RELEASED 29th OCT

After contributing towards the Studio Rockers @ The Controls Level 4 compilation in April 2021, we are proud to present the first solo release from the talented beat-maker Effersay. In the interim he's been refining his sound palette, to create this eclectic and rhythmic 3-track release.

The release springs into action with the mash-up-glitched-out 'Solo Effort'. This high energy track, builds with thick chords and textured synths before the bass heavy drop. Chopped up beats and crushed percussion bounce around the place, laced with amen breaks. The spliced up vocal samples interweave with the drums firing rounds, left right and center. 

Next up we have the melodic and uplifting 'Come Forward'. The break beats float between the lead synth chords that cut through the mix, whilst the sub bass pushes things forward. Percussion and dub sound effects scatter across the stereo field. This soulful track has a real vibe that is lifted with emotive vocal samples.

This release is rounded off with 'Watch the Time'. With influences of 2-step, Dancehall, and jungle this track is sure to make you move. The Stepping rhythm of the beat, shuffles in between the sliding portamento of the synth melody. This is integrated with the sequenced bass pattern and phasing sound effects effects and dub sirens.

Effersay - Come Forward [CLIP]

OUT NOW: https://ffm.to/beyond22

Originally released at the back end of 2013, the first incarnation of this mighty track featured some very understated vocals... fast forward to 2015 and the track gets a sick revisit, collaborating with the legendary Kermit (Black Grape) and the vocal talents of Omar, arguably the godfather of Neo-Soul.

It's one of those tracks that people always ask to remix... so we thought why not!

Mystic Matt the UK producer behind the Mystical Dubz label, has been releasing since the late 90's. He offers a disco tinged, smooth riding remix that as the titles suggest is "Saxxy AF". The energetic saxophone bursts through at different points in the track with the descending synth melody riding together.

After releasing several times on the Dance Regular imprint, Sheffield producer Xtra Brux was an obvious choice to step up for remix duties. His skippy, 2-step drum programming keeps the whole track shuffling along perfectly. A gurgling and morphing bass-line bounces between the side-chained pads and bubbling synths.

James Rudie, Co-Founder of Dance Regular, contributes a stripped back four to the floor remix. Delicate percussion dances over the round sub bass, leaving plenty of room for Omar's vocals to stand out in the mix.

Reform Radio regular Szajna has had multiple releases on CoOp Presents, Dance Regular, Phuture Shock Music & Eclectic Beats. Thick Sine wave bass & organ tones combine well with natural and loose sounding drums, accentuating the free flowing soulful nature of the track.

EVM128 feat Omar - Beyond (Szajna Remix) [clip]

EVM128 feat Omar - Beyond (Xtra Brux Xistential Remix) [clip]

EVM128 feat Omar - Beyond (Mystic Matts Saxxy AF Remix) [clip]

Following on from our Bunny On Acid "It's On" release featuring Detroit's own Amp Fiddler, we've got some big remixes coming later this month. Here's a little taster from EVM128.

EVM128 brings his soulful jumpy garage vibes to the tune. Taking "It's On" to a new vibe with a steppy rhythm and mellow synths highlighting the vocal line perfectly, definitely putting a little bit of his own flavour in the mix. 

RELEASE DATE 26th MAY 2014

Bunny On Acid - It's On Feat. Amp Fiddler(EVM128 Remix)

A big 12” vinyl E.P. coming at you from Studio Rockers featuring Bunny On Acid and Detroit’s own Amp Fiddler. 

Bunny on Acid is back with a tasty release showcasing all his talents on this four track E.P.  Leading the A-side with a serene club tune, “It’s On”, featuring Detroit local Amp Fiddler who’s well known for his collaborations with a stream of reputable artists such as J Dilla, Parliament and Prince to name a few. After the sweet soulful vibes of “It’s On” we’re hit with the title track, “Are You A Rainbow?” which is a bouncy electro banger with a huge bass that doesn’t leave you feeling too dirty, complete with some pumping drums.  

As you flip the E.P to the B-side, you find “Daydream” flying the flag for modern bass music. With wave after wave of trippy synths cresting and breaking over a choppy rhythm its impossible not to get lost in a daydream. Rounding off the record with “When We Touch” Bunny shows us innovative use of sampling and reverb to make this track the perfect ending to the E.P. inducing a meditative calm after an exquisite audio voyage. 


