So, if it’s authentic swing music you’re after, look no further, you’ve found the most vintage samples IN EXISTENCE. There are no other products ON THE MARKET like ‘StrangeFlow’s Authentic Electro Swing Samples.’

All of these samples are copyright-expired and royalty-free, so you can do anything you want with em, privately or commercially (you just can’t re-sell this product ;)

So, since electro swing is a mixture of some cutting-edge electronic dance beats fused with old-time jazz music – this pack contains both modern beats, as well as older jazz sounds that were left intact – however, all of these samples have been cut and sequenced so that they are ready for remixing/original music composition in any of a number of modern dance styles, such as house, hip hop, techno, moombah, dubstep, electro, complextro, and trap, just to name a few.

Some of them – well, MANY of them, in fact – have been edited, here and there, modernizing them in a cutting edge way for the dancefloors and swing parties that are taking place ALL ACROSS THE WORLD right now, from Paris to New York to New Delhi! The tempo has been listed in the file names of each sample, as well as the artist and song names sampled, where applicable.

In addition, we thought we’d drop a special gift on this release: a BONUS sample package – 150 Moombah beats. If you’re a fan of modern house music, you’ll probably know that moombah has ALSO been killing dancefloors lately! So, if thats a sound you are interested in, then youre in luck.

What else? We’ve included 17 different jazzy vocal samples to mix into your tunes! From Fanny Brice to Marion Harris and Bert Williams, these vocal samples are a lot of fun to mix into the groove.

Ah, yes, and in addition to this, we’ve added 30 funky snares. We’ve provided as many audio tools as possible to get you started and have fun making the swanginest songs on the scene!

All of these files are in .WAV format, the most widely-accepted audio format.

So, below is what’s included, in total, in this package:
- 61 swing music samples/loops

- 15 modern swing beats

- 17 swing music vocal samples

- 4 FX sounds: authentic vinyl audio to mix into your tunes

- free gift # 1: 150 moombah beats

- free gift # 2: 30 funky snares

This sample package contains royalty-free / copyright-expired / completely legal to use samples from the following artists:
Paul Whiteman,
Carl Fenton,
Marion Harris,
Charles Harris,
W. Robyn,
Fanny Brice,
dRoasrio Bourdon,
Ada Jones,
Billy Murray,
Billy Jones,
Art Hickman,
Elliot Shaw,
Elsie Baker,
Sterlng Trio,
Bert Williams,
Specht’s Jazz Outfit,
Benson Orchestra,
Ben Bernie,
Olive Kline,
Ethel Waters,
Ted Lewis,
Club Royal Orchestra,
Vaughn Deleath.
… AND MORE !!!

Demo for Authentic Electro Swing Samples VOL 2 (goto bassadelic.com for samples)

I was trying to make house music, and kinda got stuck on a weird anarchy tangent...

mit gNit gNit!

Featuring a sample by Biggie Smalls, Angel Dust is a tripped out wobbler with a bit of skratching and good color; it's good for a dance, good for a mosh, good if you're high. Also, the angel dust sample (besides being from my favorite rap song, Gimme the Loot by B.I.G.) is a reference to the first dubstep song i got into: PCP by 16bit. 

StrangeFlow - Angel Dust

REMIX OF DOLL PARTS (original track by Hole)


StrangeFlow's signature grunge-remixing style is being infected with Chopped & Screwed variations that create something you've never ever heard before.  Something to groove to, and with a bit too much bass, cuz I know everyone likes that :) Grungestep meets DJ Screw! An altogether new sound, kind of creepy and demonic. Turn the bass up, btw. 

Hole - Doll Parts (Grungestep-Screw Remix)

told y'all i was workin on some new stuff

StrangeFlow - $7 Bag Of Funk (free download)

So, might add wonky vocals, might not. The album's taken a minute cuz its gonna be an XLP, maybe two hours or so long. Figured... fuck it, why not. So... HERE.

StrangeFlow - Clavvy Phreak  (free download )

If you can remember an era where Bart Simpson was considered shocking and controversial,
and when Sonic the Hedgehog was considered the pinnacle of gaming, you'll remember the tune i decided to mix. Decided to make a dubbed out, glitched up remix of the track Loser by Beck. Call it whatever you want... grungestep, alternative-step. lol.  


Beck - Loser (Glitch-Crunk Remix by StrangeFlow)

Another dope dubstep bass killer from Nuclear Bass Militia!

