Reggae’s classic ganja tune & incendiary protest song re-licked for 2021 with two of the Jamaican “reggae revival“ 
movement’s stars, Yaadcore & Jah9, updating the vibes on the mic alongside Lee “Scratch” Perry’s NYC band 
Subatomic Sound System producing the heavyweight riddim in the future dubwise style of their acclaimed “Super 
Ape Returns to Conquer” album. Originally recorded in 1982 by John Holt & The Roots Radics at Channel One 
Studio, this song captured the hearts of a generation opposed to the CIA-funded, $9 million campaign by Jamaican 
police to eradicate marijuana from the island. With the goal of bringing this musical history to a new generation, 
Yard Birdz Records approached Emch of Subatomic Sound System to recreate the riddim with 21st century sub bass 
and drums, helicopters swirling overhead, and plenty of dubwise smoke & fire. Jah9 brings new vibes to John Holt’s
original lyrics with her signature vocal style that evokes the deep, powerful tone of US jazz giant Nina Simone or 
Lauryn Hill. Known for her own poetic protest music as well as recent boomshot collaborations with Chronixx, Jah9’s 
performance demonstrates why her unique sound has paved the way for a new generation of women in reggae. 
Meanwhile, Yaadcore turns up the heat with all new verses addressing today’s cannabis industry ina style that
connects the roots of classic DJs like Yellowman & U-Roy to the dancehall era of Vybz Kartel. Yaadcore surprised the 
world in 2020, reintroducing himself as a vocalist after being the longtime DJ for Protoje. Yaadcore is credited with 
launching the mixtape series that introduced Chronixx & Protoje to the world. Subatomic percussionist and 
Jamaican legend Larry McDonald, 84 years young, is on the congas, nyabinghi drums, & percussion, adding new 
African rhythms absent from the original tune. Larry brings a lifetime of heritage as a reggae originator having 
worked with everyone from Count Ossie, The Skatalites, Bob Marley, Peter Tosh, & Lee Perry in Jamaica to Gil Scot 
Heron, Taj Mahal, and even Bad Brains in the USA. Subatomic’s Troy Shaka Simms adds saxophone lines that take
it back to Africa with melodies inspired by the timeless Ethiopian jazz of Mulatu Astatke. The guitar lines on the 
original tune are redone with heavily effected horns reminiscent of Lee Perry’s Black Ark recordings. On the 
dubstrumental mix, Emch plays and dubs the melodica in the fragmented style of Augustus Pablo’s “King Tubby
Meets Rockers Uptown”.

'Police In Helicopter'  Yaadcore, Jah9, & Subatomic Sound System

'Police In Helicopter' (dubstrumental) Yaadcore, Jah9, & Subatomic Sound System

DonHuskyNoBloodshed20220830bDubstrumental830dMstr44 16

No Bloodshed

DonHusky + SubatomicSound "No Bloodshed" (dubstrumental)

Why? Why?
(Have to protect your energy or Babylon will kill you!)
Yardbirds!
(This one is called body a drop and family a fall)
Yardbirds!

It's never love them come to spread
a shedding of blood dem a deal with. Why!?
A ghetto youths them want see dead
A so the youth them a feel it. Hey!
Make mama live how the queen live,
that's what the dream is
The wicked them scheme is to pressure the weak and the needy,

A no love them come fi spread
A shedding of blood dem a deal with. Why?

---

When Babylon a press press with dem index finger
Barrel still catch king crab so what you fretting for?
My faith rest in Jah
Just a messenger
I'm just a messenger
Check dah message yah.
A nuh love them come fi spread
a blood dem come fi shed
Nine night, rum, and fish head.
Me a tell you them a deal with,
It's happening again!
When will all this end
Them nuh love the people them and them actions reveal say

---

A never love them come fi spread
a shedding of blood dem a deal with. Why!?
A ghetto youths them want see dead
A so the youth them a feel it. Hey!
Make mama live how the queen live,
that's what the dream is
The wicked them scheme is to pressure the weak and the needy,

A no love them come fi spread
A shedding of blood dem a deal with. Why?

