Spurn Point is the debut album by London based artist Shelley Parker released on her label Structure. New compositions are presented from re-edits of selected installations, performances and a video project.
BEACHY HEAD / CERITH WYN EVANS PROGRAMME / DE LA WARR PAVILION /  2012 
Shelley Parker’s performance for the Cerith Wyn Evans' programme employed various field recordings and also incorporated a live audio feed from nearby Beachy Head.

05 BEACHY HEAD / Shelley Parker / Spurn Point

Spurn Point is the debut album by London based artist Shelley Parker released on her label Structure. New compositions are presented from re-edits of selected installations, performances and a video project.
NOISE FLOOR / NOISEFLOOR FESTIVAL / 2012 
The live set utilized stripped down percussive extracts, cyclical bass pulses and minimal abstract noise sourced from early old school hardcore tracks and field recordings.

04 NOISE FLOOR / Shelley Parker / Spurn Point

Spurn Point is the debut album by London based artist Shelley Parker released on her label Structure. New compositions are presented from re-edits of selected installations, performances and a video project.
BOILER HOUSE / CORNELIUS CARDEW PROGRAMME / 2011
Taking inspiration from Cardew's improvisational methods of generating music, the piece set in the lower operational levels of the building, responded to the architecture of the site and the accompanying network of utilities that activates the building. Using live audio feeds, recordings and low frequency pulses, the installation constructed an immersive re-imagining of Morley College in keeping with the spirit of the former tutor Cardew and the legacy of his work.

03 BOILER HOUSE / Shelley Parker / Spurn Point

Spurn Point is the debut album by London based artist Shelley Parker released on her label Structure. New compositions are presented from re-edits of selected installations, performances and a video project.
FLAT TIME HOUSE / STUDY FOR AN EXHIBITION OF VIOLENCE / 2011
The performance was devised specifically for the launch of curator Mathieu Copelands exhibition, "A study for an exhibition of violence" at Flat Time House.

02 FLAT TIME HOUSE / Shelley Parker / Spurn Point

Spurn Point is the debut album by London based artist Shelley Parker released on her label Structure. New compositions are presented from re-edits of selected installations, performances and a video project.

BIRD CAGE / JOHN CAGE PROGRAMME / DE LA WARR PAVILION / 2011
Sourcing inspiration from Cage's 'Bird Cage' (1972), the installation set out to examine elements of chance, texture, repetition and social space using sound in a site-specific context. Bird Cage sonically compromised of a real time live feed picking up external sound sources, for example, seagulls, sea and traffic from the roof of the pavilion. In the gallery space stood a monolith of speakers streaming the live feed alongside layers of continuous bass drones and pulses of low end frequencies.

01 BIRD CAGE / Shelley Parker / Spurn Point

04 Nintendo love (Scanone remix) Shelley Parker STRUC01CD

06. Studio 19

05. Transparency

04. Soundcard

03. Railings

02. Nintendo Love

01. Section One

To mark the end of the 1 year residency at Space in London since Feb 2012, Power Station is a free download release by Shelley Parker. The residency has largely been inspired by Dungeness Power Station in Kent. The outcomes of this residency during the past year have resulted in spatial recordings from the power station translated in to 2 new compositions, a film (screened at Supernormal Festival (August 2012), a sound installation and a performance (July 2012).

CURRENT (March 2012) Current is a composition of site specific field recordings sourced at Dungeness Power Station focusing on the 200 HZ low hum of electricity resonating from the substation and the static hiss of pylons. The track is interrupted with a live recording of the audio files transfer from the sound recorder transforming the track into a live circuit of the site specific recording process. Equally Current draws influences from the physicality of the power station’s penetrating sound and it’s sonic similarity to the experiential impact of purpose built machine made music played through a large club sound system.

STRUCTURE

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