Pink Noise Series
https://www.youtube.com/watch?v=mYRk_KkhkEE&list=PLdDKU0GDr0C_Yq9R0KHxjjbUBdf3hFlRd

YouTube

Pink Noise Live Sets

"The club is only open for 4 hours, so this was a start to finish set in the smaller "DJ room" of First Avenue." - DVS1

Artist: @dvs1

Location: System, First Avenue, Minneapolis

Date: 09.04.2011

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DVS1 - System, First Avenue, Minneapolis (09.04.2011)

Pink Noise 016 - Josef van Galen Live Set
https://www.youtube.com/watch?v=Dur984n_mic

@josefvangalen

Pink Noise 016 - Josef van Galen Live Set

Pink Noise 017 - JS Park Live Set
https://www.youtube.com/watch?v=dSk8FgvnA5g

@jisootinyyyyyyyyy

Pink Noise 017 - JS Park Live Set

Pink Noise 019 - Nikos Live Set
https://www.youtube.com/watch?v=W46YIH3HACU

@nikos_nikos

Pink Noise 019 - Nikos Live Set

Pink Noise 018 - SUBFICTION Live Set
www.youtube.com/watch?v=T6JW2PjvN-4

@subfict1on

Pink Noise 018 - Subfiction Live Set

Pink Noise 020 - Mathilde Nobel Live Set
https://www.youtube.com/watch?v=XwRpsw_RYRY

@mathildenobel

Pink Noise 020 - Mathilde Nobel Live Set

Very first collaboration between Peter Van Hoesen & Wata Igarashi, recorded live at The Observatory in Vietnam.

6 hours hybrid live set.

They will perform their second 6h hybrid performance on SATURDAY 14th DECEMBER 2024 at The Observatory.

Peter Van Hoesen & Wata Igarashi 6h hybrid set - live at The Observatory - 1st December 2023

Live DJ set @Coda by Pax - Romana / Ratherlost @ Lofi Amstrdam ADE

Clarisa Kimskii @ Coda October 2024

CLR Podcast   123   Mike Parker

We are very happy to welcome Cio d'Or & Peter Van Hoesen this friday at CO² Club Origin in Nantes. A perfect occasion to reshare this superb set recorded 5 years ago at Harry Klein in Munich.

Cio D´Or & Peter Van Hoesen @ Harry Klein, Munich (01/05/2010)

Had the pleasure to record a little mix for Mix Up on Triple J, abc radio (Sydney)🎈
It was streamed on Dec 7th, right towards the end of my Australia tour which I really enjoyed. 💛

Tracklist

Polygonia - Triple J Mix Up

info and track list : http://www.residentadvisor.net/podcast-episode.aspx?id=469
Dasha Rush is a Russian born artist who sees the genre as a starting place not a destination. She is a respected and well-travelled DJ and live performer, but her work is equally focussed away from the dance floor, and sometimes away from music itself. Her recent album for Raster-Noton, Sleepstep, could be a metaphor for her work: "These 16 pieces are transmissions from that state between sleep and wakefulness," said Tony Naylor, a reflection of the in-between zones her music often inhabits. Dubby but intense, brutal but tender, foggy yet clear—Sleepstep was a wonderful mass of contradictions. Not being one thing or the other is vitally important to Rush, which goes hand-in-hand with her strong independent streak. The majority of the music she's released since starting out in 2005 has come through her own Fullpanda label and, as she told us in 2013, she's resistant to playing the publicity game in the way many in the scene do. That's meant she's remained off the radar for some techno fans, but it's also given her the freedom to explore projects and sounds as she pleases. With all this mind, it was little surprise that our invitation to record a podcast was met with, "Yes, but it won't be a club mix." What we got instead was an absorbing 65 minutes of dense ambient soundscapes that shows Rush at her most reflective. The mix comes ahead of the North American premiere of Antarctic Takt, Rush's A/V show with Stanislav Glazov, at this week's Mutek festival in Montreal. 

More music

RA.469 Dasha Rush - An ambient odyssey.

RAVERS 150BPM (TEKNO TRIBE) (KORG E2B)

T.L.E - Portal to Hell (unmaster)

Takaaki Itoh (Wols / Japan)@takaaki_itoh

1990년대 초, 일본을 강타한 새로운 사운드 - 테크노 음악은, Takaaki Itoh가 이전까지 들어보지 못했던 새로운 비트들과 함께 새로운 일본 언더그라운드 뮤직씬을 열기 시작하였다. Takaaki는 빠르게 이 새로운 사운드에 중독되기 시작하였으며, 1994년부터는 그의 고향인 북일본 지역에서 스스로 테크노 파티를 만들며 빠르게 자신의 이름을 알려나가기 시작했다. 1996년, 자신만의 사운드를 트랙으로 만들기로 결심하면서 발표한 Takaaki Itoh의 순수한 언더그라운드 테크노 음악은, 이전까지 유럽에서 들어보지 못했던 새로운 스타일의 일본 언더그라운드 테크노로 각인되기 시작하였고, 그는 곧 일본 전역과 유럽에서 큰 사랑을 받기 시작하며 가장 존경받는 일본 언더그라운드 디제이로 인식되기 시작했다. 2001년, 유럽으로 활동무대를 옮긴 Takaaki는 Berghain, Tresor와 같은 대형 테크노 클럽들과 Awakenings페스티벌 같은 무대에서 플레이하며 전 세계 프로모터들과 파티피플들의 큰 사랑을 받기 시작했다. 이후 자신의 레이블 Wols를 시작하며 한 단계 더 앞으로 나아간 Takaaki Itoh는, 현재 새로운 테크노 세대의 선두주자로서 일본과 유럽을 오가며 활발한 활동들을 보이고 있다.

Techno hit Japan hard in the early 1990s.Takaaki Itoh was quickly impressed and intrigued with this new sound. The unique style of beats revealed the gateway to a new world of underground music in Japan - something he had never heard before. 
in 1994,Takaaki began to organize his own techno parties in his home of northern Japan. By providing a fantastic lineup, his parties quickly became a success.
In 1996, having decided that it was time to start making his own tracks, His Japanese style of techno was pure, unique and underground - nothing that had been heard before in Europe. His reputation and popularity quickly spread all over the continent. He was becoming recognized as Japan's most underground and respected techno DJ. As of 2001 he was getting offers to perform at large clubs and festivals all over Europe, like awakenings,berghain,tresor. Promoters wanting him, party people loving him, Takaaki Itoh took the next step and started his own label Wols. Passion led to success and he became recognized as the top of the next generation of techno music.

Pink Noise 019 - Nikos Live Set

STOOR

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