----

Rise the torch ,
Light me sensi with some incense try to tempt me 
Me try but them go against me
Throat well dry the pot still empty
No currency, currently !
Not even one percentage
Only thing me have to give is just this ghetto documentary
2020 Covid 19 we never get that accidently 
Centuries and centuries them sideline them bench we
Lynch we and hang we, beat we and sell we
Dutty Babylon them never friendly

A neva love them come to spread
a shedding of blood dem a deal with. Why!?
A ghetto youths them want see dead
A so the youth them a feel it. Hey!
Make mama live how the queen live,
that's what the dream is
The wicked them scheme is to pressure the weak and the needy,

----

A no love them come fi spread
A shedding of blood dem a deal with. Why!?
Make mama live how the queen live,
that's what the dream is
The wicked them scheme is to pressure the weak and the needy,

A no love them come fi spread
A shedding of blood dem a deal with. Why?

Never love!


DonHuskyHorns NoBloodshed20220830cHornsMix830e2LouderVoxMstr44 16

Don Husky + Subatomic Sound "No Bloodshed"

Cop it now on <a href= "http://bit.ly/S26jun">JUNO</a>, <a href= "http://bit.ly/SS26bp">BEATPORT</a>, <a href= "http://bit.ly/SS26itu">ITUNES</a>, <a href= "http://bit.ly/SS26am">AMAZON</a>, and more.  
full Subatomic Sound label catalog: bit.ly/ssBPRT

Skarob is a collision of bass music and dub reggae from the duo of veteran Brooklyn rasta Doctah X and Eastern European expatriate Rekloos transplanted to the unlikely heartland of America. The project features a variety of collaborators and remixers including Dr. Israel, Subatomic Sound System, Abba Blade, and more, stacked with numerous selections packing dancefloor firepower for electronic DJs and reggae selectors as well as others for certified headphone head bobbing, from dancehall bangers to dubstep smashers to deep, rootical dub grooves to sunny, psychedelic, atmospheric journeys. Record by Skarob. Mixed and arranged by Rekloos in Columbus, Ohio. Mastered by Emch at Subatomic Sound in New York City. Both members of Skarob write and produce, but unlike many of today’s electronic production duos, Doctah X also performs vocals and guitar, drawing on his decades past history growing up in Kentucky as a blues guitarist, touring and recording with Cream’s Ginger Baker, playing with legends John Lee Hooker and Albert King, as well as work with The Last Poets’ Umar Bin Hussein.

www.SubatomicSound.com
For promos and artist bookings, message us. Subatomic Sound was formed in 2000 in New York City and are the founders of the annual <a href="www.DubChampions.com"> Dub Champions Festival</a> in USA and Europe.

Buy on Beatport

Skarob - Code For Survival Ft. Dougie Simpson

Lee "Scratch" Perry Is The Dub Organizer

Lee "Scratch" Perry Is The Dub Organizer (New Ark Mix)

SS027: The first 45 in our ltd edition sound system vinyl series specially designed for selectors: “Jah is Coming” is a bass charging 140BPM rootical dubwise UK steppers style cut on Side A inspired by classic Roots Radics and Scientist productions at Channel One in Jamaica in the late 70s. NYC’s Subatomic Sound System & Washington DC’s Thomas Blondet reimagined the vibes for 2014 using a balance of analog and digital production that keeps DJs and global sound system culture in mind, inspired by the high energy spiritual steppers reflips of reggae anthems popularized by conscious sound legends like Jah Shaka. The tune has been a staple dubplate in Subatomic Sound System DJ sets on tours worldwide over the past two years and is sound system tested with subsonic sine wave bass and peak time jackhammer drums guaranteed to smash the dancehall. Though heavy on the reggae, the tempo makes it DJ friendly for roots minded dubstep selectors to easily flip into their sets as well.

