Delighted to host @josephtagliabue Oddity Influence Mix for @invisible-inc

Joseph Tagliabue : This mix represents music that I loved over the years. It was very difficult for me to put together music that influenced me, because it'd be too much. In this selection you can find music from Italian artists only, from different periods 1972 to 2019. The key was to chose records that impressed me particularly from the first listening, that aroused in me strong sensations and filled me with emotions, positive and negative too. It’s like a back path where you can find part of the music I came across in the years and which have enriched me a lot and deeply inspired me as an artist and music producer.

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Invisible, Inc. -  Oddity Influence Mix by Joseph Tagliablue

We welcome Tornado Wallace (@tornadowallace), long time friend of the label and whose record 'Falling Sun' we released through Second Circle back in 2016.  Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Lewie, how have you been lately?

TW: I dipped out to East Asia and Australia for the infamous Berlin winter and now I’m back ready for the euro warmth. Though it’s in no hurry to arrive here just yet.

MFM: There's a new record coming on Basic Spirit, the label you run with Jamie Tiller, and it all looks rather secretive... Can you tell us more about it Lew E? :) 

TW: I made these tracks when I was holed up sick for a week. Not being able to go to the studio I relied strictly on samples and software, which was fun to change the workflow up a little bit. I wanted to make some very club ready tracks, without any intention for a release. They (rather obviously) sample two well known tracks, but there’s a lot of new ideas too. I use a different name as it felt like a different style and approach to how I usually go about things. I think there will be more Lew E things on the horizon though :D.

MFM: Previous releases on Basic Spirit also had this '90s touch to it. What is it that you like about (music from) that era?

TW: I grew up in the 90s so a lot of the music coming out then really hits the nostalgic feels. But also, really interesting things were happening with technology, and it became a lot more affordable to put together a record. So there were a lot of - for lack of a better term - laymen releasing electronic music. Some of which had very new and out-there approaches to processes like sampling, mixing and arranging. But trends and technology all moved along so quickly that some of these sounds and ideas never had a chance to get fully fleshed out. Which is why it’s nice to pick up where some left off. People are currently very responsive to this late 90s/early 2000s sound, which is great for me because that’s a time when I really fell in love with electronic music. As a DJ, I’m playing these really personal tracks that I discovered as a teenager, and for the first time since I began playing parties/clubs 18 years ago, people seem to really understand them. It’s a very cool feeling.

MFM: You've also started a new more pop oriented project called a.s.o. together with vocalist Alia Seror O’Neill. Has it always been a dream or goal of yours to start a more band kind of project? Does it require a different writing/recording approach compared to when making dance music for the clubs?

TW: I like making music that I like listening to. And with the pandemic in full swing in 2020, I was having a little break from club music, and diving deeper into other styles of music I enjoy. Both from a listening and producing perspective. I found it to be a very different approach. It’s more melody/hook driven and focuses on getting ideas down quickly as they’re forming. A lot of the time I would use a basic keyboard and guitar to record, and Alia would add vocal melodies and harmonies on the fly. Sometimes it could get difficult when we would both want to put our fleeting ideas down at the same time! On that note, collaboration is never easy for me as I like to have full creative control of whatever it is I’m working on, and sometimes the creative paths divide and compromises have to be made. Sometimes the compromised path is thick and thorny, and sometimes it is paved gold and smells of roses.

MFM: How did you go through the selecting and recording process, any specific record or mood you had planned?

TW: I came across a bunch of really nice tracks all in a relatively similar downtempo/shoegaze style, and wanted to make a mix of music like that. For moody home/car/train etc listening. I also included a forthcoming Cousin remix of an a.s.o. single which I love and wanted to share early!

MFM Mix 049: Tornado Wallace

In SZ’s own words: I’m pleased to present a lil’ slice of my nearly 7hr set from No Way Back 2022.  A wild ride that began with Vangelis and somehow meandered onto the CISCO hold theme?

NWB, by far, is my favorite room to play as I get to truly stretch out and see all my friends at once. Year after year. A humble ty to everyone for letting me do my thing. Whatever the hell it is. If you ever figure it out, pls let me know. 

I hope to share a dance w you all v soon — Love is the message

Interdimensional Transmissions Podcast

IT Podcast

IT.podcast.s12e05: Scott Zacharias at No Way Back 2022

Mix of the Week #481 is "You Probably Can"  by Fergus
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Mix of the Week #481: Fergus - You Probably Can

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The Aptitude Show feat. Poison Arrow  - 01 June 2023

Mix of the Week #483 is "Soft Rock For Hard Times Vol. 8"  by Universal Cave
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Mix of the Week #483: Universal Cave - Soft Rock For Hard Times Vol. 8

Come flock together beneath the sun as we journey on a cool breeze through the rhythmic sands of time with a handpicked selection from Paul Hillery. Dip your toes into crystal blue waters while the sound of a cosmic troubadour drifts by. Glide to joyful places and wide-open spaces while dropping out to a pulse that connects us in shamanic shuffle. Reminded that we have more to connect than drive us apart.

Paul Hillery is a relentless seeker of musical treasures. Uncovering lost gems which he initially documented on the 'Folk Funk and Trippy Troubadours' blog and YouTube channel. He is the creative force behind the celebrated BBE Music series ‘We Are The Children Of The Sun‘, releasing 3 critically acclaimed compilations in the last 18 months, alongside this he has curated a number of well-received reissues for the label. He has also curated 2 compilations in the ‘Folk Funk & Trippy Troubadours’ series for RE:WARM. Receiving praise from all the right places, including BBC 6 Music’s Lauren Laverne compilation of the week, Gilles Peterson giving his records plenty of airtime and rave reviews in Uncut, Shindig! Test Pressing and CLASH. He has gained a reputation for his continued deep digging and archival of lost music. And has built long-standing relationships with artists with a mission to give them the exposure they deserve.

Paul has carried his record box to many a venue, playing alongside The Polyphonic Spree, Arthur Lee & Love, Bonnie Dobson, Spiritualized, 4 Hero, Happy Mondays, Simian, The Bees, Julian Cope, Courtney Pine and many, many more. He has also graced the turntables at Spiritland, Refuge, Festival No.6, Lunar, Edinburgh Fringe, Psychemagik’s Magik Forest, The Chill Out Tent, Moseley Folk & Arts, Stowaway, We Are Love, and countless others. In addition to curating music, he writes the occasional article and provides sleeve notes for albums. We hope you enjoy this mix as much as we do. Much Love @idlecellars

Songbird - Paul Hillery

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