STUDR024 01 - Bunny On Acid - It's On (Feat. Amp Fiddler)

Following on from our Bunny On Acid "It's On" release featuring Detroit's own Amp Fiddler, we've got some big remixes from Studio Rockers own EVM128, Lewis Badwan and introducing a new artist, DaMeek1. 

First to get on the remix is EVM128 who brings as always his soulful jumpy garage vibes to the tune. Taking "It's On" to a new vibe with a steppy rhythm and mellow synths highlighting the vocal line perfectly, definitely putting a little bit of his own flavour in the mix. 

Next up we've got Lewis Badwan showcasing his Ambient, Dark and Brooding touch on this track. Using interesting rhythms and clever sampling Lewis Badwan really gives the track his own touch, turning the original track into a bit more of a weird modern electronic production.

And closing this exclusive release is our newest artist getting on the remix to give the track a groovy house re-vamp. DaMeek1 goes into the track by adding a big groovy bass hook and keeps it pumping from the get-go.


Bunny On Acid feat Amp Fiddler - It's On (Badwan's Enterthevoid Mix)

OUT NOW: https://ffm.to/studr051

After strong support from the likes of Mani Festo, ETCH, Otik, Dead Mans Chest & DJ Food to name a few, Effersay is back on Studio Rockers showing a range of influences from classic rave and jungle up to the present day.

"This Sound" comes in hard with the vocal samples and stabs of late 80s / early 90s rave, a driving housey piano and UKG-infused breaks... Prepare to be transported to a free party somewhere by the M25!

"Like You Do" drops the tempo a touch with a 'broken breaks' vibe: a booming 808, chopped up break and cheeky amen sits underneath a live, free jazz-inspired flute that compliments the glitched female vocal. "Freakydeeky" takes an eclectic 160 jungle direction, via B-more and footwork with a little punk rock attitude. "Azadi", Iranian for 'freedom', takes the voices of freedom protestors and applies epic 90s pads and a driving Amen and speaker-bothering bass.

Effersay - This Sound (STFU Mix) [CLIP]

Effersay - Azadi [CLIP]

Effersay - Freakydeeky [CLIP]

Effersay - Like You Do [CLIP]

Effersay - This Sound [CLIP]

RELEASED 14th AUGUST 2015

Following on from the sublime “Beyond” featuring the godfather of neo-soul, Omar, London based producer and DJ EVM128 returns with new single “Strangers.”

“Strangers” is an exquisite new cut about love; blending melancholic deep house, down-tempo garage rhythms and hushed vocals. These humble materials make the perfect frame for “Strangers” as it tells the story of a couple who go from seductive sweet nothings to estranged lovers. It’s intimate club music that brings a new kind of warmth and depth to dance floors.

The B side “Mother Nature” is a production collaboration between EVM128 and Shy One (DVA Music) and sees the pairs musical energy burst in a supernova of wow. On “Mother Nature” they create a sweltering rhythm infused with jazzy house and raw rugged beats. We can also expect more music from the fruits of their collaboration, with a full EP on the way.

Originally from the trip-hop/drum & bass-innovating south-west city of Bristol but now rooted in London, EVM128 is an artist whose contribution to underground music is growing at a fast pace. His restless search for new directions sees him feeding elements of broken beat, hip hop, boogie synths, bass and soul into his sound whilst never falling into a comfortable template.

Over the years EVM128 has continued to reveal the talents of his production chops. From his first "Groove Content" EP on Ross Allen's Meltdown Music Recordings to taking care of album production duties for Greg Wilson and Kermit (Black Grape)’s band Blind Arcade, whilst steadily gaining support from Giles Peterson, Radio1’s Annie Mac and Rinse FM.


EVM128 feat Shyone - Mother Nature

RELEASE DATE: 3rd JUNE 2016

Juno : http://bit.ly/1U0IQuQ
Amazon: http://amzn.to/1TF0vsx

Redpine & Solo are London and Leeds based musicians John Stuckey and Sam Moss. Two artists from totally different musical backgrounds coming together with one clear goal - to create electronic music with depth and soul. This collaboration plays on the relationship between urban and organic environments combining lush, cinematic textures with a raw, breakbeat-centred rhythmical core. 

