Ahhh this majestic beauty included. Still and always a fave, as is the album.

When a mix makes you want to smile, weep, and embrace the ones you love, how do you measure how good it is? Phenomenal!💚

Standing on the street corner
I watch the world go by
and I start to wonder
everybody's busy
no time to take a rest
it's no wonder
I still see you riding on that pony
looking for all the world
like your in your glory

now you've faded away
like a gin soaked rodeo clown
faded away
like a painting on the ground
your the only one,
I'll never miss

(by Scott Powers)

Dear listeners, it is with immense pleasure and gratitude that we welcome @francescopiunti, the esteemed curator of the legendary @deepbreakfastseries, to the stage for the 10th installment of our Identity formation listening session. His profound influence on the ambient music landscape has left an indelible mark, and we are honored to have him contribute to our cherished mix series.

For  us, this series has been a companion during countless hours of studying in the library, providing a serene backdrop that transcends the boundaries of time and space. Francesco Piunti's contribution takes us further into the realms of ambient bliss, inviting us to explore the depths of our consciousness and connect with the ineffable.

So, let us express our deepest gratitude to Francesco Piunti for his dedication to the art of ambient curation and for the profound impact the Deep Breakfast Series has had on our collective musical journey. Sit back, relax, and allow the harmonious frequencies to guide you on a sublime expedition through the vast landscapes of ambient sound.

As always, if you like the podcast, please don’t forget to give it a Like, Comment and/or Repost, to support both our community and the artist. If you have questions regarding the mix, you’re always welcome to contact us. Enjoy the journey!

///////////////////////////////////////////////////////////

Tracklist

Wanderwelle - Irrational Demons
Oisatsana - Nomadic Drift 5
David Toop & Lawrence English - Reading Bones
Sciama - Abstraction
ASC & Inhmost - Pan, The Shepherd Moon
Joachim Spieth - Mutuus (with Markus Guentner)
Max Würden - Stereo A
Entire - Cassette #3 - breakthrough!!, ~month before 27
Loscil & Lawrence English - Cyan
SVLBRD - Tundra

Identity formation listening session - 10 - Faded Signs [by Francesco Piunti]

Javier Marimon- Dj Set - Onyro at Espacio Perpendicular.

This is a recording playing at 8.30am on the infamous Onyro parties at
Espacio Perpendicular, with the light from the orange tinted windows
casting shapes and dances through the trademark dense smoke of the room.

Links:
https://soundcloud.com/javiermarimon
https://offt.bandcamp.com/
https://www.instagram.com/javiermrmn/

Phonons Podcast 097 Javier Marimon

"Lost in a pine forest, without signal, isolated in a fantasy. Lying on the blanket, slowly nodding your head, feeling good, moving to the rhythm of dub."

Embodying a profound and instinctual allure, Javier Salazar (@javrsalazar) remains an enigmatic force in the contemporary music landscape. Founders of klape nunsen (@klapenunsen), their sound is characterized by elegant and soaring rhythms creating immersion through a continued dedication to diversifying their selection, blending genres and atmospheres. The two are also part of La Vallée Electrique (@Melifera_Records) in which they shape a cohesive whole among the artists of the festival. Records from the duo are available on Oslated and their own imprint, drawing listeners into a smooth current of sounds.

Recorded djset at Perpendicular 2024 (@espacio-perpendicular) - somewhere in the woods. When? Sunday 11:30 Where? In the main stage.

Artwork: Javier Marimon (@javiermarimon)

HOCast #197 - Javier Salazar - Perpendicular 2024

at dawn on Sunday, Alfonso treated us to 4 hours of music, mingling dub techno and minimal, all slowed down and jammed on vinyl.

"When I arrived at the stage, the sun hadn't risen yet. Mine was the first performance on @klapenunsen stage, and the music from the other stage was still playing in the background. It was a cold morning, and I thought there wouldn't be many people at the beginning, but It was a pleasant surprise when, after the main stage last performance ended, a large crowd gathered and filled the stage even before my music started. 

I performed a minimal dubby techno set, playing both current tracks and classics of the genre. Although I didn’t feel entirely comfortable in the beginning of the set, when I saw people dancing with smiles on their faces, it all made sense. It was a very special moment, and later, when the set ended, it was incredible to have people coming up to talk to me, excited about the performance. It was beautiful preparing a set like this and seeing how the crowd responded to the vibe while the sun rose in that wonderful landscape."

