immer noch einer meiner Lieblingssongs <3 einfach - und kompliziert gleichzeitig :-)

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No. 17

I Like It Here Can I Stay

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Come We Go

Releases Infos:
Last Gentleman On Playa - Juzu (Kermesse remix) 
artists : @last-gentleman-on-playa
Remixer: @kermesselive
Release Date: Thursday 31 July 2025
Label: @itsgoodtobeatree
Buy Link : 
❅──────✧❅✦❅✧──────❅
01. Khor Lo
02. Upaya
03. Upaya (Dr Parnassus Remix)
04. Juzu feat. Shamanic Catharsis
05. Juzu (Kermesse Remix)
06. Juzu (MiRET Remix)

Last Gentleman On Playa drops a mystical organic house release on his record label, It’s Good To Be A Tree, and it also includes remixes by Dr Parnassus, MiRET, and Kermesse.

Known for his trippy style, which combines immersive atmosphere with tribal drums, Last Gentleman On Playa is heavily inspired by his experiences at Burning Man. Most of Last Gentleman On Playa's music has been released through his own record label, but he has also featured on other imprints including Cosmic Awakenings.

On remix duty, Kermesse and Dr Parnassus have both previously featured on It's Good To Be A Tree, but MiRET is featuring on the imprint for the first time.

Kermesse in an Argentinian artist known for his mix of psychedelic vocals, quirky rhythms and majestic melodies. He has released music through record labels such as Kamai Music, The Magic Movement, and Lump Records.

Dr Parnassus is a shamanic producer from Bali, whose tracks are a concoction of shimmering synths and Middle-Eastern melodies sequenced into melodic grooves. He has featured on record labels ranging from Sol Selectas to Underyourskin Records.

Based in Spain, MiRET is making his first appearance on It's Good To Be A Tree, following regular releases on his own imprint [MuMa]. He has also featured his chugging downtempo style on respected outlets such as Bar 25, 3000 Grad, and Sounds of Sirin.

"Khor Lo" is first of the original tracks, and it's a tense instrumental track with swelling pads and intricate melodies, creating spine-tingling suspense.

"Upaya" is a downtempo track with a low-slung bassline, which underpins the call-and-response of muffled guitar chords and fluttering acid synths, while sparkling percussion adds to the enchanting vibe.

Dr Parnassus' remix of "Upaya" removes the acid melody, drawing focus to deep pads that create a more melodic version, which is both majestic and uplifting.

"Juzu" is the third of the originals, and it layers live percussion with an array of trippy samples to create a compelling groove that unfolds with the help of plucked guitar chords.

Kermesse also remixes "Juzu," and add one of their characteristic funky basslines, while warping the sound of the guitar to create a distinctly unique version.

MiRET's remix of "Juzu" makes good use of the original's guitar, but strips back the percussion to create an atmospheric groove with pulsating pads and plodding bass chords.

Premiere : Last Gentleman On Playa - Juzu (Kermesse remix) [Its good to be a tree]

Unforgettable x No Bad Vibes (Ibiza final boss version)

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I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

No. 17

stimming

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