This track is the result of an instrumental concept conceived by Jason Murphy on a Korg Electribe - musically re-written, restructured with lyrics, and turned into a full arrangement by Steven Sciberras.   

Retaining the original synth loops and samples and combining my lead vocals/bass work with the technical genius of Ru Cook and the talented vocals of Joanne Farragher & Jason Oakes (Backing vocals) the end result is a wonderfully executed vision that i hope will give the listener an endearing, quite possibly nostalgic, and yet refreshing buzz. 

The concept of the Cosmic Egg was resurrected by modern science in the 1930s and explored by theoreticians during the following two decades. The idea comes from a perceived need to reconcile Edwin Hubble's observation of an expanding universe (which was also predicted from Einstein's equations of general relativity by Alexander Friedmann) with the notion that the universe must be eternally old. Current cosmological models maintain that 13.7 billion years ago, the entire mass of the universe was compressed into a singularity, from which it expanded to its current state (following the Big Bang), the so-called cosmic egg.

'We're breeding fire, electro sun, we're breeding flames for everyone'.

Cosmic Egg

This song is the result of experimenting on my bass with a Boss DD-3 Digital Delay pedal and the tragic loss of my dear brother, David. 

It was once described by critics as a 'Sgt Pepper-ish Stone Roses'.

The lyrics depict an imaginary conversation between my brother and I. A mournful and frustrated declaration of despair responded to by a content reassurance of life on the otherside.

Ft. the amazing vocal talents of Elle Cato. http://www.ellecato.com

Stay Gold (feat. Elle Cato)

An angst-ridden epic with mystifying, deep undertones. 
Feat. the amazing vocal talents of Elle Cato. www.ellecato.com

The Bullet Machine

This song was written five years on after loosing our first-born; our beautiful boy, George David Sciberras born at 12:47 15/09/1999 who fought for two days to stay in this world but sadly it was not to be.

For a number of years before composing this track i kept seeing the time 12:47 literally everywhere i looked and i knew that one day it had to be a song.

12:47

The butterfly, beauty in flight - how something so fragile can create such an impact across the world. Just like the death of a child, my baby boy, George David, 15th - 17th September 1999. 

This song is an observation of life and the many trials we face. The New Test Cannonball is an imaginary object containing every possible traumatic experience in life, which is fired at random without warning or mercy and ultimately it challenges us to sink or swim.

New Test Cannonball

'During the early 1990's amongst the acid house haze of a genuine swagger, a sense of destiny became apparent to the few that picked up a guitar and played while the rest of the party stood gazing at their shoes'... Steve (Barrett) Sciberras 


'Steve Sciberras sounds like a combination of late 1960‘s experimental progressive pop mixed with contemporary alternative/psychedelic/rock. 
A well-informed array of guitar-based material complemented by engineered technology and layered with infectious melodies. His predilection for 1960's guitar hooks and rhythmic sensibility of acid house/techno/trance/drum & bass combined with a unique variety of styles and attitude towards his approach, allows him to transcend his art and take it to a whole new level way before its first inception in ’65 San Francisco'... Ade Stranik 

As a self taught grass roots musician, I made a name for myself as a bass player and song writer in November 1997 after bursting onto the local music scene in Milton Keynes with Indie/Rock/Pop quartet, Cirrus Minor. Co-founded with my brother, David on lead guitar, in just six months of the bands inception at a time when Brit-pop was rapidly fading, we turned the attentions of the music industry, gained interest from Anglia Television and stole the crown of Milton Keynes.

The untimely death of my brother in May 1998 led to the demise of the band and by the turn of the millennium I became the founder member and sonic architect of Alternative/Indie/Rock band, Supakarma. The band were featured on Food Records as no.1 unsigned band of the month in October 2000 and reached no.2 on Popwire.com. 

Following a split from Supakarma and a solo spell, I formed Psychedelic/Electronica/Rock band, The Poppy CoDeans in 2004. After supporting Tom Hingley at The Angel, Bedford we were invited to support Babyshambles at Nottingham’s Rock City in December 2006, and as a striving musician this was one of the highlights of my semi-professional career. To be that well received by an unbiased near capacity crowd was an amazing experience! 

Since 2010 i've worked on various projects as a session musician including theatre, and having reformed Supakarma with a number of album projects in mind, my quest for musical salvation has never been stronger and continues through the medium of my new band, Grand Viziers Garden. 

I'm also working with a producer and looking for a publisher to establish myself as a songwriter. 

If you're interested in my songs or if you’d like to set-up a co-writing session, please contact me at: Stevenscibgvg@icloud.com - cheers!

Steve (Barrett) Sciberras

Steve Sciberras

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