This track takes me on a journey through space and time, love the trippy beats!

Invisible invocations (2021) for 2 Euphoniums 

Melvyn Poore, Euphonium
Klemen Vetter, Euphonium

Composition: Angeles Rojas

Premiered at Darmstadt Summer Course, 10.08.2021

Invisible Invocations

When you see me again I hope that you become the person that you used to be

I Should

The Celery and Wild Garlic track was recorded using only sounds from Reason Studio's new modeling synthesizer. The track vernal Equinox by Jon Hassel from 1977 served as a reference piece.

celery and wild garlic

Song was created as an entry to the Objekt challenge - only using objekt and effects 

https://reasonstudios.com/blog/objekt-song-challenge/?utm_source=Klaviyo&utm_medium=campaign-email&utm_campaign=2023-06-07%20OBJEKT%20Post%20Launch%20%235%20%28everyone%29&_kx=FzSA6rcIViiuB0J5Vix3X0PvzAMxbo-Gq-zLCnulRkw%3D.TRLZ9r

rays (warped reality mix)

Slow-burning, funk-filled, body-grooving, hypnotic sunrise-vibes, Deep and minimal House tune with a Lo-Fi edge. 

Note: 100% of the sounds on this track come from Objekt, the new synth by Reason Studios.  

The friendly swedes of Reason Studios have come up with a challenge featuring their new synth. They ask: can you make a track using ONLY Objekt?

I think we can!  ;)

Objektivitet

All sounds are made by Reason Studios' Objekt Modeling Synthesizer.

#ObjektChallenge

Neelam Palace

Neelam Palace 【#ObjektChallenge】

So, Reason Studios has a contest looking for tracks using their new Objekt Synth.  Frankly, I suck at additive synthesis, so this is a combination of presets -- some tweaked, some not -- and some randomized settings in Objekt.

Built in FLStudio using the Reason Rack Plugin, all of the sounds come from Objekt with some effects coming from both the Reason rack and other plugins.

For some reason, no matter how many times I export this thing, one of the acoustic bass patches fails to trigger at least once... so, at this point, since it's just in the intro, I'm not gonna bother much more with it.

Bad Heist

All instruments are 100% generated using Reason Studios new Objekt Physical Modeling Synthesizer. All the effects are stock Reason Studios effects.

OBJEKT CHALLENGE

9/23/2023

Subway Station

Step into a moonlit river of sound. Session XIX — Lanterns Over the Water drifts through the heart of Japan’s shrine and lantern traditions, weaving non‐lexical shrine chorus hums, shakuhachi sighs, koto glissandi, and taiko heartbeat pulses into a deep, meditative lounge journey.
Inspired by Kyoto’s Gion nights, coastal lantern festivals, and the still elegance of Shinto shrine waters, this session captures a ritual calm where fireflies, incense smoke, and floating lights move as one.

▸ REGION: Japan — Shinto shrine ambience, lantern festivals, Gion street nights
▸ VOCALS: nonverbal shrine chants, breath vowels (“aaa–ooo–eee”), whispered blessings (“mizu,” “tsuki,” “kokoro”)
▸ INSTRUMENTS: shakuhachi, koto, taiko, suzu bells, temple woodblock, night cicadas, water ripple field recordings
▸ MOOD: moonlit stillness • ritual elegance • drifting light on water

🎧 For meditative evenings, incense-lit moments, or midnight walks by water.

#LanternsOverTheWater #JapaneseChill #ShintoAmbient #BuddhaBarVibes #DowntempoBeats #WorldFusion #ZenChill #AmbientLounge #RitualMusic #GlobalLounge #TaikoBeats #KotoMusic #ShakuhachiFlute #LanternFestival #Ætherflux #ChilloutMusic #OpiumLounge #SlowBPM

Tsuki

... because sounds come from everywhere and anywhere and life is always cinematic...

Space Flight Risk

I like music …

It is fascinating how simple and complicated it can be at the same time, how it’s almost impossible to make money by making music, yet it is associated with wealth and fame - it’s a real Schroedinger’s cat.

I like to mess around with sounds, mixing them like a secret experiment in an underground lab with no physical or moral boundaries…

rays (warped reality mix)

StubZz

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