With an extensive musical background Redpine draws from a deep and melodic pallet creating rich and evolving soundscapes that will haunt you. Solo has a love for all things jungle - chopping classic, old school breaks and combining them with soulful, musical elements in such a way as to produce something truly creative and personal. 

Their last EP 'Smoke City' found favour with some pretty heavy hitters. reviews and premieres with the likes of DJ Mag, Mixmag & The Ransom Note, along with some serious radio support from Toddla T on Radio 1. They have also won fans from diverse ends of the music spectrum including Rudimental, Hot Chip & Ray Keith. 

But, enough looking backwards, its now time for their follow up EP 'Hindsight' on Studio Rockers. The Depth & Soul that is the calling card of their sound is in full effect here. 
The title track featuring Franceskah sums up the EP's musical direction perfectly. Her ethereal vocal & beautiful floating melodies are under-pinned by heavy rolling drum breaks. 
Next up 'Species' has a distinctly broken-beat feel, whilst still maintaining the EP's energy and flow. 
This 4 tracker then takes a dynamic step up in both speed and vibe for its penultimate track 'This is It' which adopts a traditional Drum & Bass sound. 
Then lastly, 'Nebula  One' cools the proceedings down a little with some cinematic pads, synths and drum fills. 

All in all, this is a masterful EP with a cohesive yet diverse sound that will leave the listener wanting more from this exciting production duo.

Redpine & Solo feat. Franceskah - Hindsight [CLIP]

RELEASE DATE: 3rd JUNE 2016

Juno : http://bit.ly/1U0IQuQ
Amazon: http://amzn.to/1TF0vsx

Redpine & Solo are London and Leeds based musicians John Stuckey and Sam Moss. Two artists from totally different musical backgrounds coming together with one clear goal - to create electronic music with depth and soul. This collaboration plays on the relationship between urban and organic environments combining lush, cinematic textures with a raw, breakbeat-centred rhythmical core.

With an extensive musical background Redpine draws from a deep and melodic pallet creating rich and evolving soundscapes that will haunt you. Solo has a love for all things jungle - chopping classic, old school breaks and combining them with soulful, musical elements in such a way as to produce something truly creative and personal.

Their last EP 'Smoke City' found favour with some pretty heavy hitters. reviews and premieres with the likes of DJ Mag, Mixmag & The Ransom Note, along with some serious radio support from Toddla T on Radio 1. They have also won fans from diverse ends of the music spectrum including Rudimental, Hot Chip & Ray Keith.

But, enough looking backwards, its now time for their follow up EP 'Hindsight' on Studio Rockers. The Depth & Soul that is the calling card of their sound is in full effect here. 
The title track featuring Franceskah sums up the EP's musical direction perfectly. Her ethereal vocal & beautiful floating melodies are under-pinned by heavy rolling drum breaks. 
Next up 'Species' has a distinctly broken-beat feel, whilst still maintaining the EP's energy and flow. 
This 4 tracker then takes a dynamic step up in both speed and vibe for its penultimate track 'This is It' which adopts a traditional Drum & Bass sound. 
Then lastly, 'Nebula One' cools the proceedings down a little with some cinematic pads, synths and drum fills.

All in all, this is a masterful EP with a cohesive yet diverse sound that will leave the listener wanting more from this exciting production duo.

Redpine & Solo - Species [CLIP]

PRE-ORDER:
iTunes: http://apple.co/2b6Kez7
Amazon: http://amzn.to/2b3XwL7

London-based record label Studio Rockers unveils its latest showcase of innovative talent with the latest in their '@ The Controls' series, set for release on 26th August 2016. 

Always  striving  to  unearth  and  promote  new  talent,  Studio  Rockers  has  established  itself  as  one  of  the heaviest  and  most  innovative  labels  in  the  electronic scene.  'Studio  Rockers  @  The  Controls  Level  3' gathers together new and exclusive tracks from artists familiar to the label and some new faces. Collecting broken-beat,  jungle,  house  and  downbeat;  a  soulful  vibe  unites  the  tracks  -  cosmic  sounds,  heavenly chords and funky bass pitched with beats ever so slightly swung from centre.

