Can't stop listening to this. So beautiful...

electric

The Hyve

Told her I could break her off like a moon cookie
Gang howling at the moon, they look like moon crickets
Disrespect us you get what’s coming to you baby
I can’t even look to you, sing to you, be with you any longer, it’s gotten graphic

Can’t even see the hair on they head, that’s how I know they capping no swag
Racing through the streets, whip, whip, they call us animals
10 & 2 pinching the blunt, don’t call me Salt Bae
2 titties on her, they let Lara Croft in the goon cave

Keep some bulky denims with me on both legs
Nothing to own up on it now like baby hover for me
Nothing to show for it now, I’ll get my tour cancelled for you
One date turns to two, fuck it I’ll give out all of me for you

Nope, can’t yap about the goings on in the lab baby
Yeah, couldn’t said it better myself baby
Yeah, they horde the money, yeah they lord the money
Baby they look like they’re drugs were step team stepped on

Pull up on me now fuck it try push ups
She got it hotter, pulling out push pops
huh I made the loop stuck
huh I made the loop stuck
huh I made the loop stuck
huh I made the loop stuck

Uh huh, really ask about me
Oh yeah, we all know you, you’re not the opp, you’re just headstrong
Telling everybody what they know never overstaying your welcome
& I can’t keep it pimp, & if I cut her off

Staying ahead of my thoughts
Might mix it up with the Vivienne Westwood choker with the charms for her
Boys just hanging in the forest, counting more paper than niggas at Charmin, Brawny
It’s a lot, it’s alarming

Told her I could break her off like a moon cookie
Gang howling at the moon, they look like moon crickets
Disrespect us you get what’s coming to you baby
I can’t even look to you, sing to you, be with you any longer, it’s gotten graphic

Can’t even see the hair on they head, that’s how I know they capping no swag
Racing through the streets, whip, whip, they call us animals
10 & 2 pinching the blunt, don’t call me Salt Bae
2 titties on her, they let Lara Croft in the goon cave

Keep some bulky denims with me on both legs
Nothing to own up on it now like baby hover for me
Nothing to show for it now, I’ll get my tour cancelled for you
One date turns to two, fuck it I’ll give out all of me for you

WWJD
I’m cooking like Tim Cook cooking
Thank you whoever tried to derange me
I just won’t be driving in a Range with you

A shoutout to what made me
I’ll make sure I calm down on that hate for you
Forward motions more 4 letter words moods
Fuck her right off, make her flip close a get well soon

Told her I could break her off like a moon cookie
Gang howling at the moon, they look like moon crickets
Disrespect us you get what’s coming to you baby
I can’t even look to you, sing to you, be with you any longer, it’s gotten graphic

Can’t even see the hair on they head, that’s how I know they capping no swag
Racing through the streets, whip, whip, they call us animals
10 & 2 pinching the blunt, don’t call me Salt Bae
2 titties on her, they let Lara Croft in the goon cave

Moon Cookie (prod. by PULP!)

BEATPORT >> http://po.st/lVvrUc
TRAXSOURCE >> http://po.st/ssqyc4

'Brooklyn Friend's Groove' will be included as part of the 'The Red Zone Project - Vol. 2'. Available on download through Def Mix Music from Monday 27th April 2015.


BUY ON TRAXSOURCE

David Morales - Brooklyn Friend's Groove

O Superman (A1) uses samples from "O Superman" by Laurie Anderson. 

O Superman (Preview)

Axel Boman - The Chains of Liberty

Pablo Bolívar releases, on his own label  Seven Villas Music, a new compilation album - called “The Obscure Figure”- which contains 5 new and exclusive tracks: ‘Probably never’, ‘Cleaning the sky’, ‘Leaves without shadows feat. Upercent’, ‘Void’ and ‘Vacumn’. The rest of the tracklist is comprised of 'Frequency', 'Black mamba', 'Vibrations', 'The spark' & 'Escape from galaxy five feat. Dosem'. In this record, as we have already mentioned, two Spanish electronic talents have actively collaborated: Upercent, from Valencia and Dosem, from Girona. Moreover, both of them get out of their usual  sound comfort zone in order to give Bolívar what he asked for: introspective, dark and emotional risk, which would make us fly awake, with our feet pinned to the sky. 

'The obscure figure' is a choral work in which the producer from Cantabria takes a chance on futuristic, sensitive and abyssal electronics. It is as deep, minimalistic and ambient as is intelligent and sophisticatedly clubbing when required. We are facing a record which seeks for, overall,  auditory dreaminess, which craves for the listener’s reaction to the impact, or the cuddle from every beat on their inside. Pablo’s production is meticulous, velvety, it seems perfectly tempered. Sometimes, he lets himself go with the mild darkness of the summery twilight and some other times he dances to the sound of hopeful Autumn sunsets, both synthetic and flashing. No wonder, Bolívar keeps on deepening down the soul of his signature sound - which goes from house and  techno to IDM and dub, always from a deep approach- and which plays, experiments and enjoys along places he only knows but we all indulge in.

