techno

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Buy on bandcamp

Hurukan - NZT (Red Richards)

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Dutch Kiss (Straight Mix) - Drumcode - DC160

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Why Does My Heart Feel So Bad (Enrico Sangiuliano remix) - Drumcode - DC164

With "Troja" the German duo 2pole returns to Christian Smith´s Tronic.  And they delivered a strong and balanced 4 track ep; likewise melodious and powerfull. We got the title track as a premiere for you. "Troja" will be out on May, 8th.

Head to review: http://bit.ly/2pVU6kJ
Get track: http://bit.ly/2ps3VI8

2pole kehren am 08. Mai mit ihrer zweiten EP auf Christian Smiths Tronic zurück. Mit im Gepäck eine fette 4-Track-EP, die, gleichermassen melodiös und kraftvoll, direkt auf die Floors der Clubs und Festivals zielt. Hier hört ihr den Titeltrack "Troja". 

Zur Review: http://bit.ly/2pVU6kJ
Track kaufen: http://bit.ly/2ps3VI8

2pole - Troja

Out now on Beatport
https://www.beatport.com/release/call-it-techno-ep/2147914

The new Intec release is from Frank Mitchell aka Frankie Bones who is an American based DJ and producer whose played a large role in New Yorks Techno scene. Having been involved in music since the mid 80s, Frankie Bones was one of the first DJs from New Yorks Brooklyn region to gain global success. By the late 80s Frankie Bones was getting regular European bookings following the success of his Bonesbreaks EP series, which released on Underworld Records received global recognition and critical acclaim. During his three decade spanning career Frankie Bones has even released an EP on the iconic Trax Records, which released many of the early records that defined the House and Techno genre. One of his most popular releases was his 1989 release titled Call It Techno which originally came out on Breaking Bones Records, and a firm Carl Cox favourite has now been remastered and rereleased for this special Intec package, which also features one of his new and previously unreleased tracks. Also featuring on the release are two new remix versions provided by Carlo Lio and Raito who each put their individual stamp on things. Carlo Lio is an artist who in between global DJ bookings, has released music on labels including Octopus, SCI+TEC, Turbo, Mood, and Saved Records. French artist Raito is fast rising through the ranks following regular releases Boysnoize Records, along with having also featured on Mako, Origami Sound, Main Course and BNR TRAX. "Call It Techno" has a timeless bass line taken straight from the glory days of Acid House. Filled with retro charm and warehouse party vibes, the vocal tells the story of Technos history, and the pads plus melody are rich in analogue joy. Carlo Lio's remix of "Call It Techno" uses choice snippets of the originals vocal to refine the story it into a powerful chant. This remix is fast and furious with added tension and suspense. Carlo adds his own toughened backing track thats filled with dark atmosphere plus an explosive drop after the main break. Raito's remix of has a bumping groove and stomping kick drum. Thick and chunky, it takes no prisoners with its hard hitting percussion and stabbing sounds. Jacking in every sense of the word, it's summed up nicely by the vocal lyrics "hits you in the face like a hammer! Second of the two original track is "Light It Up" which takes its title from the lyrics of the vocal sample. With spin backs and filter sweeps, the tracks forward momentum is accentuated by a series of bass drops. Lead by the building intensity of a bubbling acid line, the tracks rolling groove is a sure fire party starter. The fifth and final track is a dub mix of Light it up, which with the main vocal removed, focuses on the music only.

ID140 3. Frankie Bones - Call It Techno - Raito Remix

Full: http://www.wearesoundspace.com/premiere-2pole-falling-down
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

2pole
https://soundcloud.com/2polemusic
https://www.facebook.com/2polemusic

Hydrozoa
https://soundcloud.com/hydrozoarecords
https://www.facebook.com/HydrozoaRecords

Full Premiere

Premiere: 2pole - Falling Down [Hydrozoa]

Alan Fitzpatrick creates yet another thumper to open his newest EP on We Are The Brave. 

