La Léh

Sampha - Without

The history of madness and constant running of your thoughts and concerns.Look at yourself, maybe there is something like that?Feel the music and you will not regret it.Thank you for your attention.

Madness

Imagine that you are standing all day in one place and watch the sun beam.
You see the sunrise, the culmination of sun ray and finally how he goes beyond the horizon.
Draw these pictures in your head and you will not regret.
Thank you very much for your attention.

The History of light

Let You Know (Dpat & Atu Remix)

You like the mix? Click the ´Repost´button.

The music on offer is richly textured, and though techno's thundering pulse plays a major role in the proceedings, Fengler also finds time to flirt with various house tropes and explore both darkly dubby and brightly melodic passages. Beyond that, the whole thing has been expertly mixed, which comes as little surprise given the man's impressive pedigree.

XLR8R Podcast 303 Marcel Fengler

Experimental Oriental Instrumental (live session rec)

▶ Soulection ~ The Sound of Tomorrow
▶ http://facebook.com/soulection | http://twitter.com/soulection
▶ Discover: @spzrkt @sangobeats
▶ Download the EP: http://soulection.com/s040-hours-spent-loving-you

Hours Spent Loving You is a summation of how relationships are viewed both earthly and heavenly. This project was created for the people who have deeply supported SPZRKT & Sango. So in return, they felt it was right by giving thanks, and allowing these people to understand their stories in and out.

Enjoy. 

Mixed and Mastered by Marvel Alexander & Sango

Download the EP

SPZRKT & Sango - Hipster Girl

'last time'

FSX-007:  SiR - Seven Sundays album out now on vinyl, digital & CD & digital: bit.ly/FSX-007

Vocals & Lyrics by SiR
Produced by Knxwledge
Keys by Tré Pugh

Design by Rob Lewis

Buy on iTunes: http://apple.co/1R09sAv 
Stream on Spotify: bit.ly/1LRhZir
 
Follow:
@inglewoodsir
@freshselects

SiR "Love You"

128 kbps / 44100 Hz

Voici ma participation au concours #RabanneRemix.
Juste mon son, mon style, mon identité.

Bonne écoute à tous, j’espère que vous allez kiffer. Lâcher vos likes, commentaires et partages si vous sentez le truc, ils seront pris en compte. Merci pour le soutien !

🇫🇷 Confectionné à Bordeaux avec amour et respect.

P.-S. Merci à Kathy Jean-Louis, dont j’ai samplé la parole pleine de bienveillance lors du pont.

—

Here’s my submission for the #RabanneRemix contest.
Just my sound, my style, my identity.

Enjoy listening everyone, I hope you vibe with it. Drop your likes, comments and shares if you’re feeling it, they’ll be taken into account. Thanks for the support!

🇫🇷 Crafted in Bordeaux with love and respect.

P.-S. Thanks to Kathy Jean-Louis, whose words of kindness I sampled during the bridge.

V38

Judy Carter - Listen To The Music [128 kbps]

Cover art: @zinzigugu
Mixed & Mastered By Bryan "Kawaakari" Schwaller @Classickstudios

Mr. Sun (Prod. by Monte Booker)

Tracklist:

1) https://soundcloud.com/josephellis - Late Night Coffee
2) https://soundcloud.com/abrahamblue - lovers. (sketch)
3) https://soundcloud.com/larryfisherman - ROS
4) https://soundcloud.com/only1dram - Caretaker (Feat. https://soundcloud.com/justsza)
5) https://soundcloud.com/elev8game - Turn Down

REST IN PEACE MAC MILLER

RoseGold&Chill.

