Smash the walls and breath your energy

Night

Wind

Mountains and walls

A hunter (okhotnik)

poetry, performance: Max M. Ryleev
recording: Jorg Heuer (Berlin, 2005)
soundtrack: Elena, studiotransforms

Beast

Rty-y-y (Hogging jaws)

poetry and performance by Max M.Ryleev, Berlin 2005
recording: Jork Heuer
soundtrack:Elena Ryleeva

One-eye-empty-body estranged

Poetry and performance: Max M.Ryleev (Berlin 2005,recording: Jork Heuer)
Soundtrack:Elena Ryleeva
Visual Art: Max M. Ryleev
Concept: New humanoid-HumanVoid- NO-BODY-NO-SENSE-IN-NEED

Pol!Tel! (New HumanVoid)

Metaphorically the poem coins two level of existence, two endless surfaces which are represented by grass - deep green, swampy, low land, inhibited by low creatures, and the surface of outer space, sparkled by light and filled with striking opportunities to eternal change.
Protagonist Shaman starts his trip from the midst of a low land... Being encircled by the heavily breathing beasts and monsters, terrifying sounds and frightening hidden motions seemingly not leaving the protagonist a chance to escape he struggles his way out through an ecstatic performance where he is artistically resembling the manners and features of monsters in attempt to mislead them. 
After long lasting and exhausting fight for escape and a short liberation flight he gets down back again, but transformed...

Poetry and performance by Max M.Ryleev, recorded in 2005, Berlin, Germany
Art director and editor Elena Ryleeva

Deep Green

Intense, breathtaking, unforgettable moment of breaking through-this is poetry performance...

There is an infinity, infinity of abyss where the poet chooses to throw himself in and out for the sake to investigate the Underneath, its hardness and its transparency in one time. The poet has no intention to speak in terms of soul or travel into another world, the poet is here and now, heroically attempting to open his eyes or rather transform his whole body into one big extended eye.

Imagination comes to the surface of body-eye through the distortion and pain which poet assigns to pronounce loudly mapping the steps of his investigation. There are no such things as social and personal, instead there are walls of disparity whilst disability to change the core. Dramatically the poet rejects a struggle as a disjunction which constantly leads to solidification of conformity. Instead the poet proposes transformation through the direct intensive work in inner/outer spaces as the challenge at the face of unknown. By Drawing the invisible lines within an imaginable and by tracing signs of ultimately unimaginable the sounds and motions of the poet give birth to the words which are not designated to struggle with an enemy, they come to overflow the battlefield 

Poetry as total sound perception transformation, an attempt to override the explicit and implicit experiences and to be able to refuse both-accusations and diagnoses as an obsolete concepts of resistance should come to announce the complete re-installation of viciously encircled tools usage towards an endeavor to touch the other dimension as a source of the real change. 

Poetry by Max M.Ryleev, Art directing and sound editing Elena Ryleeva       
