fuck you camel fuck you, please accept my respect 

Camel - Ice (complete) Live

Leftover Cuties- You Are My Sunshine

Ces 4 titres masterisés sont issus de l'album de Birds on a wire, Rosemary Standley et Dom La Nena sortie le 31 mars 2014 chez Air Rytmo / L'Autre Distribution

C’est une histoire de rencontres. 
Celle d’abord d’une chanteuse, Rosemary Standley, et d’une productrice de spectacles, Madamelune, qui ont l’envie de monter un duo de reprises voix et violoncelle. 
Dom La Nena, toute jeune violoncelliste et chanteuse aux multiples talents rejoint alors la chanteuse de Moriarty. 
L'alchimie est immédiate : dès la première répétition domine l'impression qu'on a affaire là à deux sœurs qui auraient passé leur jeunesse à jouer de la musique dans la même chambre, le soir, à la lueur d'une lampe de chevet. 
Entre la franco-américaine et la brésilienne, les répertoires s’échangent et s’entrechoquent : classique, folk, traditionnel américain ou argentin ; en italien, anglais, réunionnais, espagnol, arabe. 
D’Henry Purcell à Tom Waits en passant par Stefano Landi, Violetta Parra ou encore Léonard Cohen, ces deux oiseaux sur un fil, ces deux  Birds on a wire sont prêtes pour une tournée d’une trentaine de dates. 

Ces miscellanées live doivent absolument être immortalisées, faire l’objet d’un recueil que l’on pourrait emporter avec soi. Le disque s’impose. 
Joueur, émouvant, délicat, fragile, dépouillé, rayonnant de grâce et de naturel, 
Birds on a wire qui sort chez Air Rytmo, label anagramme de Moriarty, est comme un album photo que l’on feuillette et alors les souvenirs reviennent :  on pleure avec All the World is Green de Tom Waits ou Oh My Love de John Lennon, on frisonne avec Blessed is the memory de Leonard Cohen, on rit sur Sambinha signé Dom La Nena, on hyperventile sur Arriba quemando el sol de Violetta Parra, on rêve éveillé sur Panis & Circenses de Caetano Veloso, on frémit sur le traditionnel Duerme Negrito, on ferme les yeux sur Solitude de Purcell. On repense à ces amours passées, envolées, regrettées ou pas. Car à travers les chansons réunies ici, Rosemary Standley et Dom La Nena ne chantent, ne parlent, (presque) que d'amour. D'amants éperdus dont les adresses, les demandes de grâce se perdent dans le vide. C'est ce vide que deux Inséparables nommées Rosemary et Dom viennent combler comme des oiseaux annonçant le printemps. 


All the world is green Tom Waits

Order the Vinyl from the Kscope Store: http://bit.ly/1maNOEN
Pre-order the CD: http://bit.ly/1kpVXJA
Pre-order from iTunes: http://smarturl.it/SW_Cover_Version
More info on Steven Wilson: http://bit.ly/XhHnHA
More Steven Wilson videos: http://bit.ly/1654n3g

Cover Version, the album, collects all the material issued on the limited edition Cover Version singles series released between 2003-2010. The 12 tracks comprise six Steven Wilson originals and six covers and provide an essential insight into both Wilson's musical taste and his evolution as a solo artist.

In March 2003 Steven Wilson released Cover Version, a limited edition 2 track CD single. This was the first piece to be released under Wilson's own name (following an illustrious career as a member of Porcupine Tree and No-Man, and recording under various guises such as IEM and Bass Communion), and comprised completely solo performances, stripped back to acoustic guitar, piano and voice.

The single was made up of one cover version, along with one new, original composition. Replicating this format, over the next seven years, Wilson released a further five singles as part of the series.

Each of the CD singles were strictly limited. The final release (Cover Version VI) came in a special box housing all six CDs, with artwork designed by Carl Glover and a booklet of portraits of Steven by Hajo Mueller. Subsequently, an even more limited run of 7" singles were also pressed. Inevitably, as Wilson's popularity has grown - both through his work with Porcupine Tree and his hugely successful solo career - these long deleted releases have become much sought-after by collectors.

