This is a very special entry. I've been asked to compose this piece as a soundtrack for the "FF Future Fabric" commercial ad, the new biodynamic foundation created by SYNTONYA. Beauty for beauty. Mainly piano, triangle, electronic sounds and subtle drums. That's my way to imagine a "biodynamic future" for the humankind, where a new balance between essence and appearance is found. Not just make-up but skin care. All in one. In a very zen process of unification, in my opinion. Then, the names they invented for the two nuances are a must-to-know: "Sand of Gamma", "Soil of Lambda". I really suggest to visit the specific website: http://www.ffcream.it
The piece will be included in my future album (still work in progress) titled "CONCREET". Enjoy and follow me on my official page: http://esma.bandcamp.com

Future Fabric

Watch the official music video of Kaddish at http://www.youtube.com/watch?v=kUPbOkAnWdA

'Kaddish' is taken from the new album, MOLOCH, out February 7th on digital release at https://molochthealbum.bandcamp.com/
Soon on limited edition CD.

MOLOCH – a conceptual music album composed and performed by Gianni "Jonathan" Venturi (voice) and Lucien Moreau (instruments).

Follow MOLOCH project on
http://www.studioesma.com/moloch.html

Follow Moreau on http://www.studioesma.com/home.html

Follow Gianni Venturi on https://www.facebook.com/Gianni-Jonathan-Venturi-1676946435898987/?fref=ts

Album composed and performed by
Gianni "Jonathan" Venturi and Lucien Moreau

Gianni Venturi – voice and vocal layers
Lucien Moreau – composition and instruments

Featuring Alice Lobo and Chiara Megan Munari

Federico Viola – additional electronics and effects

Recorded and mixed by Federico Viola
at Animal House Studio

Dedicated to Allen Ginsberg, Frida Kahlo, William Blake, David Bowie and a thousand of other artists, our brothers and sisters, courageous icons of a life without compromises.

LYRICS (ENG)

Bombs on Hiroshima
bombs on Baghdad
bombs on Dresden
bombs on Bologna
bombs on Berlin
bombs on Sarajevo screaming
the same scream of Gaza
bombs on the immigrants boats
bombs from the dark sky
holy war
mother war
fair war
honor motherland
pride
waving flag
dance step
goose step
bombs in Afghanistan
bombs in Vietnam
bombs in banks
bombs in churches
and the pain raises, raises, increases
from the human, whose soul decreases
from Hiroshima the same burning fire
the same fascism
"red flag will triumph"
where the fuck does it go?
Red the blood and black the heart of the species
raven-man! take your time to think
what the fuck are you shooting at?
don't you see? There are also your home, your people, your family
the weapons you embrace with such vigor
belong to the same bank which devours your dry heart
the Wall Street of the armies
without conflict there's no profit
without conflict there's no profit
without conflict there's no profit.
Deformed genetics
a potato dresses like a tomato
and grow the vegetables in chemical grounds
genetically modified
the same ruling people are those
who poison the Earth
who poison the seas
who devastate cities
without conflict there's no profit
without conflict there's no profit
without conflict there's no profit!
from Hiroshima the same burning fire
the same fascism
"red flag will triumph"
where the fuck does it go?
Red the blood and black the heart of the species
bombs on Hiroshima
bombs on Baghdad
bombs on Dresden
bombs on Bologna
bombs on Berlin
bombs on Sarajevo screaming
the same scream of Gaza
bombs on the immigrants boats
bombs from the dark sky
holy war
mother war
fair war
honor motherland
pride
waving flag
dance step
goose step
bombs in Afghanistan
bombs in Vietnam
bombs in banks
bombs in churches
and the pain raises, raises, increases
from the human, whose soul decreases
without conflict there's no profit
without conflict there's no profit
without conflict there's no profit!

"the General was just a loyal militant and nobody understood why, when he gave the order to shoot, a simple soldier, one in a million, one of us, turned around and shoot him instead”

(All rights reserved © Gianni Venturi)

Moloch

Gianni Venturi / Lucien Moreau – Kaddish

'Eindao' is taken from the new album, MOLOCH, available now on digital release at http://molochthealbum.bandcamp.com/
Soon on limited edition handcrafted CD.

