The momentum is indefatigable. Really enjoyed this.

Debut album "Scorched Earth..." now available at www.steviath.bandcamp.com

Get Home
Written and performed by Todd Brown
Sonic adornments provided by Boxy https://soundcloud.com/boxy-683069948
All rights reserved 2/18/2023


All that we are
is not near or too far
all that we do
will not make us brand new

Take the ruby from my hand
and see how it glows
a thousand yesterdays will hold on tight
until we get home

We've travelled so far
not to know who we are
Curtains will fall
making clear to us all

Take the locket from my hand
and see how it shines
a thousand yesterdays won't make it last
until the end of time

I've waited so long
just to find
If you'd just

Take the ruby from my hand
and see how it glows
a thousand yesterdays will hold on tight
until we get home

Get Home

66_Yeah!- released on 06 October 2024 only on Soundcloud

Yeah, the next experiment with only 5 Elements! One of my best music friends here commented on my experimental track "500": "You should often start an experiment like this!" Here is the 2nd track of my new series "Only 5 Elements!" I hope it works again! #minimal #electro #triphop #liverecording

(produced with BlocsWave & LaunchPad)

Yeah!

In the half-light between dreaming and waking, our world reveals its true nature: a perpetual threshold where nothing fully is, yet everything is becoming. Airport terminals at 3 AM hold their breath in fluorescent stillness, neither departure nor arrival, while empty parking garages echo with the ghostly memories of footsteps that might have been. We live in the spaces between definitive moments—the pause before the conductor's baton falls, the instant between clicking "send" and delivery, the sunset hour when day hasn't quite surrendered to night. These liminal spaces are reality's waiting rooms, where time feels both stretched and compressed, where identity becomes fluid as mercury, and where the familiar world dissolves into something stranger and more sublime. Here, in these threshold spaces, we are all travelers passing through doors that lead to doors that lead to doors, never quite arriving, never fully departed, suspended in the infinite moment between what was and what will be.

The piano used on this piece was a supposed haunted object, rescued from a cruise ship that had been left to float away.

The Liminal

Rough Landing in Slow Motion

a happy interaction between Reaper and Ableton daws
with improvised piano + various textures in real time.

in this new edit i've add the coda from a project of the past 15 september
i think it fits well in the context of this piece

lots of feet under the realm of counsciousness

lots of feet under the realm of counsciousness *new edit

Scorched Earth and the Blessing of the Dead

We Burned that Bridge Long Ago

Living Out the Last of Days

Transgressions Against Consent

Gore On the Cutting Room Floor

B-Backgammon

Trumpets of the Never-Ending Incubi

https://www.youtube.com/watch?v=HsFlaOhuXxw
https://www.instagram.com/p/DFVNye7qdO4/

Deep Dive Part III

Resonant/reverberant space is something I've thought about a lot since high school, but I never have dragged mics and equipment into a concrete stairwell or washroom before today.

I work at Alfred University in New York and our division of Expanded Media in the School of Art & Design has a four story stairwell which feeds the back of house to two of our galleries and the sonic/video arts studios. I set out four Tascam DR-100 field recorders and captured the sound of my wallet being dropped from the highest point to the lowest. In the accompanying artwork you can see two pictures of this stairwell (one from the bottom looking up [the bottom left picture], and one from the top looking down [the top right picture]). My calves always tighten up a bit at the top.

For the less reverberant space, I chose an old storage closet we're in the midst of transforming into a vocal/studio booth. It has rubberized floors, and a much lower drop-ceiling. I placed the quartet of recorders in the corners of the room, and then dropped my wallet from a much shorter height to the floor. You can see two images from this room set up in the other half of the cover art.

All of this for less than five seconds of audio total. In the first two seconds you'll hear the initial hit of the wallet, followed by a second quieter hit after it bounced in the concrete stairwell. At four seconds you hear the other room with a much more muted single drop (which to my ears sounds a bit like a champagne cork popping, but I've had champagne maybe twice in my life so I probably don't really know what that sounds like.)

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

Space Shot disquiet0683

Recorded, mixed & mastered on 10 Aug 2018, 02 Sep 2018 & 30 Jan 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA & Union Square, NYC, USA. 

Beer bottle, Korg Monotron Delay, grains, emulated springs. 

Artwork/Photography - Jim Lemanowicz, near the corner of 8th Ave & 44th St, NYC, USA - 31 Jan 2018

©2025 Jim Lemanowicz

---

This original version of “My Boots Are Filled With Spacey Eyes” was submitted as part of Disquiet Junto Project 0683: Space Shot. The Assignment: Combine reverberant and non-reverberant.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 683rd weekly Disquiet Junto project, Space Shot — The Assignment: Combine reverberant and non-reverberant — at https://disquiet.com/0683/

#disquietjunto #disquiet0683 #unionsquare #soundart #electronicmusic #sounddesign #ableton #bottles #monotron #reverb #dry #spaceshot

My Boots Are Filled With Spacey Eyes (disquiet0683)

Graduality

Debut album "Scorched Earth and the Blessing of the Dead" is now available on Bandcamp. Free or name your own price!

Trumpets of the Never-Ending Incubi

steviath

Recent comments

the Last Word

the Last Word

kati

ben

Related tracks