Mi Eyez

@bungalovv

With Visited by Strangers, Pablo Betas returns to the melodic roots of his musical practice as Bungalovv. The release's introspective, even tender, sound marks a shift away from the aggression of his previous work, while retaining the cinematic flair and painterly texture that have become trademarks of the Argentinian musician's sound.

Composed during the pandemic, Visited by Strangers is nevertheless decidedly collegial, with four of its seven tracks being (remote) collaborations with other artists. Notably, it includes Bungalovv's first-ever tracks to feature guest vocalists, and the release is also strewn with field recordings sent from a friend who was under lockdown on an Argentinian peninsula.

These conditions mean that Visited by Strangers is charged with the tension between strangeness and familiarity, or intimacy and distance. As song titles such as "Sharing Spells" and "Last Videocall" suggest, the tracks here evoke a world where human connection is mediated in fragile and fleeting, yet beautiful, ways.

Mixed by HADA @hada00
Mastered by Jesse Osborne-Lanthier @jesseosbornelanthier
Artwork by Rafal Borcz

Bungalovv - Visited By Strangers

Tous les fonds récoltés serons reversés à l'association @lesmididumieofficiel

all raised funds will be donated to @lesmidisdumieofficiel

Collectif solidaire avec les Mineurs Isolés Étrangers à Paris depuis 2016, les Midis du MIE apportent repas, orientations et soutient aux ados en exils.

L’Association créée en 2016 et dont les valeurs principales sont la solidarité, l’accès aux droits, aux loisirs et à la culture, la dignité des personnes et la protection des enfants, a pour but de soutenir et de participer à des actions en faveur des jeunes migrant·e·s.

Les principaux domaines d’activité de l'association sont les distributions alimentaires et non-alimentaires, les maraudes, l'accompagnement administratif, l'hébergement d’urgence, l'hébergement de jour et lieu de vie collectif, l'apprentissage et culture, entre autres. Toutes ces initiatives demandent des ressources financières constantes

De plus, le lieu qui abrite l'association est sous le coup d'une expulsion. Elle a donc plus que jamais besoin de soutien pour pérenniser ses activités et pour trouver le prochain lieu pour continuer d’offrir un accueil de jour aux jeunes à la rue.
C'est pourquoi nous souhaitons lui reverser la totalité des revenus générés par ce 2eme volume de T.I.G.
credits
released April 1, 2024

mastered by @devoid666
visuals by @rond_cashton

hosted & curated by @sighhhhss & @ohjeelo
license

TIG Compilation Vol.2

Noty6boy - dtknw

Sequentia (@sequentia666) is a DJ and facilitator based in Tāmaki Makaurau, drawing influence from the bass-heavy culture of their Ōtautahi roots and their earlier experimental / improvisational projects. Sequentia has shared stages with the likes of Mechatok, Tim Reaper, Moktar, Mike Q, Loefah and James K. They host a monthly radio show on @95bfm called ‘Soundbleed’, and in 2020 they founded @relatedarticles - which functions as a monthly broadcast, a club night and a record label “at the forefront of releasing some of the most forward-thinking electronic music in the country” [Flying Nun]. In 2019 they co-established the biennial 3-day experimental music event 'Outlier Festival', a multi-modal project platforming new electronic music from Aotearoa’s experimental and exploratory practitioners.

Diesel (@diesel_wav) is a DJ Artist based in Tāmaki Makaurau and one of the co-creators of NYMPHO, an underground queer club night dedicated to the liberation of body and sound. Armed with a carefully curated selection, Diesel blends club music into electrifying, high-energy electronic sets to unlock hips and shed skins across the dance-floors of Aotearoa.

Hot n heavy slow-boil burners warming up in2 cerebral booty bass mania for ur Monday afternoon 🗝₊˚⊹♡

RA MIX 049: Sequentia X Diesel

tracklistoooo
1.09.2024
port cafe van w clarissa lispector reading Agua Viva 12.09.24
Pretty V - love we
Babyxsosa - tiger baby
Lovefear X Fatshaudi - TurntoDust
Joshua Chuquimia Crampton - Estrella Por Estrella
voicenote august
Some images of Paradise - Paschal Lamb
Nashpaints - Gold
Ange Halliwell - The Unseen River
Smerz - max
Dean Blunt - Over him
Chuquimamani Condori & Embaci
Bootee - Raw live accoustic
pj harvey - the dearer days of me and him
Aya - Lovesong
jenn deep blue - extract jul24
Pretty V - She recurrs vividly
Chuquimamani Condori - old friends e dj edit
S.o.a.p - wishing

lovers in arms ep 12 <3

⋐ 𝒮𝒲𝐼𝒩𝐸 𝒫𝑅𝐸𝑀𝐼𝐸𝑅𝐸 ⋑ @olson2323 from an ambient album "Diegesis", that will be out on Feb 7th via @line_156

∴ "Diegesis" is an album about being a character in the dream of the universal mind. A soundtrack to the ever-unfolding story machine that is reality. De-contextualized voices sing archetypal melodies over vivid ambient textures. Shifting layers of time-stretched samples are held together by dubbed-out drums. A mood of melancholic bliss and ambiguity permeates throughout. Diegesis is an auditory reflection on the narrative nature of existence. 