Follow Dancing Astronaut:
www.dancingastronaut.com
@dancingastronaut
bit.ly/DAplaylists
www.facebook.com/dancingastronaut
www.twitter.com/dancingastro
www.youtube.com/user/dancingastronaut/

Follow Alan Fitzpatrick:
https://soundcloud.com/alanfitzpatrick
https://www.facebook.com/officialalanfitzpatrick/
https://twitter.com/AlanFitzpatrick

Premiere: Alan Fitzpatrick - Colour Of A Dream

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

We are very pleased to present you a new single by rising German duo, 2pole. This time they delivered four tracks ranging from peak time business to deeper musical techno. They also collaborated with Colectivo Triangular on 'Epica' which truly is epic! ;) An EP with fat analog sounds and a good dosage of power!!! YES!

Buy on Beatport

2pole - Atom (Original Mix) [Tronic]

Mark Reeve - Far Away (Original Mix) DRUMCODE

Buy On Beatport

[SUARA312] 2pole - Alone feat. Ursula Rucker (Original Mix) Snippet

2pole - Alone feat. Ursula Rucker (Original Mix) [Suara]

BUY IT NOW: https://www.beatport.com/release/pleasurekraft-presents-monolith-series-volume-2/2324452

SPOTIFY: https://open.spotify.com/album/7rjRsVdpk4UMGgobWY5eHM?si=P9PQXvw1TB6Dp1qWvmRJpA

Proudly presenting the second installment of our annual 'Monolith Series' VA. A collection of eight songs from some of our favorite up & coming producers from around the world showcasing the (mostly) cosmic techno sound we love so much.

Support from: Adam Beyer / Amelie Lens / Gregor Tresher / Enrico Sangiuliano / Pan-Pot / Bart Skils & more

Release date: Jul 13

https://facebook.com/kraftekmusic
https://instagram.com/kraftekmusic
https://beatport.com/label/kraftek/17363

Pleasurekraft presents: Monolith Series Vol 2

BUY IT NOW

Joyhauser - Galaxy Phase

Pre-order: https://www.beatport.com/track/i-still-remember-brennen-grey-remix/13433185

Press Release: AA012
Artist: Alan Fitzpatrick
EP: I Still Remember
Label: We Are The Brave
Catalog Number: WATB050
Release Date: 24th April 2020

Media preview: https://bit.ly/37o0W8f

Fitzpatrick has enlisted some of techno's finest over the years with a release catalogue which includes works from Avision, Skream, Huxley, Eli Brown, CamelPhat and Sasha. As the label approaches it's 50th release, Alan celebrates sell out showcases across the globe, including The Warehouse Project Manchester, Fabric London, SWG3 Glasgow, Shine Belfast and their annual residency in Watergate, Berlin. For their 50th release, We Are The Brave offer us a massive six tracker, with three originals from the boss and some heavy remixes from Brennen Grey, Mark Broom and SAMA. 
 
Opening with title track 'I Still Remember' Fitzpatrick reels us in with his dystopic drums and ominous spoken word sample. Alan incorporates acid stabs and dark pads, creating at emotive yet eerie atmosphere. Remixing this is German producer Brennen Grey, known for his high pace, high energy sets - he's lit up the US scene playing EDC Vegas and Movement. His version of the original takes it to a darker place, with skippy percussion and an original vox.

The name doesn't give anything away here as Alan's original 'Buttered Otter' keeps the EP on a similar vibe with its deep, relentless pulsating drum. Fitzpatrick recruit's techno legend Mark Broom for this remix, with a stripped back feel which mirrors the original perfectly.

Finally, 'Emergency' drops a tribal beat and stomps with us all night long, and its spacey UR pads and sonics give it dreamy qualities in the break. SAMA drives in some swirling pads and a solid low end increasing the intensity. He manages to create warmth and an analogue vibe throughout - perfectly done!

Alan Fitzpatrick - 'I Still Remember' 
1.	Alan Fitzpatrick - I Still Remember 
2.	Alan Fitzpatrick - Buttered Otter
3.	Alan Fitzpatrick - Emergency
4.	Alan Fitzpatrick - I Still Remember (Brennen Grey Remix)
5.	Alan Fitzpatrick - Buttered Otter (Mark Broom Remix)
6.	Alan Fitzpatrick - Emergency (SAMA Remix)

[SUARA312] 2pole - Alone feat. Ursula Rucker (Original Mix) Snippet

Suara

Recent comments

Ut ankie

Orsolya

Katie Barnes

Gülnur Şahin

Related tracks