“Dubbing on the Moon” on the B side is a pulsing roots dub driven by a thunderous bassline built on Subatomic Sound System’s original reggae rockers riddim “Our Father, Our King” produced and dubbed in a Jamaican style that nods heavily to the masterful Scientist “Curse of the Vampires” era dubs from Channel One Studio. The riddim is the basis for several Subatomic Sound System tunes including “Our Father, Our King (Middle East dub)” (based on the traditional tune Avinu Malkeinu) and their relick of the big tune by The Police “Walking on The Moon”, both of which are incorporated in this version. Amon of Analog Players Society is on percussion & Rhiannon on vocals.

Available on limited edition vinyl at Juno
www.juno.co.uk/products/subatomi…ah-jah/540103-01/

Reggae Record
www.reggaerecord.com/en/catalog/des…php?code=89410

THE ARTISTS: Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is at the forefront of a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee Scratch Perry on tours including Coachella, Red Bull Music Academy; plus independently touring N America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.  Thomas Blondet is a DJ legend in Washington DC, a resident at Thievery Corporation’s 18th Street Lounge, prolific cross genre producer, and boss at the Rhythm & Culture label.

Buy this Vinyl

Subatomic Sound System & Thomas Blondet "Jah is Coming" 45 vinyl mix

Happy Halloween!  On "Black Ark Vampires" Lee "Scratch" Perry & Subatomic Sound System have crafted a throbbing sound-man tune propelled by subsonic bass, bubbling skanks, and pulsing beats that balance the murky and mystical vibes of Perry’s classic Jamaican dub reggae recordings with the flammable energy and bass vibrations of current electronic music, fine tuning a recipe that they have slow cooked throughout their last four years of U.S. tours spreading authentic dub to a new generation in places like Coachella, Dub Champions Festival, and Red Bull Music Academy. Lyrically the track features Perry’s most focused lyrics in a decade, a poignant oath of vengeance against the vampires that corrupted the ark of the covenant and forced him to burn down his famed Black Ark studio, told in comical rhymes that echo the cadence of a Dr. Seuss story coupled with the morbidity of Edgar Allan Poe, promising the details of where, when, and how he will kill these vampires, from Kingston to London to New York City and everywhere; vampires beware; he will kill them with his hair, with fire, with electric wire, and even with roast corn. Melodically the tune packs soaring vampire hooks, spiritual vocal choirs, groaning melodica bursts, and even a few lines from dancehall vocalist Jahdan Blakkamoore, produced and recorded by Emch at his Subatomic Sound laboratory in NYC. Scratch’s vocals were recorded in Brooklyn at the Hook Studio after an NYC performance with the production assistance of On-U Sound’s legendary Adrian Sherwood, producer of some of Perry’s finest post-Jamaica recordings. The session was filmed by a Dubspot video crew after a long drive through NYC during which Perry recounted the better part of his life story as a warm up for the session.

At the age of 78, Lee "Scratch" Perry has built a life based as much on his fame as a reggae and dub inventor who exhibited boundless creativity and innovation in music composition and production, as he has on his reputation as a madman with playful wit, a propensity for lighting things on fire, a natural mystical spirituality that he famously introduced to Bob Marley, and his defiant individuality and commitment to personal freedom. "Black Ark Vampires" brilliantly ties together these divergent characteristics to create classic Lee "Scratch" Perry material on all levels.

Perry loves to dance and loves dancehall. His nickname actually comes from the name of dance he invented called Chicken Scratch. During his tours with Subatomic Sound System, Scratch had a voracious appetite for hearing new sounds and was interested in the "Vampires & Informers" dubstep track Subatomic Sound System had produced for dancehall vocalist Elephant Man. Perry began performing on the riddim live which led to developing the lyrics for Black Ark Vampires and Subatomic developing a riddim for Perry that captured his vibes. Though Perry is known for seldom giving straight answers and many have wondered if he really burned down the Black Ark studio, Emch from Subatomic Sound System says that one night after performing a show in California, he and percussionist Larry McDonald, a Black Ark studio veteran, were talking backstage when Scratch told them the reasons for his own longevity: "Stress will kill you. That’s why I had to burn down the Black Ark." He said the popularity of the studio had attracted the vampires who came to suck him dry and corrupted the magic of Black Ark, but rather than let that slowly destroy him like a cancer, he chose to close the book on that chapter of his life and move on by torching the studio and making an exodus to the UK leaving the vampires with nothing but the ashes.

