Enjoy your originality Steve 🎧👏🎧

Hey Steve man, this is thrilling hearing you paint so many awesome melodies over this really cool ethereal backdrop. Hey man, this is great stuff! Way to go!

This is such a great concept...fantastic work, Steve!

Much appreciated and thank you for your comment and for listening 🎶 🙏.

Awesome night time city scene coming alive...lost in the romantic vibing trance out XOXOXO

Holi trilling amazing performance Dear Steve XOXOXO

An Unfilled Void

The Road To Promise

For all those who don't give up, resist, for the resilient.

Composition and all arrangements: Francesco Cartocci

Until the very end

Recorded in Modesto, Ca. Featuring Gibson 335 Electric Guitar. Alto Saxophone solo. Trumpet solo. Steinway Brothers Acoustic Piano Rhythm. Gibson L5 Jazz Guitar Rhythm. Fender Electric Bass. Roland Synthesizer Bass. Trap Drum Set full kit. Percussion Ago go Bells, Congas, Bongos, Cow bell, Timbales, 22" Zildjan Ride & Crash Cymbals.

Carmel

Octane

RELEASE NOTES

A collaborative jam featuring Stonerjazz (@user-911083679) on vocals,
Turab Khan (@turab-khan) on guitar, Zanshin 残真 (@soundsofthekosmos) on
drums & Teth Sin (@teth-sin) on guitars, bass & vocals.
This collaboration started back in 2020. Myrh (@myrhyum) suggested Teth
Sin to track a guitar part on "Mazdoor Funk (loop jam with Raza)" -
Original track by Turab Khan:
https://soundcloud.com/turab-khan/chichora-23. The project was then left
aside for various logistical and technical reasons.
A couple of years later Zanshin 残真 sent Teth Sin a sample of his cool
street drumming, which was synced to Turab Khan's jam. Teth Sin, at that
point, decided to cut out the bass and drums from the original piece,
leaving only Turab Khan's guitar. Then he chopped up his guitar solo and
redistributed it across various tracks. He also added a new bass line,
which helped vary the structure of the song.
In late 2023 Teth Sin asked Stonerjazz to kindly add lyrics and vocals.
He mixed and mastered the song, and the result is this enjoyable
funk-rock jam, featuring a sample of Stonerjazz's exquisite
post-beat/psychedelic poetry.
Please note that every element was recorded in a different continent:
drums in Australia, some guitar in Pakistan, other guitars in Tunisia,
bass in Italy, vocals in the USA. Still this virtual jam sounds so
cohesive, despite a world that seems to be increasingly fragmented and
disjointed. At the end of the day, we should always remember that we all
revolve around That Giant Ball Of Burning Gas...

LYRICS by Stonerjazz:

Just out here in the middle of the void,
spinning fast around a giant ball of burning gas
that's hurdling thru the deepest darkest space.
Meteors and comets are zooming by at breakneck pace
The situation seems to be a little bit precarious,
some might even say Nefarious,
how can it be that tragedy can sometimes  almost  be  hilarious.
Stupidity it seems to be the order of the day.
But here we are and here we go onward out,
like warriors without a clue,
and everyone will play their part,
of this i'm sure, i know it's true.

That Giant Ball Of Burning Gas - Feat Teth Sin, Turab Khan, Zanshin 残真

I found you in the west.

Annealing

.... playing a jaw harp here (a Doromb, made in Hungary) - the track is my own composition,
all instruments by me .... enjoy this chill out jam <3 ..... photo: siebeckdotcom, pixabay

Doromb Jam

access denied

Access Denied

Recorded in Modesto, Ca. Frans Beelaard. Special Guest, Sergio Parraga Congas (Spain). Featuring Gibson 335 Electric Guitar solo. Trumpet solo. Alto Saxophone solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Gibson SG Electric Guitar Rhythm. Horn Section, Alto, Tenor Baritone Saxophones. Trap drum full kit. Percussion Ago go Bells, Tambourine, Cowbell, Zildjan 22" ride & Crash cymbal.

Cannery Row

Mushrooming

Joyeux Anniversaire. Erik Satie was born on this date May 17 in 1866.

In 1887 when he was 21, and before before his famous Gymnopodies and Gnossiennes had been completed, Erik Satie composed this third Sarabande as one of three he wrote for piano. At the time he was an impoverished conservatory dropout making his living as a piano player in bohemian taverns and cabarets like Le Chat Noir. The Sarabandes were not published until 1911 with the support of Ravel who also introduced and performed the second Sarabande in concert in 1911. Here i've arranged the thrid Sarabande for 2 guitars doubled. Hope you enjoy the mystery and captivating harmony that attracted me to it.

I found you in the west.

Steve Coombes

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REKHA

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