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Stojche - Asset 005 (Tangible Assets 05)

A1  Shinjuku
A2 Adverse
B1  Contrast
B2 Evil Funk

Worldwide Distribution by Syncrophone
info@syncrophone.fr
Mastered by Brian Sanhaji
Copyright control @ Tangible Assets 2016

Press release written by George Alatakis (Kana Broadcasting):

If anything, Stojche’s take on Detroit inspired techno rarely requires your permission for engagement. The fifth installment of his own label, Tangible Assets, is no different. This singular producer always manages
to conjure up otherworldly atmospheres that resonate from head to feet. With that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability.

One thing however is for certain. TANG005’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent. There’s a clinical yet organic approach that Stojche
adopts time and time again in formulating his Tangible Asset releases, and if anything, TANG005 should provide further evidence of his depth, maturity and innate ability to create enchantment.
This record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats.
Add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you’re one step closer to the true romance etched within the grooves of this record.

Once again, Stojche has created an EP that catalyses imagination. A series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his
craft.


Stojche - Asset 005 (Tangible Assets 05) 12''

Tresor Records are pleased to present S_W_Z_K, the new project from David Brown aka Swayzak. Whilst the name remains identifiable, S_W_Z_K presents a clear departure from his work with James Taylor who recently left the legendary production duo. Taking cues from the outfit’s heavier live material, Brown — with the sporadic help of long time collaborator and friend Richard Davis — steers S_W_Z_K into deep and spacious techno on this eponymous debut album.

	Before taking different paths in July last year, Taylor and Brown had been producing together since 1997. A union that spawned five studio albums, two high profile DJ comps and stack of genre-spanning EPs, Swayzak became one of the leading figures of !K7 Records, as well as appearing on labels like Force Tracks, M_nus and of course, their own Swayzak Recordings and 240 Volts. But it’s their legacy as a formidable live act that lays the groundwork for Brown’s new direction as S_W_Z_K, turning the pair's chaotic, experimental and textural live aesthetic into a recorded signature that’s energetic, raw and unrestrained.

“The project was to make sonically powerful music that would work in clubs without necessarily making "club music". The tracks are very minimal in the sense that no more than ten sounds were used, giving each track space to breathe.” comments Brown.

	S_W_Z_K is an Intelligent Dance album with Berlin sensibilities. It balances the more pensive, introverted Warp moments like “Elsenstr. 171” and progressive closer “End of the Line Old Boy” with plenty of floor friendly cuts. From the shimmering Basic Channel-hailing opener “31 Techniques” the album plunges into steelier, hydraulic recesses with “Dimanche Noir” before Artificial Intelligence and the Tresor basement collide in “Neukölln Mon Amour”. The remainder of the album continues to reinvent itself, working over a restricted sound pallet and yet culminating in a diverse, rich and intriguing long player. 

S_W_Z_K deftly showcases Brown’s 20 years of electronic craftsmanship, with tracks like the morphing “Marianne F” and multi-tiered “The Last Drop” flaunting a particularly inventive approach to sound design. It’s a stunning juncture in an already prolific and venerable career, and one Tresor Records look forward to fostering in the future.

01. S_W_Z_K - 31 Techniques

"Minus", the track that would go on to influence generation and an entire culture. Twenty five years after its initial release, Tresor Records is proud to announce the reissue of Robert Hood’s ’Internal Empire’ album, a master work, then and now...

The ongoing importance of this album is indisputable, essential both to techno and to Tresor. It is a history intertwined. This work elevates its maker as master, and remain a cherished moment in the Tresor story, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact.

Originally released in 1994, ‘Internal Empire’ marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.

"25 years ago, I was faced with the challenge of following up on 'Minimal Nation’. I cancelled all my tour dates for that summer, setup my studio in the living room and began to work on 'Internal Empire'. My intention was to create something distinctively different. Looking out my living room window in Detroit watching people go by gave me a new perspective. It made me look at the world within myself. 25 years later I am still discovering.” – Robert Hood

Tresor.27 releases on CD and 2LP 180g. vinyl on February 8th, 2019.

Robert Hood - Minus (taken from 'Internal Empire' - Tresor.27)

Artwork by olgavandijk.com
Distributed by triplevision.nl

Releasedate: 19-04-2019

"Oblique Music is proud to present Polish wonder-duo Private Press. Through their debut EP on Technosoul, they made an immediate impression with their matured taste and signature sound design, subsequently followed by releases on Indigo Aera proving that it wasn't a fluke.

Here we have a diverse, yet coherent four-tracker. Blending inspirations from early 90's Detroit- and dub techno to early 00's UK tech house, the duo manages to offer an EP that respectfully winks at the past, while keeping an eye out to the future."

OBQ009 - Private Press - .370 EP

After @amandraaa and @mattheis' debut EP on Ahrpe they continue their collab on the Nous'klaer Summer Sampler with Merle.

Nous'klaer Summer Sampler '19

Amandra x Mattheis - Merle - Nous'klaer Summer Sampler '19

@vril_01's track 'Free World Order' will be released on the double EP 'Bad Manners 4' through Bad Manners on April 17th. More Info: bit.ly/VrlPrmr

Bad Manners 4

Free World Order

Vril – Free World Order

The Vox Attitude

BOOKINGS :  tim@outlined-am.com

Musical trends may fluctuate over time, but some artists remain pillars unscathed by the change in the tides. One such artist is undoubtedly Stojche Cvetanovski. Native of Skopje, Macedonia, he established himself 
as a notable undeground techno figure. The vibrant scene and the expansion of the Motor City sounds in the Macedonian capital, triggered him to explore his own path in his futuristic music phenomenon called Techno. After a decade devoted to djing, he shifted to producing, and in 2009 he co-founded “Argumento Music”.

Stojche is one of the names on the European circuit that broke through by array of contributions to labels like A.r.t.less, Syncrophone, Fuse Brussels, Conform, Mutual Rytm, alongside many others. In 2011 he launched his 
solo imprint “Tangible Assets”. An outlet that has given him the freedom to explore and refine his trademark Detroit – schooled dubbed out productions. “Tangible Assets” reflects a personal statement with emphasized                                                                                                                                                  appreciation for the history of techno music. His "Minor-scale funk" sound signature, assembled a discographic résumé  that passed the test of time. He is consistent in pushing forward the timeless envelope of the “hi-tech soul” legacy.

In contrast, as a dj that is deep in harmony with the roots of techno, electro or dub, he exudes the kind of tact that speaks nothing but the truth. Whether you find him in the basement of Tresor or Berghain, his dj sets providefurther evidence of many years spent behind the turntables, resulting in pounding yet dynamic journeys with a dose of emotional content. His constant pursuit for inspiration sits balanced with the pulse of the city life, and isworking tirelessly without fanfare to enrich a scene that sits close to his heart. Locked away in his studio in Madrid where passion and process all catalyze into waveforms of intense voyages, executed by a man who is well in tune with his craft.

Stojche - Asset 005 (Tangible Assets 05) 12''

Stojche

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