THE ARTISTS: Grammy winning reggae and dub inventor Lee "Scratch" Perry is a living legend, one of Jamaica’s most prolific producers and a true original with a spirit that has defined and influenced countless artists across genres and generation, decades of great Jamaican artists from Bob Marley to Max Romeo, punk rockers The Clash, The Rolling Stones’ Keith Richards, The Orb, The Beastie Boys, Paul McCartney, Kode9, and the list goes on. At 78 he continues to tour, record, and paint incessantly.

Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is leading a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee "Scratch" Perry on tours including Coachella & Red Bull Music Academy; plus independently touring North America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.

THE SUBATOMIC SOUND LABEL: Subatomic Sound specializes in limited edition exclusive vinyl releases that push the envelope of dub, reggae, & dancehall in the context of electronic bass music through forward sounding productions and unlikely collaborations with icons such as Lee "Scratch" Perry, David Lynch, Anthony B, Elephant Man, Ari Up of The Slits, as well as new school torchbearers like Dubblestandart, Jahdan Blakkamoore, Dub Gabriel, and many more. Subatomic Sound actively produces events and founded the annual Dub Champions Festival running 4 years in the USA and Europe. Subatomic Sound Radio airs on Brooklyn Radio and for three years ran on KEXP’s Radio New York, 91.5FM broadcast which transmitted to a footprint of 11 million listeners.  (12j52 48 24)

Buy now

Lee Scratch Perry & Subatomic Sound System "Black Ark Vampires Dub" vinyl 45 mix

Happy Halloween!  On "Black Ark Vampires" Lee "Scratch" Perry & Subatomic Sound System have crafted a throbbing sound-man tune propelled by subsonic bass, bubbling skanks, and pulsing beats that balance the murky and mystical vibes of Perry’s classic Jamaican dub reggae recordings with the flammable energy and bass vibrations of current electronic music, fine tuning a recipe that they have slow cooked throughout their last four years of U.S. tours spreading authentic dub to a new generation in places like Coachella, Dub Champions Festival, and Red Bull Music Academy. Lyrically the track features Perry’s most focused lyrics in a decade, a poignant oath of vengeance against the vampires that corrupted the ark of the covenant and forced him to burn down his famed Black Ark studio, told in comical rhymes that echo the cadence of a Dr. Seuss story coupled with the morbidity of Edgar Allan Poe, promising the details of where, when, and how he will kill these vampires, from Kingston to London to New York City and everywhere; vampires beware; he will kill them with his hair, with fire, with electric wire, and even with roast corn. Melodically the tune packs soaring vampire hooks, spiritual vocal choirs, groaning melodica bursts, and even a few lines from dancehall vocalist Jahdan Blakkamoore, produced and recorded by Emch at his Subatomic Sound laboratory in NYC. Scratch’s vocals were recorded in Brooklyn at the Hook Studio after an NYC performance with the production assistance of On-U Sound’s legendary Adrian Sherwood, producer of some of Perry’s finest post-Jamaica recordings. The session was filmed by a Dubspot video crew after a long drive through NYC during which Perry recounted the better part of his life story as a warm up for the session.

At the age of 78, Lee "Scratch" Perry has built a life based as much on his fame as a reggae and dub inventor who exhibited boundless creativity and innovation in music composition and production, as he has on his reputation as a madman with playful wit, a propensity for lighting things on fire, a natural mystical spirituality that he famously introduced to Bob Marley, and his defiant individuality and commitment to personal freedom. "Black Ark Vampires" brilliantly ties together these divergent characteristics to create classic Lee "Scratch" Perry material on all levels.

