com

Lanterns

Lost It To Trying

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Son Lux - Lost It To Trying

This is a live performance with The President's Own Marine Band with Jason Fettig, conducting.

Program note:
My wife’s grandfather was an extraordinary man. He was an immigrant who walked around quoting poetry and whistling tunes from his childhood in Scotland. Like a character from a movie he always seemed to pull just the right verse for the occasion.

 
In the spring of 2007, he fell into a coma following a severe stroke. After weeks of being in this state he awoke and said: 

 
In mist or cloud…

 …on mast or shroud… 

…It perched for Vespers nine… 

…Whiles all the night… 

…through fog-smoke white, 

Glimmered the white moon-shine. 

 
These were the final words of a man who always chose the right words. Within the hour he was gone. 

 
Not recognizing the verse, I immediately ran to Google to decipher what message the old man could have been delivering.

 
The verse is from the famous poem of condemnation and redemption, “The Rhyme of the Ancient Mariner”. The poem is the story of a mariner condemned to travel the earth telling his tale of hubris and punishment in search of redemption. The mariner shot an albatross for no other reason than he felt like it and then suffered the wrath of both death and living-death for his gall. 

 
The verse my wife’s grandfather quoted is the verse immediately before the one containing the ill-fated murder of the albatross. As they say, the calm before the coming storm. 

 
My work entitled, “It perched for Vespers nine,” on a surface level engages the imagery from the verse itself. But at the emotional core of the work is my trying to work out what my wife’s Pop Pop might have been trying to tell us about what awaits us “In mist or cloud”.

 
It perched for Vespers nine was commissioned by the American Bandmasters Association and the University of Florida. For performance materials or any additional questions please contact:

www.billholabmusic.com

Buy Studio Recording

It Perched For Vespers Nine (LIVE The President's Own Marine Band)

Song For Lyndsay

Undertow by John Mackey is an original piece he wrote containing mixed meters back and forth between 7/8 and 4/4. The Piece was premiered May 13, 2008. This recording was played by the Hill Country Middle School Band.  I own no rights to this song. 

Undertow by John Mackey

Angels in the Architecture, as performed by the University of North Texas Wind Symphony.



Angels in the Architecture - Frank Ticheli

Vesuvius - Frank Ticheli

 "An American Elegy is, above all, an expression of hope. It was composed in memory of those who lost their lives at Columbine High School on April 20, 1999, and to honor the survivors. It is offered as a tribute to their great strength and courage in the face of a terrible tragedy. I hope the work can also serve as one reminder of how fragile and precious life is and how intimately connected we all are as human beings. I was moved and honored by this commission invitation, and deeply inspired by the circumstances surrounding it. Rarely has a work revealed itself to me with such powerful speed and clarity. The first eight bars of the main melody came to me fully formed in a dream. Virtually every element of the work was discovered within the span of about two weeks. The remainder of my time was spent refining, developing, and orchestrating. The work begins at the bottom of the ensemble's register, and ascends gradually to a heartfelt cry of hope. The main theme that follows, stated by the horns, reveals a more lyrical, serene side of the piece. A second theme, based on a simple repeated harmonic pattern, suggests yet another, more poignant mood. These three moods - hope, serenity, and sadness - become intertwined throughout the work, defining its complex expressive character. A four-part canon builds to a climactic quotation of the Columbine Alma Mater. The music recedes, and an offstage trumpeter is heard, suggesting a celestial voice - a heavenly message. The full ensemble returns with a final, exalted statement of the main theme. Ensemble instrumentation: 4 Flute 1, 4 Flute 2, 1 Oboe 1, 1 Oboe 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 1 Eb Contrabass Clarinet, 1 Bb Contrabass Clarinet, 1 Bassoon 1, 1 Bassoon 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium B.C., 2 Euphonium T.C., 4 Tuba, 1 String Bass, 2 Timpani, 3 Percussion 1, 3 Percussion 2."

- Frank Ticheli

This recording is performed by North Texas Wind Symphony under the Direction of Eugene Migliaro Corporon.

~DISCLAIMER~
I do not own this song at all. I have performed it once, but I do NOT own it at all, despite the stupid license thing this site made me use. I am not, have not, and will not claim any ownership of this song or audio file whatsoever.

An American Elegy

The new symphony orchestra version of my piece, Bloom. More info, including PDF score and instrumentation: http://www.stevenbryant.com/bloom-orchestra.php

Detroit Symphony Civic Youth Philharmonic Orchestra, Ken Thompson, conductor.

Bloom (Orchestra version)

Aiming to fortify the unequivocal bond between music and emotion.

Bloom (Orchestra version)

stevenbryant

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