bdstf - Finding Ways

All tracks produced by Talpah
Mixed & Mastered by James Ginzburg
Artworks by Kenshiro Caravaggio Carena

Hundebiss Records, 2023

I'M TIRED Feat Catnapp & Lord Spikeheart

FROM CLAM017 | TONYPEDIA

clam-pressure.bandcamp.com/album/tonypedia

out 04/04/2024

@t0nyp3re

TONY PEREZ - NATURE FRESH BOY

all i wanted (paramore flip)

a-rot (Angelica Rottingdam White) is an interdisciplinary artist working in new media, sculpture, sound, and installation. Their convergence of mediums serves as a tangible and engaging dialogue on the intersectionality of queerness, horror, and fetish culture.
This mix is one of a-rot’s many décollages, a process of overloading their DAW (Digital Audio Workstation) with media, then distorting and randomizing all sources of audio so nothing leaves the same as it was imported. The mix isn&amp#39;t just enveloped in the lossy ambience of early-internet horror soundtracks; the tracks also possess a unique spatial awareness and a keen focus on sound design. This combination creates an intensely vivid and cinematic experience, both structurally and visually.
Sound should not be segregated into what is appropriate for the club or not, a-rot finds, and provides concrete evidence as to why such sounds can float between danceable and reserved “strict listening spaces&ampquot;.


INTENSIVE DANCEFLOOR COURSE w/ a-rot (30/07/24)

Artist: Dayoung
EP: Latency
Format: Digital
Cat.No: CHI052
Master: Justin Randel
Artwork: Dayoung
Release Date: 25 October 2024

Baroque meets industrial techno on Latency, the latest EP from Seoul-based DJ and musician Dayoung. Through the pounding rhythms of taiko drums and dark swirling electronica, she creates a melancholic soundtrack to an existential crisis on the dancefloor.

Latency, her first release on Chinabot, comes after a period of self-realisation for Dayoung. “I aim to express emotions such anxiety and uneasiness into experimental, deconstructed sounds that are still more or less describable in dance-floor grammar,” she says. “Strong sounds and textures are a kind of release for me. Subversive music is an outlet. It screams out things I can't say in words.”

 

Building from the creeping, liquid sadness of the opening tracks, Strong/Weak, Dangerous fills in a slow BPM with distorted samples, including her own whispering voice, to create a stuttering whirlwind of repressed angst. “Sometimes you want to say something but it’s just not easy due to circumstances, and I wanted to reflect on this kind of situation,” Dayoung says.

 

On the next track, Disturbing Choir, heavy kicks and breakbeats turn the drama up a notch, driven by stacked melodies that interlace like a choir. An ominous feeling grows throughout the record, which ends with Expired, built around a Latin American tresillo rhythm bulked out with heavy bass and kicks. Leaving the listener with a sense of unease, it is characteristic of Dayoung’s refusal to provide any simple conclusions, preferring instead to draw us into the mist of the emotional moment.

Dayoung is a DJ and promoter based in Seoul who plays heavy bass, reggaeton, UK bass, breakbeat and more. She is also a member of the art collective Lost Air which archives and researches the underground electronic music scenes of (mostly) Seoul. In 2023, she launched a new Seoul-based collective, Fragmented Service, with fellow musician and DJ Jaeho Hwang. She has played with and supported artists like Dis Fig, Flora Yin Wong, NET GALA, and Salamanda. At the moment she is the promoter of her own party series [Girls Gone Wild] and is a monthly roster member of Visla.fm radio.

Latency

Disturbing Choir

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

Einhundert Gallery Hangout - Bungalovv - 30 Sep 2024

NO HEART KOPI O EDIT [INSTRUMENTAL]

1st Track I have created after 4-day session ♪♪♪ Hope you will enjoy
Instagram : www.instagram.com/takame_mix/

Devastation

Thrillseeka Omni Hardcore Boys - V . 14

🔥 Title: [MEXUT - MISSED CALL] | 155 BPM Hard Techno 🔥

Brace yourself for relentless energy — this is pure peak-hour hard techno built for dark warehouses and strobes that never quit. Driven by pounding 155 BPM kicks, hypnotic industrial textures, and raw underground power, this track captures the essence of the modern rave sound.

⚙️ Genre: Hard Techno
💣 BPM: 155
💀 Vibe: Raw • Relentless • Underground

If you love the sound of , I Hate Models, Nico Moreno or Sara Landry this one’s for you.

🎧 Turn it up, repost if you feel the energy, and drop a comment to let me know where you’re playing it.
📡 Follow for more heavy techno drops — new releases coming soon!

#HardTechno #IndustrialTechno #PeakTime #RaveMusic #WarehouseTechno #Techno2025 #UndergroundTechno #RaveEnergy #HardGroove

Free Download

MEXUT - MISSED CALL [FREE DOWNLOAD]

Geneva based collective & label
Residence on @trnstnradio
Booking/Inquiries: stranacorpus@protonmail.ch

LIBERI OBLIVIONIS [SCO001] 
https://stranacorpus.bandcamp.com/album/liberi-oblivionis-sco001
nunu ntp - AIR LOCK / PTS ZANZIBAR [SCO002] 
https://stranacorpus.bandcamp.com/album/air-lock-pts-zanzibar-sco002
asvany & SUTA - Rémvadon // Bolond! [SCO003]
https://stranacorpus.bandcamp.com/album/asvany-suta-r-mvadon-bolond-sco003

bdstf - Finding Ways

Stranacorpus

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