"I still love unearthing new music and new talent. Seven months of hard graft went into compelling this, my 20th various artist compilation album." - Tony Thorpe, Studio Rockers

Selected artist notes:

Nuphlo  AKA  Mannie  Sandhu  is  a  producer/DJ  based  in  Leeds.  His  style  is  a  combination  of  depth  and dancefloor while always trying to keep things a bit different. 

Redpine & Solo are London and Leeds based musicians John Stuckey and Sam Moss. Two artists from totally different musical backgrounds coming together with one clear goal – to create electronic music with depth and soul. 

EVM128, AKA Evermean Beats is a producer and DJ originally from Bristol, now based in East London. He has been on the radar for a few years and has supported the likes of LV, Artwork, Darq E Freaker, Flako, Afrika Hi-tek, Dj Vadim, Roots Manuva, Gilles Peterson, Norman Jay and Don Letts.

Hailing from the small town of Stroud, SW England, young upstart Marcel Lune (AKA Motz Workman) has been quickly building his reputation as one of the hottest new talents in UK Bass Music. With his re-fix of Inner City’s classic 'Big Fun' and remixes for Enter Shikari, The Moodyboyz & Zacky Force Funk (One of Gonjasufi’s latest signings) underway he has already gained support from the likes of Paul Woolford and Mala.

Though  he  was  already  playing  around  with  a  bit  of  D’n’B  productions  for  a  while,  it  was  only  after  a revelatory visit to DMZ at Brixton’s Mass, that Izik created the Bunny On Acid moniker, influenced by the dubstep movement and the FlyLo-like fringes of the hip-hop world.

Lewis  Badwan  is  a  composer  based  in  Kingston-Upon-Thames.  Focusing  on  percussion  and  melody, Lewis’  style  amalgamates  both  Eastern  and  Western  influences whilst,  to  an  extent,  still  haunts  the contemporary London scene.

Bunny On Acid - SVT [Clip]

EVM128 - Slo Mo (VIP Mix) [Clip]

Buy on Itunes - http://apple.co/2eGQ8r8
Buy on Beatport http://btprt.dj/2fLdiAC

Studio Rockers continue to maintain consistency in the follow up to EPs from Redpine & Solo, Marcel Lune, Albert and the Studio Rockers @ The Controls compilation album with the first remix collection plucked from the EVM128 landmark album "Nova" that was  originally released  in November 2015.

For this first batch, the London label have compiled a batch of bonafide producers to offer their respective takes on Strangers, Twisted and Beyond. Remixes come from AfroForce, Redpine & Solo and Turbojazz. First up are Afronaut and Mark Force of Bugz in the Attic under their guise "AfroForce" whose revision of Twisted feat Bahia (True Thoughts Records) also features Rhythm Section's Henry Wu on keys. AfroForce drive Wu’s playful synth lines and brushed drums through Bahia's rich, soulful vocals.

Leeds based John Stuckey and Sam Moss a.k.a Redpine & Solo are up next with their take on Strangers. Masters of the Amen - the duo have released a pair of innovative EPs on Studio Rockers spanning DnB to ambient to Electronica. Together they suffuse EVM128’s sultry croon with neatly sliced breaks and bold, cascading melodies that harness the energy of the original whilst firmly stamping down their own signature style.  

3rd up is Milan's Turbojazz who rolls out a distinctly wonky and Jazzy take on Beyond feat Omar. Glowing Rhodes chords are weaved with distant pads and a filtered Mr Scruff-esque bass line that works to wrap up another fine addition to Studio Rockers’ extensive catalogue.

03 - EVM128 - Beyond (TurboJazz Remix) [CLIP]

02 - EVM128 - Strangers (Redpine Solo Remix) [CLIP]

Buy on Itunes - http://apple.co/2eGQ8r8
Buy on Beatport http://btprt.dj/2fLdiAC


Studio Rockers continue to maintain consistency in the follow up to EPs from Redpine & Solo, Marcel Lune, Albert and the Studio Rockers @ The Controls compilation album with the first remix collection plucked from the EVM128 landmark album "Nova" that was  originally released  in November 2015.