Perry loves to dance and loves dancehall. His nickname actually comes from the name of dance he invented called Chicken Scratch. During his tours with Subatomic Sound System, Scratch had a voracious appetite for hearing new sounds and was interested in the "Vampires & Informers" dubstep track Subatomic Sound System had produced for dancehall vocalist Elephant Man. Perry began performing on the riddim live which led to developing the lyrics for Black Ark Vampires and Subatomic developing a riddim for Perry that captured his vibes. Though Perry is known for seldom giving straight answers and many have wondered if he really burned down the Black Ark studio, Emch from Subatomic Sound System says that one night after performing a show in California, he and percussionist Larry McDonald, a Black Ark studio veteran, were talking backstage when Scratch told them the reasons for his own longevity: "Stress will kill you. That’s why I had to burn down the Black Ark." He said the popularity of the studio had attracted the vampires who came to suck him dry and corrupted the magic of Black Ark, but rather than let that slowly destroy him like a cancer, he chose to close the book on that chapter of his life and move on by torching the studio and making an exodus to the UK leaving the vampires with nothing but the ashes.

THE ARTISTS: Grammy winning reggae and dub inventor Lee "Scratch" Perry is a living legend, one of Jamaica’s most prolific producers and a true original with a spirit that has defined and influenced countless artists across genres and generation, decades of great Jamaican artists from Bob Marley to Max Romeo, punk rockers The Clash, The Rolling Stones’ Keith Richards, The Orb, The Beastie Boys, Paul McCartney, Kode9, and the list goes on. At 78 he continues to tour, record, and paint incessantly.

Spearhead by producer, DJ, and instrumentalist Emch, NYC’s Subatomic Sound System is leading a dub music renaissance, founders of the US & Europe Dub Champions Festival, 4 years acting as the live band for legend Lee "Scratch" Perry on tours including Coachella & Red Bull Music Academy; plus independently touring North America, Europe, and Asia, and for a decade producing flavors ranging from classic dub to dubstep.

THE SUBATOMIC SOUND LABEL: Subatomic Sound specializes in limited edition exclusive vinyl releases that push the envelope of dub, reggae, & dancehall in the context of electronic bass music through forward sounding productions and unlikely collaborations with icons such as Lee "Scratch" Perry, David Lynch, Anthony B, Elephant Man, Ari Up of The Slits, as well as new school torchbearers like Dubblestandart, Jahdan Blakkamoore, Dub Gabriel, and many more. Subatomic Sound actively produces events and founded the annual Dub Champions Festival running 4 years in the USA and Europe. Subatomic Sound Radio airs on Brooklyn Radio and for three years ran on KEXP’s Radio New York, 91.5FM broadcast which transmitted to a footprint of 11 million listeners.

Lee Scratch Perry & Subatomic Sound System "Black Ark Vampires" vinyl 45 mix

My Sound Is Heavy

Ancient Wisdom (Melodica Dub)

This is a special Bandcamp exclusive single features the unreleased dubstrumental riddim track -- out today to coincide with Bandcamp's LA Fire Relief effort, donating all proceeds on Feb 7 to MusicCares. The vocal version of this track is from the full length album "Rockin' Like A Champion" out now on both digital and limited edition colored vinyl with alternate mixes and a bonus dub track: dubshot.lnk.to/RockinLikeaChampion

Mykal Rose, the iconic original Grammy winning voice of Black Uhuru's classic tunes, singing here in combination with the dubwise vibes of NYC’s Subatomic Sound System and the ethereal harmonies of London’s Hollie Cook.

“With everything going on, people need to understand that they can come together. Forget the gun. We tell them to put it down, but they think they can’t live without the gun.” says Rose.

Addressing a topic on everyone’s mind right now, the real message of the song is about the joy we can share in the celebration of life when people put down the gun, told as a story that begins with a single gun shot:

In the beginning, it was the sound of a gun
One gun shot and people started to run!

Musically, “Put Down the Gun” has the reckless energy of a pressure valve blowing open -- a catharsis reminiscent of the intersection of reggae and punk that in the 1970s and 80s grew from a collective frustration with the state of the world. Mykal’s work with Black Uhuru always carried an element of social commentary over the hard charging steppers beats innovated by Sly & Robbie, and with Hollie’s past in The Slits, and Emch from Subatomic originally finding dub through the punk band Bad Brains, that energy makes itself known in this song, anchored by a driving kick drum and steady pulsing bass emphasized with blasts of horns and filtered guitar and keys swirling around in a Black Ark studio dub style, all subtly interwoven throughout with an orchestra of percussion.

