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Parabola

Disturbia

Several Definitions  - Disturbia (Lonya Remix) [Dear Deer]

[CHROM084] IN-sane - Antares (Inessa Remix)SNIPPET

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PREMIERE: Cales & Mr Hyde, Kat Yusti — Hedonismo (Original Mix) [Candy Flip]

Final single lifted from their eagerly awaited debut long-player due for release via Stil vor Talent on July 14, Esther Silex and Heiko Tubbesing's latest instalment 'Ameca' is the very epitome of Almost Falling's signature sound. Commixing up-to-date societal awareness with an unflinching club-focussed grammar, Esther and Heiko invite their listener to take a pause and think things through, using the dancer's body as a prism of communication as much as their lyrics play a key role in transporting that "free-spirited up-bringing right into your living room" they've come to champion.
Cold-as-truth spoken word, fragmented pop motifs and cold wavey riffs merge organically on Almost Falling's lead-single 'Ameca', an ode to the duo's capacity at digesting its time and era through hybrid compositions, never quite picking a side between functionality and pensiveness. Minimal in essence yet making optimal use of the Prophet 12's transportive qualities, or the Moog Sub 37's versatility (all processed through Ableton), the tracks here presented exhibit Esther and Heiko's sense of spatialisation and songwriting in intoxicating fashion.
A contrasting tale of digital / IRL ambiguity, 'Rain' has us dipping toes in cinematic grounds thanks to its haunting strings, whilst incisive trap patterns and a wailing bass chops it all up post-modern style. Perhaps the roughest, most in-your-face track off the package, 'Roots' draws back to the duo's trip-hop-informed origins. Unfolding the mantra of not letting your roots hold you down, Almost Falling encourages us to learn how to move with the flow and reinvent ourselves, without cutting off the mooring lines that hold our past, present and future together. 'Ameca' is an oath of truth.

Almost Falling – Rain [Snippet]

Preceded by two singles by way of appetizers, here eventually comes Kotelett and Esther Silex' debut long-player as Almost Falling, 'Roots'. Having both enjoyed fruitful careers on their own, dispensing their wide-ranging musical savoir-faire via the likes of Poker Flat, Upon You or Exploited for Kotelett, through LIKE Records and Studio Barnhus for Silex, their exciting studio collab came at a perfect time to recalibrate and put things into perspective, both musically and at a human level. Conceived and honed during the first Corona lockdown, 'Roots' addresses "our roots, our source, our raw feelings" as the duo confesses, hoping the fourteen-track package on offer here will push their listeners "to follow their heart and intuition" in times of doubt and reassessment.

Traversed by reflections on the difficulties of our time and age, both at an individual and societal scale, Almost Falling's debut album casts its net far and wide, dextrously running the gamut from proto-techno to breaks, via swashes of electronica-infused pop, spoken word and further genre-unbound detours. If 'Trace Your Steps' highlights Almost Falling's unique approach and vibrant mix of society-questioning lines and straight out fire rhythms built for the dance floor, 'Ameca' engineers a mix of cold-as-truth spoken word, fragmented pop motifs and cold wavey riffs that'll etch deep in your memory. A contrasting tale of digital / IRL ambiguity, 'Rain' has us dipping toes in cinematic grounds thanks to its haunting strings, whilst incisive trap patterns and a wailing bass chops it all up post-modern style.

'Mountains of Madness' blends in a minimalistic tang of pop sensuality with that of low-slung, pensive electronics to exquisite effect, whereas the bass-supported flavour of 'I Don't Feel It' leaves us numb with hedonistic languor, even though its chiseled drumwork stings like a bee. Silex' timbre is a healing siren call, oozing sensuality but also the trigger to deeper emotional upheaval - a captivating sense of equivocation which reveals in all its glory on the Janus-faced 'Suck It Up'. Transporting the "energy of the dance floor, the honoring of our club-culture roots and our free-spirited up-bringing right into your living room" as Esther and Heiko put it, 'Solitary Soldier' evokes bleached-out nostalgia and ektachromatic summers spent lounging by the poolside, sun-streaked faces and laughing echoes interlaced. 

Tapping in a slower paced repertoire, '2020' translates the off-kilter, ambivalent essence of lockdown life into a trip-hop-informed ethereal pop number that alternates conflicting movements, from wistful uplift to an irresistible urge to rev up and dash forward. On the transporting 'Ocean Call', hints of the Prophet 12's ample harmonic spectrum collide with a bass-driven, aqueous groove, Sino-flavoured arps cascading like metal darts from above. Almost Falling gone full club-mode exotica. The album's final moments give in to slo-mo introspectiveness on the luminescent, post-Cabaret ballad, 'Dirt', whereas album closer 'Shivers' elegantly steers us into mesmeric cinematic territories with its peaceful jazz piano chords and distorted stabs giving a subtle, yet deeply moving kiss of life to this poignant finale.

Almost Falling – Ocean Call [Snippet]

Almost Falling – Ameca [Snippet]

Almost Falling – Mountains Of Madness [Snippet]

Almost Falling – Solitary Soldier [Snippet]

Available here: lnk.to/NDIKI

DJEFF lands on Watergate Records for his anticipated first EP on the label. 

Those who know, know. DJEFF has been a symbol for quality Afro tech productions stretching back over a decade, championed by everyone from Black Coffee, to Louie Vega, Major Lazer and even Diplo. The Portuguese DJ/producer with Angolan & Cape Verdian roots has an innately soulful touch. Whether in the booth or on the buttons, he’s respected by heads and ravers alike.

We’ve had fleeting tastes of his talents on Watergate Records over the past 12 months, thanks to ‘Cloud 7’, his joyous contribution to the ‘Watergate 20’ compilation, followed by a dreamy remix of JAMIIE’s ‘Voices’ last year. ‘Ndiki’ marks his first headline effort for the imprint.

The title track sees a link up with celebrated Angolan singer Yuri Da Cunha for a timeless Afro house cut made for those spine-tingling end-of-night moments that’ll have the dancefloor grinning from ear to ear. ‘Duality Reflections’ is its accompaniment, a chugging Afro tech gem that combines a dramatic chord sequence and sweeping strings for a memorable finish. 

‘Ndiki’ gets a Mystical Edit, taking the track into deeper realms courtesy of rising Italian artist and Innervisions affiliate Ivory, before handing the baton to Xinobi and Cincity for a succession of fresh interpretations. Fellow Portuguese artist Xinobi takes the title track into heady melodic territory, crafting a rolling re-rub built around the lead synth. Meanwhile, Cincity adds her own expansive take, honing in on the melodic elements, before a rhythmic second half brings the track home. Dub versions of both Cincity and Xinobi’s remixes complete the generous package.

DJEFF - Ndiki (Cincity Space Dub)

Here we f*ckin gooo 😈

Listen Now: https://defected.lnk.to/DFTDXXV20D3BPTS

Finally (ft. Julie McKnight) - Kings of Tomorrow (Mochakk, Jay Mariani, Cesar Nardini's Extended Remix)

Kings Of Tomorrow (feat. Julie McKnight) - Finally (Mochakk, Jay Mariani & Cesar Nardini Remix)

Demo submission only to: demo@stilvortalent.de 
Booking requests: booking@stilvortalent.de
General requests: music@stilvortalent.de

Almost Falling – Mountains Of Madness [Snippet]

Stil vor Talent

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