all songs written and performed by
Stone Catcherye
recorded at
Sound Construction Studios

Princess Ophelia Tabernacle

live inside of me
if just for a day
live inside of me
if it kills your pain

I know angels that bow down to her
I know devils that come clean for her

live inside of dreams
if dreams could remain
live inside that scene
those scenes can be great

I know angels that bow down to her
I know devils that come clean for her
I know people that don't have the cure
I know evil surely does not live here

Princess Ophelia Tabernacle

written and performed by
Stone Catcherye
recorded at 
Sound Construction Studios

People Who Eat Darkness

what's the point of life anymore

I bet you know darkness
it's grazed or it has kissed your lips
in hindsight despite this
I'm glad to have tasted a bit

that's my point
what's the point of life anymore

upset in your fortress
alone and neglected
you're missed
in sunlight and sunkissed
in every vision
I sit

that's my point
what's the point of life anymore
smoke a joint
what's the point of life anymore

I bet you know darkness
it's grazed or it has kissed your lips
in hindsight despite this

that's my point
what's the point of life anymore

I'm tired of darkness
it's phase is not malignant, one bit
I'm glad to have seen it

that's my point
what's the point of life anymore
smoke a joint
what's the point of life anymore

People Who Eat Darkness

written and performed by Stone Catcherye
recorded at Sound Construction Studios

Smoke Him Out

the monster's in the mansion
with violence on the streets
their sponsors are a cancer
they need chemotherapy

and they need more than that, don't you see
they have deficit in morality

smoke that bitch out

the proof is in the pudding
looks like he ate all that
don't bother asking him for nothing
he don't wear that kind of hat

and they don't give a shit, don't you see
they are deficits to human beings

smoke that bitch out

watch who you let lead you
watch how misfortune reigns
watch who you let lead you
watch how they take no blame

if he won't come out, then we'll come in
we'll pour gas around that fucker's basement
we'll take a match to it all
if that fucker won't come out
we'll burn his ass inside those walls
a rendezvous with flames

Smoke Him Out

written by GrevusAnjl & Stone Catcherye
Stone - Bass, guitar and vocals/lyrics
GrevusAnjl - drums, keys, synths, mix, master, artwork

a pleasure as always to work with GrevusAnjl

let us know what you think!! 

At Daggers Drawn

all my daggers are drawn and forged for you
I've dug a moat around my yard and stocked it with Truth
that's how I taught myself how to swim
No Thanks To You

all the daggers 'n me
all the daggers 'n me

all my daggers are sharp and lethal tools

& now I'm gonna cry for my mom...
cry...

all my daggers are songs and aimed at you
the longer that this goes on, the more I rule
you mistook tears in my eyes and now you see how I Brood

all the daggers in me
all the daggers in me

At Daggers Drawn (w/ GrevusAnjl)

written and performed by
Stone X. Catcherye
recorded at
Sound Construction Studios


Wi-Fi For Ghosts

in your wi-fi world
I'm in a cloud that you can't see
the insults you hurl 
are like a rival 3rd grade meet
you're a man-school-girl
who's just hellbent on such greed

and now I cry at night
not in fear but in fright
this blind side caught my eye

with your wi-fi mind
you're in a cloud with monthly fees
the insults you find
I think you used when I was 3

and now I cry at night
not in fear but in fright
this blind side caught my eye

with your wi-fi dick
your hand must not get lonely

and now I cry at night
not in fear but in fright
this blind side caught my eye
now he cries woeful lies

Wi-Fi For Ghosts

a song written and performed by Stone Catcherye.
Stone Catcherye uses line 6 guitars, basses, & amps & pedals
Stone Catcherye uses a Maschine Mikro 3

recorded at Sound Construction Studios.



Resplendent

I've been resplendent before
cobwebs and psychos and doors
lonely, you hear me, I roar
I'm tired of feeling this sore

can't I rewind
take me back in time

I am resplendent to bores
they don't know what fun is for
it's a powerful tool when implored

can't I rewind
take me back in time

I've resplendently poor
and now I'm so thankful for

can't time rewind
& take me back in time
damn, I've been so blind
neverminding minds

Resplendent

a song written and performed by Stone Catcherye.
Stone Catcherye uses line 6 guitars, basses, & amps & pedals
Stone Catcherye uses a Maschine Mikro 3

recorded at Sound Construction Studios.