Reflecting on the role music plays in shaping people’s mindsets, Emch says "As musicians, the concept of unity and bringing people together in peace are the seeds we sow. There are many times we have found ourselves performing for or with people who, in the past or even under different circumstances, could have been pointing guns at us or at each other, but instead, through the universal language of music, we found ourselves celebrating life together. It is partly the message in the lyrics and partly the vibration of the music. This song itself exists as a testament to unity, with the members of this collaboration crossing generations, cultures, nations, and different histories.” 
credits
released February 7, 2025

Performer Credits:
Mykal Rose - vocal
Hollie Cook - vocal backing
Emch - bass, guitar, melodica, drum programming, piano, sampler, electronics, synthesizer, siren
Troy Simms - saxophone
Lawrence McDonald - congas, triangle, percussion

Non-Performer Credits:
Michael Rose, John Emch, Troy Simms - Writers/Composers
Emch - Producer, Mastering, Mixing
Troy Simms - Assistant Producer

Emch, Troy Simms, Brett Tubin - Recording engineers
ellenanimates - Album art
Emch - Art direction

507c

Put Down The Gun

Put Down The Gun (Dubstrumental) - Subatomic Sound System

Jah Is The Light

Light of the World (Horns Dubstrumental)

Jah Is The Light (808 Mix)

Jah Is The Light (Roots Steppers Dub)

Digital release: 3/11/16
Artist: Lee 'Scratch' Perry & Subatomic Sound System
Title: Black Ark Vampires (steppers bass dub mix)
Catalog # SS031
Format: Digital (vinyl 45 mix is Catalog # SS029)

Check www.SubatomicSound.com for US & EU tour dates.
Lead vocals by Lee Perry. All music and added vocals written, performed, & produced by Emch at Subatomic Sound in NYC. Lead vocal engineering by Adrian Sherwood & Amon Drum at The Hook Studio in Brooklyn. Percussion by Larry McDonald (aka Drumzilla). Additional vocals by Jahdan Blakkamoore.

Live performance videos bit.ly/LSPLiveApeVids
Juno bit.ly/BAVjun
Reggae Record bit.ly/BAVrr
iTunes bit.ly/BAVitu
Beatport bit.ly/BAVbp
Spotify http://bit.ly/BAVsp
Amazon amzn.com/B01C3PSI08
Bandcamp subatomic.bandcamp.com/

*159afroSpear18d DubPing

Lee "Scratch" Perry & Subatomic Sound System | Black Ark Vampires (Dub Bass Steppers Mix)

Artist: Lee 'Scratch' Perry & Subatomic Sound System
Title: Black Ark Vampires (digi-EP) 3 tracks (steppers, dub, and roots mixes)
Catalog # SS031
Format: Digital (iTunes, Juno, Beatport, etc) (vinyl 45 mix is Catalog # SS029)

Lead vocals by Lee Perry. All music and added vocals written & produced by Emch at Subatomic Sound in NYC. Lead vocal engineering by Adrian Sherwood & Amon Drum at The Hook Studio in Brooklyn. Percussion by Larry McDonald (aka Drumzilla). Additional vocals by Jahdan Blakkamoore.

Live performance videos bit.ly/LSPLiveApeVids
Juno bit.ly/BAVjun
Reggae Record bit.ly/BAVrr
iTunes bit.ly/BAVitu
Beatport bit.ly/BAVbp
Spotify bit.ly/BAVsp
Amazon amzn.com/B01C3PSI08
Bandcamp subatomic.bandcamp.com/

Lee "Scratch" Perry & Subatomic Sound System | Black Ark Vampires (Roots Rockers Mix)

Artist: Lee 'Scratch' Perry & Subatomic Sound System
Title: Black Ark Vampires (roots rockers mix)
Catalog # SS031
Format: Digital (vinyl 45 mix is Catalog # SS029)

Lead vocals by Lee Perry. All music and added vocals written & produced by Emch at Subatomic Sound in NYC. Lead vocal engineering by Adrian Sherwood & Amon Drum at The Hook Studio in Brooklyn. Percussion by Larry McDonald (aka Drumzilla). Additional vocals by Jahdan Blakkamoore.