@f-ondj
Alpenglühen

nunsen·live - F-on at La Vallée Electrique

The recording from one of my favourite sets last year ~ Transcendence Festival in Japan 🌲🇯🇵

I’ve long been drawn to the deep, organic and electrifying techno of Japan–inextricably linked to open-air gatherings deep in the forest–so it was very special to play this set in the mystical woods of Nagano’s mountains.

I played after Japanese wizard OCCA @oooccaaa, from 11.30PM-2AM ~ descending into the night and far beyond ✧.*｡⋆

Deepest thanks to @takumiinamoto1994 and @djmaria-jp for the invitation to join this gathering of likeminded musical souls, I am very grateful to have shared this experience with friends old + new 🫶

Featuring music from Alan Backdrop, Toki Fuko, Jacques Adda, Nao Nhil, Huda, A Strange Wedding, Conceptual, GiGi FM, Kangding Ray, Zemog, Noise From Beyond, Danieli, Vardae +++

Hope you enjoy this psychedelic forest trip to outer space 🌲🌌🧚🌙

Sybil @ Transcendence 2024

Dolby surround - timeless - on clouds - cumulus - dub - special mix for journeys - surround (classic vinyl and new tracks) for magnificent Discos Movimiento from Mexico.

A special timeless warm lighter Dubmix into dark days for e.g.travelling with newer tracks and older classic Dub records.

Track - Artist - Label
Static - Optic - Rendered Thoughts
Apollo is a Division R&S - Ole J Mjøs&Torbjørn - Brundtland
OFF - Cio D´Or - Telrae
Longing - Joachim Spieth - Affin
Static - Optic - Rendered Thoughts
Forgotten Gods - MonO - Silent Season
Recall - Joachim Spieth - Affin
Version Of Spend Some Time - Rhytm&Sounds (Burial Mix)
yocta - Cio D´Or - Semantica
Version of Why - Rhythm&Sound with Paul Hilaire (Burial Mix) -?
Roll Off - Rhythm&Sound -?
Luminescent - Mohlao -?
Endless - Optic -?
Ruff - Rhytm&Sound (Burial Mix) - ?
UK74R1514140 - Aleksi Perala - The Colundi Sequence Level 12
Minos Pour Main Basse (Sur La Ville) - Mooloodjee - ?
Mash UP (Reshape) - Freund Der Familie - Freund Der Familie
Faith (No Vox Mix) - Paul St.Hilaire & René Löwe - Kynant Records
Definitely Lunar - Eshu - Eshu
Resonance Scionversions - Substance&Vanceur - ?
BC09 - Basic Channel
While the lights stays - Mosaic - The Memory Foundation
Untitled - EQD - Equalized
? - Varley - ?
Subway7 - Richard Bartz - Cocoon
The Journey (Qui Niu) - Sons Of The Dragon - Motor City Matrix
Subway - Richard Bartz - Kanzleramt
Static - Optic - Rendered Thoughts
Apollo is a Division R&S - Ole J Mjøs&Torbjørn - Brundtland

Cio D'Or - Cumulus 33 / Mixtape Discos Movimiento #28

Winter has a way of slowing things down. Certain comforts stand out in the quiet of these colder months—a warm drink in hand, the familiar weight of a well-worn sweater, and a mix that carries the depth and warmth of something tangible, something analog. That very sensation defines the work of our next guest in the “Delayed with…” series: Velvia, a multidisciplinary artist from Paris whose love for analog textures runs through his photography and music. Whether capturing light on film or digging through his ever-expanding collection of records, his approach is driven by a deep appreciation for detail, process, and the imperfections that make things feel alive.

Marking a special milestone, Velvia takes the reins for the 150th edition of the series, guiding us through the submerged world of dubby house and techno, where atmosphere dictates movement and groove follows instinctively. The transitions unfold with an understated elegance, weaving together sounds that resist rigid categorization. Somewhere between structure and spontaneity, this mix lingers in the undefined spaces, embracing the beauty of subtle shifts and evolving textures.