The Spark EP

Black Mamba

Berlin DJ & producer Sascha Funke returns with his first solo album since 2008, with "Lotos Land" landing on Tokyo’s Endless Flight next month.
The album takes its title and artwork drawing inspiration from Alfred Tennyson’s 1833 poem, ‘The Lotos-Eaters’, a work that has taken on a particular relevance and fascination for Funke in light of the turbulent world events of 2016. The artwork, by Mule Musiq/Endless Flight & Smallville’s regular illustrator Stefan Marx, is itself an interpretation of a 1901 Lotos-Eaters-inspired illustration by British painter William Edward Frank Britten. 
Despite spending significant moments of his early career in Cologne, Sascha Funke is resolutely a product of the city of his birth, Berlin. It is with one of the city’s most famous techno labels, Ellen Allien’s BPitch Control, that Funke released his previous two solo LPs, with the last ‘Mango’ arriving nine years ago. Since then Funke has been largely focused on the Saschienne project alongside Julienne Dessagne, which issued its debut LP ‘Unknown’ through Kompakt in 2012 and has been a regularly touring live act in the years since. The past year has however seen a renewed focus on Funke’s solo productions, with two new EPs for Canadian imprints Multi Culti and Tiga’s Turbo Recordings. 
Funke credits his work with Dessagne as a key influence on the sound of his new record, which finds him moving into vibrantly diverse sounds more commonly associated with Endless Flight, Optimo Music and Kompakt’s Hippie Dance imprint, the latter pair of which have both released EPs from Dessagne’s Fantastic Twins solo project. Having previously worked almost exclusively with samples and at a computer, these new associations led to a renewed focus on live & analogue instrumentation, utilizing an arsenal of different synths that allowed Funke to engage more emotionally with the music he created. Those instruments included a Korg Arp Odyssey, a Dave Smith Prophet 8, the Moog Voyager and a Solina string keyboard. Meanwhile the tracks ‘Comala’ and ‘Im Feiern Und Feuer’ enlisted the talents of vocalists David Wilson (of another Optimo Music-affiliated act, Glasgow four-piece Junto Club) & Emily Evans, and Tel Aviv live performer Autarkic, who has to date appeared on Disco Halal, Golf Channel and Turbo. With their contributions expanding the album’s emotional landscape, this new approach led Funke to the album’s musical blend of trance, techno, synth-wave, post-punk and ambient that captures perfectly the themes of altered states and community vs individualism that form the heart of Tennyson’s poem and are now explored on Sascha Funke's own adventure in Lotos Land.

LISTEN ON YOUTUBE

PREMIERE : Sascha Funke - Lotos Land

Lil Louis - French Kiss

Monkey Maffia füllt irgendwo auf der Welt mühelos einen Club. Nun fällt ihm auch noch Musik ein, die den Menschen wirklich etwas bedeuten kann. War sein Debüt noch eine Suche, hat er mit seiner zweiten Veröffentlichung direkt Platz genommen.

Monkey Maffia can easily fill a club just about anywhere in the world. However, he's also looking to make music that means something to people. His debut was a search, and his second release fit right along with this theme.

M.M.M.C.2.EP

Sources From The Past ed. 1.

Monkey Maffia - Sources From The Past ed. 1.

1st track of the self-titled EP by @earueger

Midnight Sun

buy vinyl/digital

Midnight Sun - E&A Rüeger

The House Master Boyz & The Rude Boys Of House - House Nation (Jz Duo Remix 2012)

Roman Flugel - Song With Blue (Original mix)

Raze - Break 4 Love (Original 12_ Mix)

Beatport: http://www.beatport.com/track/break-4-love-original-12-mix/1051726

Website: http://www.championrecords.co.uk

Facebook: http://www.facebook.com/championrecords
Myspace: http://www.myspace.com/championrecordsuk
Twitter: http://twitter.com/#!/championrecords
Youtube: http://www.youtube.com/user/ChampionRecordsUK
Last FM: http://www.last.fm/label/CHAMPION+RECORDS

Released by: Champion Records
Release date: 2nd May, 2011

Break 4 Love 

Break 4 Love (Original 12" Mix)

DOWNLOAD

Raze - Break 4 Love (Original 12" Mix)

Behind The Stars

All the Keys Are Here

Every Moment, I Am

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

The Hyve

stimming

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Life Organic 🌱💫

HEESUH beats

HEESUH beats

Franz Feuer

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