Still Life

Farewell

Carrie Hall - Soprano
University of Minnesota Orchestra
Maestro Mark Russell Smith

Gustav Mahler - Symphony no.4 - IV

The Imaginary Music Book of J.S. Bach

Himmelskönig, sei wilkommen, BWV 182: Sinfonia in G Major

Bertrand Cuiller, clavecin
Stradivaria - Daniel Cuiller 
Mirare - MIR 085

Concerto en Ré min BWV 1052 - II "Adagio"

Enregistrement live du « Récital à la jeunesse » du 26 mars 2013 donné à la Grange Sainte –Geneviève à Rungis.

Ce concert est dédié à mes élèves avec un programme composé de pièces illustrant leur parcours instrumental et musical au cours des trois cycles d'étude au conservatoire.
Ce projet a été réalisé en partenariat avec Alexandre Douvry responsable de la Bibliothèque musicale Arlette Sweetman (La BmAS est située dans les locaux du conservatoire de Rungis)
Pour mettre en valeur ce formidable outil pédagogique, nous avons recréé son espace autour du piano : http://goo.gl/apqnJW


La sélection des ressources autour des œuvres : http://goo.gl/wimtR

- - { Vous pouvez retrouver cette œuvre sur Youtube avec une sélection de photos de Serge Salach : http://goo.gl/GaCzhU } - -

Prise de son : Marc Bénard

Médiateur numérique : Alexandre Douvry [@_BmAS_ sur Twitter]

F. Mendelssohn - Chanson de gondolier vénitienne op.30 n°6 - Florence Robineau - CC by sa

Mendelssohn Four Pieces For String Quartet Op. 81

Artea String Quartet
Thomas Gould, violin I
Rhys Watkins, violin II
Benjamin Roskams, viola
Ashok Klouda, cello

Champs Hill Records, 2014

02 Four Pieces For String Quartet Op. 81  II. Scherzo In A Minor, MVW. R 35

In 1974, Robert Morris and Daniel Starr famously enumerated every all-interval twelve-tone row. 

Inspired by their work, and in around 1979 in unpublished works, I generated an analogous catalog of what one might call the all-trichord rows, meaning rows, which together with two of their untransposed rotations, and in "first-species counterpoint," produce a sequence of all twelve distinct trichord classes.  By the standards of the day, this 
involved very substantial computational search.  But lately I have vastly expanded that calculation, now allowing transposition, retrograde and inversion of the rotations. Some of these new rows provide the basis of my recent pieces.   

The catalog of all-trichord rows runs to about 300 more or less, depending upon the accounting for symmetries.  That makes these rows quite rare among all the twelve-tone rows.  This rarity suggests my original compositional conception but unrealized at the time: a museum-like installation where a listener might walk in a large space from sonic exhibit to sonic exhibit, and experience the different ways these rows fit together and do their thing.  

So here are just three typical exhibits, realized now as works for chamber orchestra.  In each, the basic row first gets a plain but lapidary statement, and then the rotated forms fade in, statistically speaking, and eventually the rows likewise fade out in the order in which they entered, leaving finally a statement of the basic row.  By design, this treatment could loop seamlessly as one "display," as per my original conception.

0    4    8   11    2    3    1    6    7    9    5   10

01 Mozart I. Adagio - Allegro

01 Symphony No. 4 In B-Flat Major, Op. 60  I. Adagio - Allegro Vivace

All music composed & performed by Dominique Charpentier 
© 2017 Dominique Charpentier. Unauthorized copying, hiring, lending, public performance & broadcasting prohibited. All rights reserved. Made in the E.U
Recorded, mixed & masterised by Dominique Charpentier. 
Awesome artwork by Anna Salzmann: www.annasalzmann.com

Esquisses

Buy Now!

Esquisse IV

The Lute Music Of Johann Sebastian Bach, Vol. 1

Suite For Lute In C Minor, BWV 997: III. Sarabande

Dirigé par le violoniste Daniel Cuiller depuis sa création en 1987, Stradivaria - Ensemble Baroque de Nantes explore la musique des grands compositeurs de l'époque baroque sur instruments anciens, en menant une réflexion sur les critères historiques de l'interprétation musicale. 

Avec l'arrivée en 2020 du hautboïste Guillaume Cuiller en tant que Directeur Artistique Associé, Stradivaria s'ouvre aussi à un répertoire plus tardif, jusqu'au 19e siècle.

Concerto en Ré min BWV 1052 - II "Adagio"

Stradivaria

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