Nuclear Bass Militia (StrangeFlow + angryrancor) - Stay High (flik ya bik)

Really excited about this! Releasing a new sample pack on Bassadelic.com!!!!
DETAILS 

. 120 samples (ALL COPYRIGHT-FREE & ROYALTY-FREE) 

. 435 MB total 

. 100 Authentic Swing (Properly Sequenced) Samples 

- including: 

- 13 vocal samples 

- 37 hotter (faster) loops 

- 50 cooler (slower) loops 

Each sample has been sequenced and made ready for inserting into your next mix. Some have even been twisted around and altered, making it even easier to get going on your newest electro swing song or remix! 

. 10 electronic deep-basslines 

. 10 full electronic beats 

. PLUS, a FREE GIFT: 30 Funky Snares! 

Compatability 

. Acid Pro 
. Pro Tools 
. FL Studio 
. Reason 
. GarageBand 
. Live 
. QuickTime 
. & any other programs that support WAV file format. 

Artists Sampled 

(We included all the greatest names from big band swing) including: 

. Cab Calloway 
. Bennie Goodman 
. Louie Armstrong 
. Tommy Dorsey 
. Charlie Barnet 
. Woody Herman 
. Artie Shaw 
. Paul Whiteman 
. Lionel Hampton 
. Fletcher Henderson 
. Bob Crosby 

Authentic Electro Swing Samples DEMO (goto bassadelic.com for samples)

yet another dope jam from Nuclear Bass Militia !!

The bee gees - stayin alive (nuclear bass militia moombahjukecore remix)

Edward Maniths, from the Detroit Audio Discovery Society (DADS) reported today that an old electronic-music record was unearthed, after digging through dusty old record crates in a now-abandoned (and little known) Motown recording studio in what many people believe to be the 'scariest city in America.'

"Yea, well, thing is... most Motown records were not recorded anywhere near this old building," says Maniths, as he stands outside Beatflip Studio, in downtown Detroit, "yea, I mean... I guess there were an offshoot, trying to compete with the big boys, but their records were a little bizarre for the Motown crowd."

It was true. There were a few heavy-bass tunes that made their way to vinyl, 50 to 60 years ago, as beatniks and underground musicians would pool money together (selling marijuana in downtown basement parties) in what was, once, a thriving Michigan city. Secret underground 1950s bass-music parties were a rare - yet interesting - subculture of the beats.

"Ahh, you found it? Wow! I didn't think any of that one still existed! Ha! Oh my!" reports Chester Burgh, a self-identified, "Bassnik," from the '50s."

"Yea, you know what the hell happened, don't you? Our music was too scary! Even for Detroit! Ha!" said Chester, as he went to grab a cigarette, and I informed him that there was no smoking in our office.

"No smoking in here? Ah," he gave a disgusted look, "see now, that right there is what we were rebelling against. The MAN! You can't tell me not to smoke! I just wanna bass out and listen to some late 50's BASS SHIT and do my thing, ya dig?"

I did not dig, and as he went to light his cigarette a second time, I informed him that I would have to ask him to leave.

"Well, fine, whatever. This party's gotten a lot less hatty then I wanted, anyway. Narc."

I went back to Edward Maniths, who was, compared to Chester, an uptight nerd. A 'square,' to use the parlance of a forgotten time. I wanted to verify that the recording was legitimate.

"Yes, indeed, it's legitimate! There's a picture of some of the prominent poets in the scene," he said, pointing out Kerouac and Ginsberg, and scratched his head at the other members of the photo, adding, "hmm.. you know, I know I should know who these others are, but I guess I'm not really an expert on 1950s culture."

Extremely irritated, disappointed, and at this point, a little hungry, I decided it was time to have a listen to this unearthed gem of a recording. Well.... it was breathtaking, to say the least... Though, in fairness, most of the tracks are hard to listen to, as they are 'too subversive' for me, and likely, for anyone else. Plus, the record is very scratched.

"Well, undoubtedly, this record is the kind of thing that contributed to rave culture in Detroit, a few decades later. I'm guessing there are two or three of these records floating around, to this day...And as for the sounds? Well, there were a few drumboxes at the time, a lot of them just kinda' hacked together by some of the more tech-savvy Beats... They made something that sounds like the TR-808, but long ahead of it's time... Yea, the grime kids, the 2-steppers, the trip-steppers, the hop-hippers, the trappers and the jukers?  All those guys basically stole what is on that record there, the one that's just been discovered..."  said Chester, sweating.

Chester had followed me home, and was now answering questions I wasn't asking.

"Oh, yea, you know, it was a golden time for underground bass music. Kids would head down to the basement, smoke up, listen to some jazz, then, if shit really got cookin, it'd be time for some BASS! You know? Oh yea, there was a whole scene! There were the Bassboys, the Bassniks, the Bassa Nova, Kody B & the Boys of Bass, uh... 50s-Bassernauts... (that was my group, the 50-Bassernauts - we were so hatty!) and uh, let's see... the track you're listening to? The guy who put that one together - I sold him weed, once. Smart cat. Ugly, though. Jesus, really ugly. You know? Like, like even for a guy from Ohio. He was from Ohio. You know?"