MOLOCH – a conceptual music album composed and performed by Gianni "Jonathan" Venturi (voice) and Lucien Moreau (instruments).

Follow MOLOCH project on
www.studioesma.com/moloch.html

Follow Moreau on www.studioesma.com/home.html

Follow Gianni Venturi on www.facebook.com/Gianni-Jonathan-…5898987/?fref=ts

Album composed and performed by
Gianni "Jonathan" Venturi and Lucien Moreau

Gianni Venturi – lyrics, voice and vocal layers
Lucien Moreau – composition and instruments

Featuring Alice Lobo and Chiara Megan Munari

Federico Viola – additional electronics and effects

Recorded and mixed by Federico Viola
at Animal House Studio

Dedicated to Allen Ginsberg, Frida Kahlo, William Blake, David Bowie and a thousand of other artists, our brothers and sisters, courageous icons of a life without compromises.

Gianni Venturi / Lucien Moreau – Eindao

Watch the official music video at https://www.youtube.com/watch?v=-rJizqrtfNM

Lucien Moreau feat. Alice Lobo - 'Over The Wall'.
Taken from the album 'XO' out now on digital release and limited edition CD at http://esma.bandcamp.com/album/xo

'XO' - Music composed and performed by Lucien Moreau.

Follow Lucien Moreau on
http://www.studioesma.com/
https://www.facebook.com/eugenelucienmoreau/

'Over The Wall'
Music composed and performed by Lucien Moreau.
Lyrics by Alice Lobo.

Mix and mastering by Federico Viola @ Animal House Studio.

Video directed and edited by Lucien Moreau.
Starring Alice Lobo.
Make-up by Tobias Tran.

LYRICS (ENG)

The white elephant
Walking on the wall
Almost wet of gloss
Looking lust
We should have
Obviously less hope

We should fall
Over the wall
The rainbow
I can see the light

God of the asphalt
Granular silk
Slowly dust
In the sand
All these floating bees
Beyond this land

We should fall
Over the wall
The rainbow
I can see the light

Nothing is teaching
The moment's mistake
Over and over
Spread seeds
Oceans fall
We should fall

The risk that I cannot see
When the prayer
Join his hands

We should fall
Over the wall
The rainbow
I can see the light

(All rights reserved © Alice Lobo / Lucien Moreau)

Over The Wall, ft. Alice Lobo

'Tiger Tiger, ft. Chiara Megan Munari' is taken from the album MOLOCH, available now on digital release at molochthealbum.bandcamp.com/
and on limited edition CD.

MOLOCH – a conceptual music album composed and performed by Gianni "Jonathan" Venturi (voice) and Lucien Moreau (instruments).

Follow MOLOCH project on
www.studioesma.com/moloch.html

Follow Moreau on www.studioesma.com/home.html

Follow Gianni Venturi on www.facebook.com/gianni.jonathan.venturi

Album composed and performed by
Gianni Venturi and Lucien Moreau

Gianni Venturi – lyrics, voice and vocal layers
Lucien Moreau – composition and instruments

Featuring Alice Lobo and Chiara Megan Munari

Federico Viola – additional electronics and effects

Recorded and mixed by Federico Viola
at Animal House Studio

Dedicated to Allen Ginsberg, Frida Kahlo, William Blake, David Bowie and a thousand of other artists, our brothers and sisters, courageous icons of a life without compromises.

Tiger Tiger, ft. Chiara Megan Munari

Plexus EP

Nexus

ENFOLDED [electronic / ambient / minimal / abstract]
Music and visual: Lucien Moreau.

This is a first test for what will come. An attempt to translate Richard Buckminster Fuller's Synergetics theory (and discipline) into music and visual. An architectural and organic approach to electronic abstract music, which makes use of a new sound aggregation instrument I'm working on, which I called SYNTH·MƠ·HỒ (an angloviet neologism). Enjoy and stay tuned.

https://www.facebook.com/eugenelucienmoreau/

http://www.studioesma.com/

Enfolded

Composed and performed by Lucien Moreau.
Taken from the upcoming album 'The Age of Disconnection 断絶の時代'.
Out soon on independent digital release.