Live performance videos bit.ly/LSPLiveApeVids
Juno bit.ly/BAVjun
Reggae Record bit.ly/BAVrr
iTunes bit.ly/BAVitu
Beatport bit.ly/BAVbp
Amazon amzn.com/B01C3PSI08
Bandcamp subatomic.bandcamp.com/

*159afroSpear18d StepPing

Buy these songs

Lee "Scratch" Perry + Subatomic Sound System | Black Ark Vampires (Bass Steppers Mix)

“Hello, Hell is very low, and Heaven is very, very high” – Lee Scratch Perry

SUBATOMIC SOUND presents “CHROME OPTIMISM” 12" vinyl (SS012)
DUBBLESTANDART meets DAVID LYNCH & LEE ‘SCRATCH’ PERRY
<b>Vinyl: JUNO http://www.juno.co.uk/ppps/products/392805-01.htm
Digital: iTunes http://bit.ly/itchr2</b>

In 2008, NYC based Subatomic Sound teamed up with Vienna’s dub masters Dubblestandart to begin a series of limited edition 12” vinyl exclusives that brought together iconic originators in the history of dub reggae with the gritty underground vibes of the dubstep movement.The lead 12”, “Iron Devil”, included the first ever dubstep tracks from both Lee Scratch Perry and Prince Far-I, produced in collaboration with Dubblestandart and remixed by Subatomic Sound System and Paris’ Tom Watson.Released on hand stamped vinyl in vintage Jamaican jackets, “Iron Devil” disappeared from shelves worldwide in less than a week. In 2009, the follow up vinyl was dedicated to an explosive pairing of Lee ‘Scratch’ Perry with rising Brooklyn dancehall reggae star Jahdan Blakkamoore that revisited Perry’s ‘70s classic “Blackboard Jungle” off the seminal album of the same name, a cornerstone of dub reggae that featured Scratch and King Tubby at the controls.A shot heard round the world, this collaboration culminated that July with a capacity concert in NYC’s Central Park with Lee Perry, Dubblestandart, Subatomic Sound System, & Jahdan Blakkamoore.

The third 12” in the series is entitled “Chrome Optimism” and on this release Dubblestandart brings together the most unbelievable combination yet, a world class summit of mad genius: Jamaican dub originator Lee ‘Scratch’ Perry together with iconic American filmmaker David Lynch, plus as an added bonus, famed French avant garde composer Jean-Michel Jarre. On “Chrome Optimism”, Scratch exercises his inimitable gift to juxtapose spirituality with humor through wordplay that walks a line between nonsense and profundity: “Hello, Hell is very low and Heaven is very, very high!”David Lynch responds with equally mind twisting metaphors like “Euphoric, chrome optimism” and mantras like “The ideas tell you how they want to be”, describing his powerful experience and obsession with transcendental meditation.The otherworldy melody from Jean-Michel Jarre’s famous composition “Oxygen Part 4” floats over the top. Vienna’s Dubblestandart, NYC’s Subatomic Sound System, & Bristol’s RSD switch up the musical vibes beneath, moving from hard charging dubstep to Perry’s classic dub reggae to spacey soundscapes typical of Lynch & Jarre aesthetics.

