All The Content Belongs To 104.6 RTL And ReelWorld Jingles.

104.6 RTL Berlin ReelWorld Jingles (Custom) IMG+Song Intros+Jingles+Top Of Hour

Concert version for brass quintet and live electronics, commissioned by Shriver Hall. (Installation version for overhead wavefield synthesis and video projection commissioned by EMPAC.)

[there are subwoofer bass frequencies present - use good headphones or larger speakers for best effects, not earbuds]

Audio documentation of the world premiere performance.  American Brass Quintet at Shriver Hall, December 8, 2019. (P.S. this was premiered on my birthday, and it was basically the best birthday present ever - thank you ABQ!)

Program Note:
Spending time in the chambers of ancient ruins and the cavities of basilicas and churches has led to a fascination with the interaction of architecture, light, and acoustics in relation to the human spectator. The different window types (from oculus to clerestory to stained glass) guide our relationships with the spaces, recanting visual stories as they divert beams of light in paths of illumination throughout the course of the day. The same is true of the sonic qualities of these, often vast, spaces. Within "The Glow that Illuminates, The Glare that Obscures" I take the brass performance tradition of the madrigals and motets of Renaissance polyphony and pass sourced quotations through a compositional prism. The resultant fragments are illuminated and obscured in the composition through the use of antiphonal and heterophonic writing, density and silence.  Fragments of Josquin's Miserere, a spare and austere motet setting of Psalm 51, jostle our memory as they are stretched and ornamented throughout the ritualistic sonic space.

The Glow that Illuminates, the Glare that Obscures (2019) for brass quintet + elec (concert version)

in dream world
was I laughing at a turtle?
winter seclusion

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

From the Haiku Guy website:

“Perhaps Issa’s dream is symbolic. Like a turtle, he is hunkered inside his shell (hut), waiting out the harsh winter weather. Or, William Nicholas offers a different interpretation, noting that the turtle is linked with good luck and longevity in Japan. In 1812 Issa was still a bachelor; he married two years later. At this point in his life he longed for the good luck of marriage and family life, hence the dream turtle’s teasing laughter?”

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 17th May 2023

haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

picture by Todd Trapani https://unsplash.com/photos/ymEcUhbjCrI

Winter Seclusion (NaviarHaiku488)

Disquiet Junto Project 0593: The Charm
The Assignment: Record the second third of an asynchronous trio.

Please note: While this is the third part of a three-part project sequence, you can participate in one, two, or all three of the parts, which have occurred over the course of three consecutive weeks.

Step 1: This week’s Disquiet Junto project is the third in a sequence that encourages and rewards asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0592 7). Note that you are finishing a trio: you’re creating the third part of what two previous musicians began. Please keep this in mind.

Step 2: The plan is for you to record an original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from. The majority are in this playlist:

--

It was an interesting balancing act, to add something fresh while still leave enough space for the original material to breathe.

This is my 2nd iteration.
Initially, I wanted to just record a drum part but wasn’t satisfied with the end result.
I wanted something more subtle.

So for the 2nd iteration, I came up with a process that allowed me to explore a few of my current interests at the same time. Probably that’s why I was willing to give this piece so much attention. Hm…

Below is a somewhat detailed description of the process and context.
It’s long & detailed, because I wanted to capture a few thoughts while they’re still fresh.

Context:

earlier this week, I studied interviews with Nils Frahm about his current improvised live concerts (How I Play Live: Nils Frahm | DJMag.com). My take-away for me was that playing all parts by hand (e.g. not relying on quantized sequencers) is a part of his organic sound that I like so much.
That motivated me to play keyboard a lot more - mostly piano & electric piano sounds with a touch of tape delay effect - and discover that this is currently my favorite thing to do, musically.

yesterday, I repaired the broken switch of the audio input preamp on my Buchla Easel, and my mind was naturally wondering about how to employ it in the next projects…

earlier today, I read an interview with Biosphere (In the studio with Biosphere | Headphone Commute) - another artist whose sound I like a lot.
I liked the idea of processing samples of acoustic instruments (he mentions sampling classical music) through synths/filters/etc.

yesterday, I found the perfect reverb effect pairing for the Easel - a modulated space reverb pedal.

All of the above coming together to form the idea for a process.

(continued on https://llllllll.co/t/disquiet-junto-project-0593-the-charm/62312/57)

Frugal3ty feat Marc Eisenschink and encym [disquiet0593]

President Biden accidentally referred to Putin's war in "Iraq" when answering questions from the press, a year after former president George W Bush made the same gaffe. Both men played crucial roles in the push to invade Iraq.

Reading by Tim Foley.

Aging Iraq Invaders Keep Accidentally Saying 'Iraq' Instead Of 'Ukraine'

Here are the ReelWorld One CHR jingles as heard on 106-7 KMX (WKMX/Enterprise-Dothan, AL).

All jingles were recorded from the stream in the last week of June 2023.  The montage is arranged in chronological update order, and the updates themselves range from May 2018 to May 2023.  Enjoy!

WKMX ReelWorld One CHR Jingle Montage - Late June 2023

I just recently came across these jingles for Country 92-5 (WWYZ/Waterbury, CT) and am unfamiliar with them.  They sound like some kind of custom ReelWorld package, but I'm not sure.  Here's a short montage of jingles caught from the stream.  Enjoy!

Name That Jingle Package! - WWYZ ReelWorld(?) Jingle Montage - 9/20/23

My dad raised seahorses. I remember him telling me that the males carried the babies to make sure the mother didn't eat them.   I think it was a metaphor.

two seahorses

Radio HIT FM - Imaging BEATMIX OCTOBER 2023

ReelWorld KVIL 2013 TOH RapidFire No - City Tag for KOST 103.5

Holiday Jingles from WKLI/WROW Albany, NY

WKLI/WROW Albany NY HOLIDAY MAGIC JINGLES

On this channel you can find ReelWorld radio jingles and imaging that I have been collecting from the airwaves and streams of stations around the world!  You'll also hear jingle montages taken from the ReelWorld.com website.  You can also find my All-ReelWorld Jingle Podcast here.  This podcast was created in April 2016 for my personal use and features ReelWorld jingles that are currently or were previously available via a public streaming format.   Unfortunately, the podcast came to an end in December 2019.  There is also imaging of my very own Part 15 CHR radio station on the channel.  If you have any questions or comments, please contact me through the SoundCloud messenger.  Enjoy the channel!

WKMX ReelWorld One CHR Jingle Montage - Late June 2023

Stuart Carlson

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