For this first batch, the London label have compiled a batch of bonafide producers to offer their respective takes on Strangers, Twisted and Beyond. Remixes come from AfroForce, Redpine & Solo and Turbojazz. First up are Afronaut and Mark Force of Bugz in the Attic under their guise "AfroForce" whose revision of Twisted feat Bahia (True Thoughts Records) also features Rhythm Section's Henry Wu on keys. AfroForce drive Wu’s playful synth lines and brushed drums through Bahia's rich, soulful vocals.

Leeds based John Stuckey and Sam Moss a.k.a Redpine & Solo are up next with their take on Strangers. Masters of the Amen - the duo have released a pair of innovative EPs on Studio Rockers spanning DnB to ambient to Electronica. Together they suffuse EVM128’s sultry croon with neatly sliced breaks and bold, cascading melodies that harness the energy of the original whilst firmly stamping down their own signature style.  

3rd up is Milan's Turbojazz who rolls out a distinctly wonky and Jazzy take on Beyond feat Omar. Glowing Rhodes chords are weaved with distant pads and a filtered Mr Scruff-esque bass line that works to wrap up another fine addition to Studio Rockers’ extensive catalogue.

01 - EVM128 - Twisted (Afroforce Remix) [CLIP]

Marcel Lune (AKA Motz Workman) was named "a prodigious new talent" way back in 2013 after his debut release "Intergalactic Dance Floor Massacre EP".  Motz has been busy since then dropping his album "Sounds From The Desert Gully" followed by a host of single releases.  He recently dropped an EP on Local Talk that sits somewhere between the early Floating Points days and Crackazat jamming with Harvey Sutherland.   Now Motz returns to Studio Rockers to finish off 2016 in style.

Opening track "Jet Lii" features his trademark bouncy beats, dancing synths and a violin...  Honestly, it’s not something we expected... but boy does it work!  The track opens with an ethereal jazz vibe before breaking into a seriously head bopping funky groove. The meandering violin is provided by John Garner from the band Meraqi.  Motz smashes the chilly air of autumn out of the park with this dance floor killer.

Next up is a quirky funk odyssey by the name of "Equations".  Opening with an intro that errs on the "Stranger Things" vibe, Motz keeps things leftfield before bringing in some funky chops, crunchy handclaps and broken beats.  Enthrallingly engaging and satisfyingly wonky.

Marcel Lune - Equations [CLIP]

Hailing from the small town of Stroud, South West England, Young upstart Marcel Lune (AKA Motz Workman) has been building his reputation as one of the hottest new talents in UK Bass scene. He first grabbed attention in 2012 with his interstellar remix of Inner City's "Big Fun" and continued to garner high praise with subsequent releases on Studio Rockers.

In 2015 Marcel Lune dropped his debut full length album "Sounds From The Desert Gully" on Studio Rockers. Here we're revisiting a couple of those tracks, 2 remixes of "Cali 96" which features the talents of Californian producer and rapper "Lee Laamaj", and a reworking of "Sea Wolf".

First up Nomine (Tempa / Nomine Sounds) gets to grips with "Cali 96".  Summer lounge vibes with shifting percussion soon give way to the gloomy soft sub and vocals from Lee Laamaj. A successful cocktail of peaceful melodies and strong UK bass influences.  Next up Rygby's interpretation of "Sea Wolf" transports us to a dubstep grime world where angels, characterised by the pure vocal, are dancing between an omnipresent bassline and powerful asymmetric drums.  For the final track we revisit "Cali 96".  This time on remix duties is star of the recent "Studio Rockers @ The Controls Level 3" compilation, Essa Weira.  Essa brings the soulful hip hop vocal of Lee Laamaj to the centre of the mix, paired with deep piano melodies and beats.

Stay tuned for more new music from Marcel Lune later this year.

Marcel Lune - Cali 96 (Nomine Remix) [CLIP]

BANDCAMP: http://bit.ly/2AGc6JH

As well as his experience playing bass guitar and producing music for games, Bunny On Acid has seen releases on Botanika, Gradient Audio and Dub Fetish Records. After the release of his single "What Colours Are", the producer joins the Studio Rockers roster of LP contributors including Nuphlo, Marcel Lune and Jazzsteppa with his first full length album "Scars And Memories".

The album's title track which develops with inspired chord progressions, engaging melodies and well executed percussion soaked in a soft, warming distortion. The elastic bass of "Locked" and hypnotic vocals of "It's On (Feat. Amp Fiddler)" begin to build towards the deep 808's and shimmering transitions of "Back 2 U".