∴ In our world of relentless sensory overload, even a brief respite can be a sanctuary. For 3 minutes and 15 seconds, this track offers a sonic cleansing, a perfect reset for our senses.

∴ Olson is a regular collaborator with the ‘LOFS’ collective run by Number One, Oshi Moon, eleu, Jamie Genome and Adam Barnes. Olson runs the LOFS x Crend Request Party ‘2 Crends Deep’ with the rest of the LOFS crew, not being afraid to stray away from his calmer ambient side he can be found regularly closing the night with an array of dance music spanning from jungle, footwork, techno and beyond. This can also be experienced with his dance floor-focused releases on labels @audiobambino and RLO.

[Swine Premiere] Olson - Diegesis (LOFS)

good drugs and bad dreams (remaster)

vince carter prod me

@Doline "Vieux Nous" EP

Out now : doline.bandcamp.com/album/vieux-nous

Written and produced by Doline
Mastered by Jeremy Cox
Artwork by Sophie de Bayser and Octave Abaji

PRDX008 - www.paradoxeclub.fr

Vieux Nous

Doline - Ooze

Cenizas 

Nicolas Jaar - Cenizas

ENG
There are certain years that will always live on; wounds that refuse to heal. Painful years that stick with us like a fire burning into the history of our bodies and territories. Years that are difficult to speak. Years that re-ignite, each time they are uttered. 1973 is one of those years. 1973 is also the new EP from Sueuga Kamau in collaboration with La Favi and produced under the Hiedrah Club de Baile label. In a continent that’s once again boiling with anger, the duet from California decided to reexamine the gaps of their own Afro-Latinx Heritage. Through lent voices, forgotten rhythms and erased identities they weave a tale that bridges the unyielding Latin America and the enraged african-american people.
1973 is both loving touch and sorrow, a familiar sound that forcefully persists, the exploration of a territory that resists, conjures and keeps going. From Santiago de Chile to Dallas, from the outskirts of Buenos Aires to Oakland, California. A sound filled with darkness that stirs up your breathing and gets between the living cogs of capitalism, and from there it turns into a gentle caress in those intimate places we rarely reach. You dance to it with chills throughout your body and a tiny tear in the tip of your lips. In the midst of the roar of drums and machinery, the voice of La Favi moves through the perspiration of the listeners. It’s a damp whisper that mutates into a demand for sexual justice, while the words from Allende, that surges between broken radio transmissions and air strikes, transforms into dance, and then into an outcry. Sueuga Kamau composes a disobedient piece, a rhythm filled with riots that endures bullets, contagions and tyrants, an insurgent invitation to explore our own detonations.

ESP
Hay años que arden como heridas que no cicatrizan. Años dolorosos que quedan marcados a fuego en la historia de los cuerpos y territorios. Años que son difíciles de pronunciar y obligan a tragar saliva para nombrarlos. Años que escuecen cada vez que se los recuerda. 1973 es uno de ellos. 1973 es también el nuevo Ep de @sueugakamau en colaboración con @la-favi y producido por el sello de Hiedrah Club de Baile.
En un continente que vuelve a arder de rabia, el dúo californiano decide buscar en los intersticios de su propia historia negra y latina. A través de voces prestadas, ritmos olvidados e identidades borradas tejen un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. 1973 es caricia y lágrima, es un sonido familiar que persiste a los golpes, es la exploración de un territorio que resiste, conjura y se enciende. Desde Santiago de Chile hasta Dallas, desde el Conurbano bonaerense hasta Oackland, California. Un sonido lleno de sombras que agita la respiración y se introduce en los engranajes vivos del capitalismo, y desde ahí se torna una lamida en aquellos lugares intimos a los que pocas veces llegamos. Se baila con un escalofrío que recorre el cuerpo y con una lagrimita en la punta de los labios. En medio de ese rugido de tambores y maquinarias, la voz de La Favi se mueve entre los sudores de quien escucha. Es un susurro húmedo que transmuta en un reclamo de justicia sexual, mientras la palabra de Allende, que surge entre transmisiones de radio entrecortadas y bombardeos, se transforma en baile, y el baile en grito en protesta. Sueuga Kamau compone una pieza desobediente, un ritmo lleno de disturbios que resiste balas, pandemias y tiranos, una invitación revoltosa a explorar nuestros propios estallidos.

Text by Pabli Balcazar

Nicolas Jaar - Cenizas

Veljko Markov

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