Screaming At The Moon, Hoping It hears Me

screaming at the moon hoping it hears me
fighting the gloom when it comes near me

feel your head with space
violence goes to waste
married to the sea
now I feel your peace

smiling at the sun when I come undone
wishing I could run, run away from dumdum

feel your head with space
violence goes to waste
married to the sea
now I feel your peace

screaming at the moon hoping it hears me
don't doubt the loons, we all fight dirty

feel your head with space
violence goes to waste
married to the sea
now I feel your peace

Screaming At The Moon, Hoping It hears Me

written and performed by
Stone Catcherye

recorded at 
Sound Construction Studios

You Taste Like Fire

Chasing Ghosts In My Head

Shine Without Asking

a song by Stone Catcherye, 
recorded at Sound Construction Studios

The Year I Almost Drown

lost in a gaze, and the waves
hitting me
and there was she
spakling deep
and the breath she took from me

have you seen me
where I've been these days
that year, I almost drown in waves

lost at the cape in the waves
eating me
and where was she
she looked away
and the breath she stole could save

have you seen me
where I've been these days
that year, I almost drown in waves

confident with a humbled mind, I 
explored beaches with you
waves came in and tipped me over
shown weakness of truth

The Year I Almost Drown

Catcherye & friends covering I Am The Walrus by The Beatles.

• MidiPunk @midipunk •
drums

• Stoney Catcherye @stonecatcherye •
vocals, guitar, bass, percussion, mix

• TheGat(s) @thegats •
piano, keys

Written by: Lennon-McCartney

Lennon had wanted I Am the Walrus to be The Beatles' next single after All You Need Is Love, but Paul McCartney and George Martin felt that Hello Goodbye was the more commercial song. The decision led to resentment from Lennon, who complained after the group's split that "I got sick and tired of being Paul's backup band".

The song was written in August 1967, at the peak of the Summer of Love and shortly after the release of Sgt Pepper. Lennon later claimed to have written the opening lines under the influence of LSD.

The first line was written on one acid trip one weekend, the second line on another acid trip the next weekend, and it was filled in after I met Yoko.
John Lennon, 1980
All We Are Saying, David Sheff

I Am The Walrus (featuring TheGat(s) and MidiPunk)

a song written by Stone X. Catcherye while riding the Thunderbolt.
recorded at Sound Construction Studios.

When It's Over

purple skies, lovely eyes, won't you marry me?
I've come down from the clouds momentarily
smile bright for tonight, time might roll on by
don't let go, souls do glow, they glow like your eyes
some days, love, fills you up, shows you ways to be
purple skies, love is high, what it does to me

don't you take me
don't replace me
don't you wake me
don't you hate me
when it's over

autumn eyes in my mind, why we smoke these leaves
I've come down to your ground to find time to breathe
smiles shine for tonight, time, it won't rewind
don't you know of my soul, don't you know my kind?
now and then, all my friends, somehow question me
purple skies, people die, not from love, from greed

don't you take me
don't replace me
don't you wake me
don't you hate me
when it's over

don't you take me
don't replace me
don't you wake me
don't you hate me
when it's over

When It's Over

Stone Catcherye is an American multi-instrumentalist, vocalist, producer, and songwriter whose work spans rock, grunge, progressive influences, funk undercurrents, and experimental sound design. His musical fingerprint is unmistakable: emotionally charged lyricism, heavy atmospheres, bold rock energy, and a hands-on approach to every stage of creation.

Stone’s primary creative engine is Stoniam, a UK–US collaboration with Liam J Boyle. The duo is known for crafting everything themselves —
 writing, arranging, performing, engineering, mixing, and mastering without outside help. Stoniam’s music has been described as “dark, beautiful electric funk and rock,” blending aggression, introspection, and richly layered vocals. Their albums Ultraferal (2023) and Guardian of the Gate (2025) reflect a commitment to emotional storytelling through dense, immersive sonics.

Beyond Stoniam, Stone’s work branches into a constellation of projects:

bitStone — experimental rock and electronic-tinged distortion playgrounds

Shadowface — moody, atmospheric, cinematic rock vibrations

Keep The Fear — high-tension alternative rock with cathartic energy

Loveling — softer, dream-leaning, emotional material

Stone X Catcherye & The God Dams — progressive, funk-rock, grunge-hybrid chaos

Catcherye & The Hy Crimes — acoustic rock and stripped-back grunge reinterpretations

Rums & Bumbletons — experimental collaborative studio explorations

Thee Ancient Aliens (with Unearth Noise) — psychedelic rock fused with punk, dreamscapes, and extraterrestrial textures.

Despite the diversity, Stone’s philosophy is consistent: songwriting comes first. Every project is built on emotional truth, rawness, and depth. He performs live when it enhances the work, but his passion is creating — crafting worlds of sound where vulnerability and heaviness coexist.

For Stone Catcherye, music isn’t just performed — it’s constructed, inhabited, and lived in.

I write songs and work in the following projects/bands:
Stoniam • Thee Ancient Aliens • Shadowface • bitStone • Keep the Fear • Catcherye & The Hy Crimes • Stone Catcherye & The God Dams • Rums & Bumbletons 

~stone x catcherye~

stone catcherye

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