Pauluskirche Köln / 15. Oktober 2021 /

Thomas Becker - klavier /
Volkmar Müller - hang /
Frank Ebeling - stimme /
Anne Krickeberg - cello /

https://frankebeling.wordpress.com/2020/01/15/sono

2021-10-15 Okt

Anne

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For the past sixty years, composer and interdisciplinary artist Meredith Monk has been expanding the possibilities of the human voice. A pioneer of extended vocal technique and interdisciplinary performance, she has created collaborative performance pieces that stretch the limits of music, inspiring figures from Björk to Merce Cunningham. Her most recent work, "Indra’s Net," draws from her decades of Buddhist practice and explores themes of impermanence and interdependence against the backdrop of our ecological crisis.

In this episode of Life As It Is, Tricycle’s editor-in-chief, James Shaheen, and co-host Sharon Salzberg sit down with Monk to discuss the relationship between her art and her meditation practice, the importance of listening fearlessly, and why she believes art is a bodhisattva activity.

Listening Fearlessly with Meredith Monk

English below
Das ist der Mitschnitt eines Interviews, das ich mit dem Komponisten und dirigenten Rupert Huber geführt habe - ein Künstler, der sich seit langen Jahren mit einigen Fragen beschäftigt, die auch für vocal ecotism zentral sind. 
Weitere Informationen auf 
ein Überblick: 
0:00 – 14:00: Gesang als Form der Kontaktaufnahme mit der nichtmenschlichen Welt
14:02 – 25:56: Die Frage nach der Disposition, aus der heraus Verbindung möglich ist
25:56 – 36:56: Verfügbarkeit und die anderen Präsentationsformen von Musik
36:56 – Ende: Der Umgang mit der Versehrtheit der Welt

This is the recording of an interview held with Rupert Huber, composer and conductor who deals since long years with questions which are crucial for vocal ecotism, too. 
On the blog   
you find an English abstract and some more information.

Interview Rupert Huber - 08.08.24

STRATA is the fifth performance art and film hybrid by artist duo VestAndPage (Verena Stenke and Andrea Pagnes). It is a film of philosophical, poetic action exploring caves as proto-spaces for altered states and sites of knowledge-making and human becoming. Some of the oldest known examples of human figurative artworks have been found within the caves of the Swabian Jura in Germany. These are the products of the Ice Age, dating back 33,000 to 43,000 years. VestAndPage convened an interdisciplinary gathering of over 20 artists and scientists to engage with these unique spaces and places and challenge central ontological and social issues. 

From December 12 to 15, 2024, as part of IX Venice International Performance Art Week “Portals and Constellations”, STRATA was reimagined as a video and sound installation in the European Cultural Centre (ECC) - Palazzo Mora. 

The soundscape for the exhibition by Douglas Quin is conceived as a complement to the film. Rather than recreate the film's soundtrack, the installation focused on conveying some of the experience of the caves themselves with audio gathered 'in situ' from performances to soundscapes. The approach to the audio for the gallery installation involved drawing from the many hours of location recordings, deconstructing and recomposing the layers and sonic strata to intimate the resonances of Deep Time and collective consciousness. 

Executive Producers: VestAndPage (Verena Stenke and Andrea Pagnes)
Producer: Douglas Quin

Featuring music and soundings by Aldo Aliprandi (self-made, 'trichord' instrument), Andreas Bauer Kanabas (voice) and Stephan Knies (violin), Aisha Ryannon Pagnes (voice), Ralf Peters (voice), Susanne Weins (voice), as well as cave environments and processed soundscapes. Photo © Fenia Kotsopoulou.

For more information about the project, please visit:

www.stratafilm.de
https://veniceperformanceart.org/the-art-week/portals-and-constellations-2024

STRATA Soundscape

Das ist der gekürzte Mitschnitt einer stimmfeld-Soirée, bei der ich Texte des Künstlers Otto Freundlich vorgelesen und in Hinblick auf die Anknüpfungspunkte für vocal ecotism kommentiert habe.

Otto Freundlich 1  02/2025

This piece was commissioned and performed by the incredible vocal group, The Rose Ensemble. This group is world renowned for a reason. I love writing for these guys because they will always knock it out of the park. This piece is featured on their CD, Road To Compostela. The Rose Ensemble is an incredible vocal group, one of the best in the world, find them. they have many albums available.

Alleluia

Inconnu

Rantsantanako

Wind - Voices - 5-26.08.20

I am an artist based in Cologne/Germany. I work in different fields, here on soundcloud you will find examples of my activities with extended voice and performance art. In my vocal art I always look for a way to relate to these three spheres: the more than human world, the social world and my inner world. My research in this field can be found at my vocal ecotism blog. Link below!

 My work with text/language is mainly in German. You will find some recordings of this realm of my artistic work, too.

Interview Rupert Huber - 08.08.24

stimmfeld

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