GINA

found this dudes beat tape and instantly fell in love. :)

MATTER OF TIME 

something aint right
you don’t spend the night anymore
maybe I’m uptight
its all in my mind
but even when you’re here
you’re some where else 
with somebody else 
n i can feel her near
she’s making you smile
you aint done that in a while darling 

an its only a matter of time 
you’ll leave me and i know it
you love her darlin
show it 
an its only a matter of time 
you’ll leave me and i know it
you love her darlin
show it 

cause you’re drifting away
you get further and further everyday
I’m such a fool 
i just keep on
pulling you back
and you don’t wanna stay
but you don’t wanna hurt me 
an you don’t know what to say
you just keep on 
pulling me back

an its only a matter of time 
you’ll leave me and i know it
you love her darlin
show it 
an its only a matter of time 
you’ll leave me and i know it
you love her darlin
show it 

an i’ll make it easy you 
i’ll throw a fit an you can storm out like you always do
and it’ll be like nothings changed
i’ll pretend that you coming back just the same
i’ll pretend you’re coming to stay

an its just a matter of time 
you’ll leave me and i know it
you love her darlin
show it 
an its just a matter of time 
you’ll leave me and i know it
you love her darlin
show it

Matter Of Time || prd: LC MISSION

Music Video: https://www.youtube.com/watch?v=WgOUEKFOTCo

Spotify: https://open.spotify.com/album/5bww8nZbdjQYruHn15BoHz

Apple: https://itunes.apple.com/us/album/fin3/1434892698?i=1434892713

Napster: https://ar.napster.com/artist/dennis-2/album/fin3/track/fin3

Rappers Project

Fin3

“It was one of those rare occasions when you hear something, you cannot help but think 'where the hell does this come from?” 

So thought Steve Wilson in 1996 as he listened to the two Digital Audio Tapes (DATs) of remixes by Bryn Jones aka Muslimgauze of his bands Porcupine Tree and No Man. Wilson chuckled good-naturedly as Jones referred to the remixes as “improvements” over his own musicianship. Actually, Wilson was flattered since Jones, whom he met a week earlier at a Manchester pub, responded both promptly and creatively to promo CD singles passed along as both a gesture and musical calling card. While Wilson found the remixes intriguing, he did not know what to do with them. The DATs held only faint resemblance to the source material, which was smothered in the toxic waste distortion, deft manipulations, and industrial strength beats of Muslimgauze. Perhaps a handful of Wilson's fan base would have 'gotten it', but it would have simply went over the heads of the majority. Wilson rang up Jones and said there was no way he could possibly release this music. The response was yet another DAT a week later titled, the “We cannot possibly release this' remixes”. Wilson then suggested, rather than release remixes, to work on a collaboration which would be the basis of his then-new experimental music project, Bass Communion. Jones agreed and sent original Muslimgauze material which was the basis for the full-length and EP CD's Bass Communion V. Muslimgauze (Soleilmoon 1999 and 2000, respectively). The remix DATs as well as unused material for the collaboration languished in Wilson's studio until the Muslimgauze Preservation Society approached Wilson about bringing the music into the loving homes of Muslimgauze enthusiasts. 

The Muslimgauze Preservation Society are proud to offer you MPS 02, Camel Through A Needles Eye, featuring two discs of unreleased music that clock in at just under three hours. Muslimgauze like you never heard it; a yin/yang of both the abrasive textures and ethereal, beat-driven and ambient—fused into wondrous harmony. To commemorate this release, the MPS sourced covers in Egypt to be hand-printed onto genuine papyrus. A second cover is set amidst a 9 panel fold insert with extensive liner notes on one side, and a fold-open poster featuring Jones' original art work on the other. A bonus sticker of Jones' art work is also included. The music and packaging is all set within a super jewel case to protect this special  edition limited to a run of 500. Quantities are already selling fast! 

MPS 02
 www.themuslimgauzepreservationsociety.org
 www.fathomdistribution.com


Muslimgauze: Camel Through A Needles Eye sample

⚜
every available space-time in this dimension is an opportunity to create.
⚜
the big bang was a sound
⚜
celebrate life
⚜
& stfu, 
listen.

Sampha - Without

STREET ETIQUETTE

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