"A Little Bit" demonstrates a rumbling low end, entrancing motifs and tribal percussion whilst the resonant sub bass, airy cymbals and twisted vocal cuts of "In A Heartbeat" make both tracks captivating contributions to the album. "Daydream" glitches with warped drum loops and evolving pads before "Are You A Rainbow" transfixes us with an otherworldly melody which evolves underneath haunting atmospheres.

Next up is "Mr Goldenberg", playground recordings combined with futuristic synthesisers and excitingly bright drum work give the track a livelier feel whilst retaining the depth of Bunny On Acid's other productions. "SVT" continues in this vein with a high frequency riffs, chopped samples and rolling hi-hats before "Thank Me Later" hits hard with intense snares and pitched vocals before sharp arpeggios are cleverly offset by sustained bass tones in "X=Y".

Chilling atmospheres and gripping chord progressions, allow a mesmerising vocal to float through "What Colours Are" whilst the off-beat two step rhythms of "In Too Deep" interact elegantly with its deep tones and echoing snares. "When We Touch" is a 4/4 change of pace, steely arpeggiated synths flow within satisfyingly noisy environments to close out the album.

Bunny On Acid - Back 2 U [CLIP]

BUT / STREAM / DOWNLOAD : https://fanlink.to/TLPUWBI

On the 50th anniversary of the band's inception at an event in Harlem, NY to commemorate Malcolm X's birthday on 19 May 1968, influential spoken word artists, poets and commentators The Last Poets are set to make a glorious and relevant return with their first album in over 20 years, "Understand What Black Is".

Produced by Ben Lamdin (Nostaglia 77) and Brighton legend Prince Fatty, whose speciality is traditional reggae and dub production's, "Understand What Black Is" is a ten-track album which speaks of a revolutionary struggle defined by both race and identity, that has never sounded more relevant.

The Last Poets - The Music [CLIP]

OUT NOW : https://ffm.to/evm128ch

After releasing his Double LP "Input vol 1" back in July, EVM128 returns with a single comprising of brand new edits of the previously released "Changes". His album Input Vol. 1, featured several collaborations with artists such as Shy One, iLL Smith, Gonzi and Renato Paris, whom featured on Changes.

The Bristol born, London based producer has been releasing music since 2011, and still continues to showcase his wide-ranging style that infuse soul, electro, disco and hip-hop. With previous releases on meltdown music, CoOp presents, Selectors Assemble Crew, he now continues to work with Studio Rockers.

The single opens with a live version of "Changes" by Renato Paris. This was first performed at the improvised jazz Jam called Straight Pocket at Pure Vinyl Records in Brixton, London. EVM128 recalls being blown away after hearing this version that they decided to record it in a studio for this release. Expect swinging percussion, laced with jazzy keys and shuffling guitar. The soulful vocals work their magic over the warm rolling bassline. This version offers a softer and more organic approach, when compared to the original and the other edits.

London-based musician and producer David Trevelyan steps up for the remix. Since 2018 he has worked under the "Trev" moniker and has delivered a vibrant and electronic version that still retains the jazzy feel. The stepping beats and bright synths generate a lot of movement in the track. This, combined with the solid bassline and chopped vocals, highlights the tracks UK Garage roots. However, Trev seamlessly creates something that sounds fresh, and that incorporates different elements, from varying genres, across dance music history.

The final two tracks of the release are instrumental versions of the aforementioned remixes. These give any DJ more flexibility, when mixing with vocals.

An energetic release, with a wide array of acoustic and electronic styles.

EVM128 - Changes (Trev Instrumental Remix) [CLIP]

EVM128 feat Renato Paris Changes (Renato's Live Instrumental Version) [CLIP]

EVM128 feat Renato Paris - Changes (Trev Remix) [CLIP]

EVM128 feat Renato Paris - Changes (Renato's Live Version) [CLIP]

Pre-Order from Bandcamp now : 
https://studiorockers.bandcamp.com/album/human-music-ep

Modesty seems to be one of the charms in Demures music and shows how two extremes can really be delivered swiftly by one single person. From all the dreamy sounds and melodic beats that can definitely, or at least potentially land you on a cloud, to experimenting with everyday sounds and incorporate them into highly-refined soundscapes. The focus on sound-design and attention to dynamics on his releases are nothing short of amazing and the Zimbabwean producer is getting the nod from forward-thinking producers within the scene.  With support from Noisia, J: Kenzo, Friction, Distance, Compa, Mista Jam, Darkside, Jakwob and countless others.