Cover Version, the album, re-packages this intriguing part of Wilson's career for a new generation of listeners.

Steven Wilson’s cover of ABBA’s 'The Day Before You Came' can be heard on the latest episode of the Kscope Podcast, listen below (for this and previous podcasts check out the podcast page):

Pressed on double heavyweight (180g) vinyl, the gatefold artwork has been 'remixed' from the box design by Carl Glover.

A CD and Digital release will be released on 30th June 2014

The album tracklist is as follows;

A
Thank You
The Day Before You Came
A Forest

B
The Guitar Lesson
Sign ‘o’ The Times
Lord Of The Reedy River

C
Moment I Lost
Please Come Home
Four Trees Down

D
The Unquiet Grave
Well You’re Wrong
An End to End

Order the Vinyl from the Kscope Store: http://bit.ly/1maNOEN
Pre-order the CD: http://bit.ly/1kpVXJA
Pre-order from iTunes: http://smarturl.it/SW_Cover_Version
More info on Steven Wilson: http://bit.ly/XhHnHA
More Steven Wilson videos: http://bit.ly/1654n3g

Kscope - Volume 6

The Day Before You Came

Kscope Store

Steven Wilson - The Day Before You Came (ABBA Cover from Cover Version)

Camel- Coming Of Age (Disc 1)- 11- Ice

غُربة - Alienation

Lyrics 

"Help me I am helpless"
Cried the beggar to the thief
"Help me find a home again
I need safety and relief
I'm weaker than the smallest breeze
I have lost all my belief"

"Come with me" the thief replied
"I'll show you a land that's free
Where no door has ever closed
Onto the likes of you and me
For just as you cannot steal the sun
You cannot steal all that I've seen"

Roam until I roam no more
Run until I run no more

"I'll go with you" the beggar cried
"I'll follow you my friend
I'll be the shadow on your path
Round each and every bend
As I stand before you now
Naked until the end"

"All is well" the thief he laughed
"Let's hit the endless trail
You will be rewarded fast
As long as you don't fail
I'll pick the locks upon the gates
Of heaven and in we'll sail"

Roam until I roam no more
Run until I run no more

Piers Faccini : The Beggar & the Thief

Green Grass (Tom Waits Cover)

Weeping Willow  (Waltz Macabre)

Written & performed by DUSK a.k.a. Avgi Platanidi.
Single Version: https://orcd.co/dusk-whatarethechances
Album Version: https://orcd.co/dusk-thedebutofcrossingthelines

Our latest addition to our alternative/indie roster is a talented songwriter and performer from Greece called DUSK (Avgi Platanidi). With her attention focused on strong melodies, meaningful words and minimal arrangements, she doesn’t follow the current musical trends but simply tells her story. To put it in her own words: “Music has been my personal journal for every memorable moment of my life since I can remember myself, either as a listener, or as a songwriter…”
DUSK has been influenced and inspired by the enchanting sounds  of Dead Can Dance and Enya , the melodic creations of Greek composers, such as Yannis Markopoulos and the mesmerizing songs of Radiohead, Puressence, Pj Harvey and Tori Amos.  This is the first single from her upcoming album. Albert Planck & Prins George have given their own electronic interpretation of the song, maintaining the minimal feeling of the original.

Dusk: What are the Chances (Original Version)

Je crois entendre encore,
Caché sous les palmiers,
Sa voix tendre et sonore
Comme un chant de ramiers !
Ô nuit enchanteresse !
Divin ravissement!
Ô souvenir charmant!
Folle ivresse! Doux rêve!

Aux clartés des étoiles,
Je crois encor la voir,
Entr’ouvrir ses longs voiles
Aux vents tièdes du soir!
Ô nuit enchanteresse!
Divin ravissement!
Ô souvenir charmant!
Folle ivresse! Doux rêve!

Camel - Ice (complete) Live

Stormblast13

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