"I'm not sure what you mean by that, Chester. I AM FROM OHIO."

"Right, well, uh, you're one of the good ones, then, you know?"

I slammed my box of Wheaties to the ground (which annoyed me, as I had grown really hungry the last several hours, and wanted nothing more than to eat some fucking Wheaties ) and I showed Chester the door.

He didn't understand my obvious hint, so I began hitting him.

"Woah, mellow out, bro." said Chester.

I did not mellow out, but eventually, Chester left.

I hate Chester. But this is a good recording. Rare 50s bass music. Kinda sounds like something StrangeFlow would do. But... I mean, like, a 50s version of StrangeFlow.. I don't know, that's just the impression I get, personally. Check it out.

StrangeFlow - Rare 50's EDM/Bass Tune Unearthed!

One night, StrangeFlow was grooving so hard, the magnetic poles of the Earth were irreversibly switched, causing a lightning bolt to charge straight through StrangeFlow's body, ripping open his internal organs and sending him into a funky trance; a perfect bliss-coma of purple-nirvana. Yes, yes - purple blood was everywhere! 

It was in this violent purple stupor that StrangeFlow scrambled to his studio, and heroically recorded this glitch hop album, unleashing a series of bass-heavy tunes so electrified and crunktacular that even the casual listener cannot help but be incredibly grooved out and put into a super purple funk trance. 

As well as being the first official album released by Bassadelic.com, its also a banger - drawing influences from Chicago juke, old school funk, as well as retaining that futuristic / tripped-out glitch hop crunk sound that StrangeFlow is known for... 

Plus, it's FREE!

Strangeflow - Funk Punch (From Purplevana EP)

Strangeflow - Trillion Dollar Funk (From Purplevana EP)

Weird new juke tune I just finished, download it now :)

Punk MuhFukas

New tune, influenced by a lot of what I've been hearing lately, and finally getting back on that real acidy hip hop vibe again 

STRΔNGEFLΘⱲ - Hate You

New tune I finished, gonna be released on Dynasty Shit label soon.

iLL MateriaL

These samples are, in many cases, layered, and some of them boast incredibly long sustains, to help fill in sound gaps in music production.

They each range in time from 11 seconds to almost 30 seconds in duration. They are rinsed and affected samples that were recorded, originally, from a variety of sound sources, including the TR 808; the TR 909; the TR 68 (an especially rare drum machine); the DMX 606; and more. They are unique in structure, and each have received a full range of hi-fi sound manipulations (including different forms of compression; and in some cases, minor phasing and slight frequency-shifting) to make them much more palatable and professional-sounding.

Basically, these cymbals have been designed to be as useful in mixing and music production as possible. If you’re looking to give some real weight to a drop or breakdown in the middle of a song, these ultra-crisp crash cymbals will really help! You won’t have to worry about whether or not your cymbal drums will be sound sufficiently thick and satisfying when you drop one of these into your next massive tune.

They are recommended for electronic dance music of all forms; especially house music, trap, drum n bass, electro, and juke.

Samples of this quality really speak for themselves, and when you hear them in your final mix, you’ll hear the difference.

All of these samples are royalty-free, encoded in 16 bit, 44.100 hz .WAV format , and usable in any standard DAW component or software that allows for .WAV audio support.
You can use these samples in any production, both personal AND commercial. You can NOT, however, resell them as your own.

EpicCrashCymbal003 ...go to bassadelic.com now to get all 31 samples :)

EpicCrashCymbal008 ...go to bassadelic.com now to get all 31 samples :)

EpicCrashCymbal022 ...go to bassadelic.com now to get all 31 samples :)

StrangeFlow is a hyphy-space travelling bass-head sent from a funk'd out alternative dimension who brings knowledge of the most funkinest melodies, basses, and 
most trippenest rhythms physically possible. It is his soul mission to chillaxify humans with his cosmic audio frequencies and psychedelic alien breakbeats, which 
will (if played loud and often enough) tear a hole through the space-time continuum, creating a vacuum between our world and his and allowing an intense stream 
of funk to flow freely from his world to ours, which will surely destroy nearly all life on the planet as we know it. 

For you see, unfortunately, it is NOT a peace-keeping mission.. it's a violent and bassadelic world takeover, and only the most crunkinest of coverts will survive - 
for it will not only turn our world on it's side, but this evil alien force won't stop until the complete funky sidewaysification of Earth is complete!!


StrangeFlow (official)

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