Demure - Umzingeli [CLIP]

Demure - Time [CLIP]

Demure - Umfokazi [CLIP]

OUT NOW: https://ffm.to/time4change

Redpine & Solo (aka: John Stuckey & Sam Moss) return after a brief hiatus, although they've been far from absent from the wider drum & bass scene. 

Solo is part of the 'License To Jungle' crew following a plethora of performances at the renowned venue The Old Red Bus Station in Leeds. Playing host to the likes of Fracture, Om Unit, Dom & Roland, J Majik, Mantra, Dillinja, Klute and Ant TC1, it was inevitable the club night would solidify his place within the underground drum & bass sphere. And whilst Solo may have been keeping the world of music entertained, Redpine was living in sonic solitude to work on his own Workshop and Design Studio. However, they now join forces once more for their collaborative effort Redpine & Solo, which sees them pulling together their immense skillsets for a brand-new EP on Studio Rockers. A place both artists have frequently called home. 

While their ethos may not have changed - to create electronic music with depth and soul - this EP sees them build on their trademark lush cinematic textures and raw breakbeat-centred rhythmical core. Lead track "Time 4 Change" starts with some serious bass stabs, getting ribs rattling before their trademark frantic drums kick their listener in the chest.  The track mellows out in the mid-section with blissed out pads, before the very on point message of "Time 4 Change" drops back in along with serious bass and beats. It's a solid dancefloor damager.

For those who remember the blissful tones and deep bass of "Nebula One" from the 2016 "Hindsight" single, "Nebula Two" is a continuation of those beautiful cinematic pads, synths and drum fills. 

Meanwhile "Echo Chamber" sees Redpine & Solo head out on a space odyssey. Sci-fi inspired synths and stripped back beats lead into some serious sub bass rumblings, all the while it builds breaks into almost tribal sounding beats.

Keep your ears peeled for more news on Redpine & Solo's forthcoming debut album.

Redpine & Solo - Nebula Two [CLIP]

RELEASED 27th Nov 2020
Pre-Order / Pre-Save : https://ffm.to/citizen

After the well received release of "Time 4 Change" earlier this year, Redpine & Solo, or as their birth certificates would read; John Stuckey and Sam Moss, are ready to deliver the hauntingly beautiful new release Citizen.

Very much remaining true to their signature sonic stamp, the duo have crafted four fresh tracks which weave a sombre sense of reality though melancholic and cinematic soundscapes, which stunningly backdrops the grave sense of poignancy society is battling with during these unprecedented times.

Title track "Citizen" kicks things off with a sobering view centred around a vocal, which could have been ripped straight out of a Huxley novel:
"They make us believe things that we never believed, They make us want things we never knew with wanted".
All the while warping drops of distortion are layered over ghostly pads and lifted by light chords and quick, stepping breaks.

A smooth and sultry, snake charming vibe blankets "Re-Mind", with an element of black magic. There's a lot chance to dance in this hypotonic, stepper, the drums bring us a shuffle which is impossible for your feet to avoid, and its bouncing melody will undoubtedly get your body bopping.

"Zoom Out" is a dark and perpetual call to action. Its slow, ever forward-moving march is fraught with swaths of metallic echos and cataclysms of harsh crashing drums which cut through the tacks layers like a hot, automated knife through rationed, synthetic butter.

While the rest of the tracks bring a seductively sombre vibe, "Nowhere" finishes off proceeding with a valiant sense of uplift and hope. The soft collection of strings which float across the minor realms of the musical scale are reminiscent of Burial's 'Untrue' era and the beguiling power of mixing the dread of heat-breaking dystopian futures with unexplained hints of faith.

Redpine & Solo - Citizen [CLIP]

Forward thinking independent music label specialising in cutting edge electronic music. 

Artists we have released include The Moody Boyz, EVM128, Albert, Marcel Lune, Lewis Badwan, Eskmo, The Widdler, MRK1, Cotti, Hackman and many more...








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