Much like the film stock he takes his name from, Velvia’s work is all about depth, contrast, and a heightened sense of reality. This mix is no different. It doesn’t just fill the room; it sharpens the details, deepens the shadows, and brings the moment into focus.

https://soundcloud.com/velvia50
https://www.instagram.com/alexandremkfilm/


write up by @gilleswasserman

Follow us on social media:
https://soundcloud.com/itsdelayed
https://linktr.ee/delayed
https://www.delayed.nyc
https://www.facebook.com/itsdelayed
https://www.instagram.com/_____delayed
https://www.youtube.com/@_____delayed

Contact us: 
info@delayed.nyc

Delayed with... Velvia

Hauding Memorya

Title:
DayZi Suite
 Switch On
 Explore
 Alarm
 Cycle

Dates:
06-Sep-2025 (inception), 11-Sep-2025 (finalised), 12-Sep-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/track/xxx -- watch this space

Description:
A four track album, DayZi Suite

Track 1: Switch On (4:10)
Track 2: Explore (1:59)
Track 3: Alarm (1:03)
Track 4: Cycle (7:38)

Inspired from the modular synthesiser works of Sarah Belle Reid and Walker Farrell and hardware sequencing of the Soma Ornament from Vlad Kreimer; my own digital modular synthesiser, the DayZi; plus the eight track recorder of DayZi to capture the Soma Enner and Soma COSMOS magic.

This is a suite of four separate recordings of live improvisations using my digital modular synthesiser, the DayZi (Release 05), which I programmed in Max (Cycling 74). The synthesiser at it's core is a generative music performance instrument using linked timers to trigger other timers and the FM oscillators, some parts are planned ahead of the performance, others are conjured up during the performance. Key parameters liker timers, initiators (bangs, pings etc.) and frequencies are controlled through a patch bay, that can be altered during the performance. Not all synthesiser parameters are hard wired into the generative process, leaving room for the performer (me) to improvise twiddling the parameters live during the recording. All parameters can be saved to preset banks ready to recall later or saved/read from a text file. No midi interface was used for this performance, nor was this included in Rel 05 of DayZi, future releases will consider addition of midi for launching and parameter control via rotary encoders.

Some times the DayZi synthesiser provided the inspiration for the Soma Enner playing, other times vis versa.

No digital audio workstation (DAW) was used. Only minor editing of the recorded wave files using Audacity, to trim off the silent portions at the beginning and end was employed.

Development of the DayZi began on the 3-Sep-2025 as a proof of concept, happy with the initial prototype, I continued further, now at Release 05 on the 10-Sep-2025.

The tuning is largely just intonation (JI) based on the DayZi side, whereas on the Soma Enner is freely improvised tuning based upon the emotional drive created by the DayZi recordings and that of the performer, the crucial human element. There was no specific plan of a tuning scheme, largely at the whim of my imagination at the time of inception.

The suite is based on four performances, all related by the instruments used to play them and similar theme, though the timbral sounds produced very much changed from one performance to the next, but yet enough in common to function as a suite.

The first piece in the suite, DayZi Switch On (4:10), is turning on the sound machine. Typical tuning was 100,150, 300, 600, 700, 324 Hz.

The second piece in the suite, DayZi Explore (1:59), is rummaging around exploring the scene. The tuning here is rather bizarre, purely improvised tuning and experimenting with recursive generative tuning.

The third piece in the suite, DayZi Alarm (1:03), the exploration has triggered an alarm -- oops.

The fourth and final piece in the suite, DayZi Cycle (7:38), the alarms give way to an exploration of two linked sequences, each a daisy chain of events in their own right but with a common trigger in time. The Enner performance interprets the daisy chain of events. The starting point for the tuning, for the first daisy chain was: 
100 Hz, 200 Hz, 100*(2/3) Hz (#1), 100*(4/3) Hz;
whereas for the second daisy chain: 400 Hz, 400*4/3 Hz, 400*3/2 Hz,  100*(2/3) Hz (#1).

The common node of the two chains is marked as (#1).

See my BandCamp page for the full description.

DayZi:2 Explore

THERE BE MONSTERS (2014)

Diving into the endless depth brings you back home...

Saphileaum is one of the names of Georgian multi-media artist, Andro Gogibedashvili. The moniker Saphileaum was born in 2015, highly inspired by esoteric, mystic, new age, cosmic and visionary art and teachings, which hold a huge role and are still a source of constant inspiration. Saphileaum’s sound is often described as cosmic, spherical, light, visionary, innovative, tribal and hypnotic.

@saphileaum

✢

Music For Interstellar Spacecrafts

MFIS IV ✢ Saphileaum

Calming your thoughts, bringing you back into present. 

Born in Copenhagen, 2022.

Identity formation listening session - 10 - Faded Signs [by Francesco Piunti]

studio bb

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