Recorded and mixed at ESMA Creative Studio.

The Age of Disconnection 断絶の時代

A Simple Theme

From the 2019 album MODULAR.

"MODULAR: 'aggregation of modular elements structured on models in which aesthetics and function are complementary and synergistic'. These are the key words of Lucien Moreau's latest concept album, in digital format and strictly independent, which follows his EP “Plexus” (2018) after one year. Fifteen tracks from electronic nature, ambient, sometimes abstract, sometimes with a classic contemporary character, but still with an experimental imprint and distinctly cinematic tones. A soundtrack for the times to come, or the eternal present in which the globular elements of MODULAR move. 
The instruments used in the most experimental tracks are called "organic synthesizers", ie devices algorithmic based able to produce sounds by replicating the biological dynamics of some species of bacteria or insects. Cells. Microorganisms. Amino acids. Emerging systems. Fundamental pieces of existence. Every living organism is music and produces a sound. This concept gave rise to most of the songs on the album, composed and performed by Lucien Moreau through a series of bizarre digital / analog synths. Throughout the work there is a special regard for Architecture: that of an urban agglomeration as well as a biological system. Microbiota. Macrobiota. The interchange between the inside and the outside, between the infinitely small and the infinitely large. The boundaries between one and the other are purely indicative and completely unstable. 
Opening and closing of the album (Tōryanse, Ars Est Noh) are built starting from the traditional motif of Japanese pedestrian traffic lights, to then immerse themselves in the broader musical abstraction, close to the more cerebral dimensions of northern European electronics. There are also two symphonic compositions (Wûnderthal Waltz, Part 1 / Part 2): a diptych in the form of a waltz, sometimes electronic, sometimes orchestral, in which the melody for piano embraces that for symphony orchestra. Some music tracks have arisen from the collaboration / contamination with contemporary dance (Nihon Sun, Intercom), in a series of shows that Moreau has performed in cities like Berlin, Bangkok, Montreal, Warsaw and Taipei, to name a few. 
A note of mention should be placed for the track "The Brutalist", composed in the metric of the classical baroque and entrusted to a string quartet and an harpsichord. "I seem to be a verb" stratifies the intensity of a cyclical piano melody inspired by the sound of a cold room, recorded by Lucien Moreau and associated (in a totally synesthetic way) to the verses of a famous poem by William Butler Yates , read by an artificial voice. "Der Morgenstern" is the piece with the most cinematic tones: a ride in the form of cyclic minimalism towards an explosive ending that adds powerful synthesizers to a purely symphonic ensemble. A crescendo, therefore, towards the last and more experimental “Microbioma”, which summarizes and concludes the general concept of MODULAR: an album generated according to Richard Buckminster Fuller's founding points of Synergetics and Tensegrity, in search of the first and of the last, of the extremities, of the conjunction between real and virtual, between essence and appearance, between truth and illusion. 
A complex and original work that strikes the meninges and demands reflection and immersion. A work certainly close to the international experimental music scene. From Brian Eno to Jóhann Jóhannsson, passing by Philip Glass. A demanding work, as only the most authentic art can be." – S.E. 

Composed and performed by Lucien Moreau. 
Recorded and mixed at ESMA Creative Studio. 

© Eugenio Squarcia | ESMA Creative Studio

MODULAR

Microbioma

I'm a Storyteller. I work as a Music Composer and Sonic Artist for films, games, contemporary dance + theatre and digital art installations, performing live with a set of digital/analog instruments, such as piano, synthesizers and touch devices, mixing up different genres, e.g modern classical, experimental electronic and ambient synthwave, with a strong cinematic outcome. I collaborate, live and in-studio, with national and international artists. As a Senior Graphic Designer and Creative Director I work for commercial brands, cosmetic companies and cultural projects. I developed the visual identity for a series of cultural events in Krakow, Warsaw, Montreal, Taipei, Shanghai, Hong Kong and Bangkok, where I also performed live.

Moreau

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