Performed by SWR Sinphonieorchester conducted by Pablo Rus Broseta
Piano: Christoph Grund - Percussion: Jochen Schorer
Recorded live at ECLAT Festival in Stuttgart on February 6th, 2021

Don Quixote Concerto (2021) for a pianist, his assistant and a chamber orchestra

aux déBris • (2021)
for chamber ensemble

Live, concert recording.

Festival Ensemble(s)2021
Ensemble MULTILATéRALE

September 10th, 2021
Pan Piper
Paris – France

In “aux déBris” I am interested in the exploration of defined points of convergence related to aspects of a-synchronicity, dis-continuity, and de-construction of sonic actions. Behavior, plasticity, and mechanic rigidity are in the epicenter of my artistic research while forging the embedded rhythmicities and temporalities of the sonic canvas of the piece. What I find particularly intriguing is the illusory hybridity between the human and non-human in an attempt to explore recursive, musical situations that become mechanical and electrified. Therefore, the piece is exploring the resulting perceptual complexities and multiplicities related to distorted and exhausting phenomena of repetition and re/de-construction. “aux déBris” is a piece for flute, clarinet, piano, harp, violin, and cello and is written for and heartily dedicated to the Yann Robin and the members of the MULTILATéRALE ensemble.

aux déBris, for chamber ensemble (2021)

Performed by Salim Javaid from Trio Abstrakt
Recorded live on 26.03.2022 at Altes Pfandhaus Köln

La solitude du coureur de fond (2000) for alto saxophone

Performed by Ensemble intercontemporain conducted by François Lopez- Ferrer
Recorded live in Huddersfield on November 19th, 2022
Publishing: Maison ONA

Le lieu et la formule (2019 - rev. 2022) for large ensemble

IV. spiral canon, from if and only if

out November 1st on Carrier Records
https://ericwubbels.bandcamp.com/album/if-and-only-if

Josh Modney, violin
Mariel Roberts, cello
Eric Wubbels, piano

if and only if - IV. (album preview)

"white wide eyes" (2014) for 23 musicians (4 ensembles), electronics, projection
- Ensemblekollektiv Berlin (Ensemble Mosaik, Sonar Quartet, Ensemble Adapter, Ensemble Apparat)
- Manuel Nawri (conductor)
premiere January 22nd 2015, Festival Ultraschall Berlin, HAU2

live recording: dradio

"white wide eyes" 2014 - for 23 musicians, electronics, projection

(2010)
for piano trio 
played by Nathalie Shaw (vln), Séverine Ballon (vlc) and Lise Baudouin (pno)


Clara Iannotta "Il colore dell'ombra"(2010), for piano trio

Cello : Eric-Maria Couturier
ONL conducted by Peter Rundel
12/13/2016 - World Premiere - Lille / Nouveau Siècle

Quarks, concerto for cello and large orchestra

Wander Steps for two microtonals accordions played by the duo XAMP Fanny Vicens and Jean-Etienne Sotty (festival Messiaen au Pays de la Meije, commission 2018)

Wander Steps (2018)for two microtonals accordions

for Percussion Duo and Orchestra.
Recording performed by Christian Dierstein, Dirk Rothbrust and the Rundfunk Symphony Orchestra, conducted by Enno Poppe at Ultraschall Berlin, January 2018.
Commissioned by Westdeutscher Rundfunk and Wien Modern
First performed 10 May 2014, Witten Days for new Chamber Music Festival, by Christian Dierstein, Dirk Rothbrust and the WDR Symphony Orchestra, conducted by Peter Rundell

View score -  https://issuu.com/editionpeters/docs/ep_14042_saunders_void_score_pcl

Void (2013-14)

L' osmose (2019)
for tape

• Binaural decoding

L’ osmose is an acousmatic composition commissioned by the Ultima Oslo Contemporary Music Festival 2019 and was mixed at the Notam, Studio 3 in Oslo. The piece has been originally composed and diffused within a dome of a 32-loudspeaker array. The material of the piece is comprised of synthesized and electroacoustic sounds whereas its acoustic profile formulates a virtual, 3D soundscape. My goal is the depiction of a live, sonic organism emerging from various different angles of the space. The composition addresses one of my most recent conceptions with regard to formal structure that of angular, phrasal displacement and the unpredictable collage of heterogeneous material. I am interested in displacements and juxtapositions and form remains to be subject of ongoing and unorthodox osmosis of ideas.

L' osmose (2019)

Stylianos Dimou • | www.stylianosdimou.com | •

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