The “Chrome Optimism” vinyl EP features two remixes from Subatomic Sound System, kicking off the A side with the first, a bombastic distorted sub-bass heavy beast that threatens to define a new genre somewhere between dubstep, dub reggae, and the twisted ambience of David Lynch’s film scores. Dubblestandart counters with a deep and minimal downtempo dub version of “Chrome Optimism” that balances on a line between a wide open David Lynch film soundtrack, the wild sound experimentalism of Perry, and Jarre’s out of body ambient melodies.
The B side of “Chrome Optimism” kicks back in full force with originator of the Bristol, UK dubstep scene, producer RSD (also known as Rob Smith of Smith & Mighty) delivering a hard hitting remix of the Perry & Dubblestandart track “I Do Voodoo”, a guaranteed sureshot to satisfy the UK dubstep crowd.Following RSD is a second Subatomic Sound System remix that brings it back to Perry’s Superape era for a rootical dubstep relick of his tune with Dubblestandart entitled “Deadly Funny” (originally also on the “Chrome Optimism” riddim), but this time revisting his classic 70s style, adding not only the ghost of Augustus Pablo on melodica, but also drums and bass big and bad enough knock out a dubstep club crowd.


Dubblestandart, David Lynch, & Lee Scratch Perry - Chrome Optimism (album radio mix) FREE DOWNLOAD!

Available 9/11/17 instantly with pre-order of "Super Ape Returns To Conquer" new album from Lee "Scratch" Perry + Subatomic Sound System dropping 9/22/17.  CD and vinyl available for pre-order now. More info at www.SubatomicSound.com
Tempo: 65/130bpm Key: G major ] Lyrically timely and always a favorite at concerts, this version of the reggae classic “War Ina Babylon” has  Subatomic Sound System mixing an old school one drop beat into a thumping 909 kick & snare, a reggae bass line mixed into modulating electronic sub-bass, and impeccably reincarnated horns, guitars, and percussion build on Scratch’s original influences, introducing stylistic elements of Jimi Hendrix and a new, key-modulating bridge section that veers into Malian blues and features the African kora.  Scratch originally wrote the song for singer Max Romeo and included a dub remix “Black Vest” on his original Super Ape album with featured sparse chatting vocals and new horn lines.  All those elements are tied together here with Scratch adding new lyrical themes to address current issues with corrupt government, police shootings, and religious leaders while Screechy Dan sings all the vintage Heptones harmonies.

Super Ape Returns To Conquer

Lee "Scratch" Perry + Subatomic Sound System | War Ina Babylon (out 9/11)

Song out 9/11 on iTunes with full album pre-order.  The title track of the new Super Ape Returns To Conquer album is reimagined as a pulsing bass fueled four on the floor journey, trodding through creation with the Super Ape, while Scratch proclaims the healing power of music, of vibration, of meditation, and of dub, perfect dub equals perfect love -- synchronicity with nature: “This is the ape man/ trodding through creation/ are you ready to step with I-man?”  Super Ape is Scratch’s metaphor for the power of nature, the power of the sky manifested by the hurricanes with their thunder, lightning, wind and rain that frequently decimated Jamaica.  In a time of environmental crisis, the song serves as a reminder of the fragility of humanity in the face of nature and how little we understand about the mystery and magic of nature exemplified by the jungle, the sea, and the elements.  Though a self-identifying Rastafarian, Scratch is also very much a naturalist and a vegetarian. Sampled by Murs & 9th Wonder on “Are You Ready”.

Lee "Scratch" Perry + Subatomic Sound System | Super Ape (out 9/11)

Out now on Super Ape Returns To Conquer - Curly Dub (Sing Along Jah Jah Children) [Length: 6:06  Tempo: 62/124bpm Key: A minor ] “Curly Dub” features a bold steppers beat and unlikely swaggering jazz bass line that get turnt up and taken on a psychedelic trip back to Africa. Though reggae is often identified by its signature bass lines, Scratch upends convention on this composition with a massive walking jazz bass line originally over a four on the floor steppers beat (somewhat groundbreaking in the 1970s) that is redone by Subatomic Sound in heavyweight fashion with tight 808 house kicks, big belly sine wave bass, and an added energy boost from improvised Ethiopian sax solos – extending the original American jazz influence all the way back to Africa.  Screechy Dan reincarnates Scratch’s original vocals, a melody that harkens back very clearly to the vocal phrasing style that Scratch famously nurtured in Bob Marley.  Legendary Jamaican percussionist and Black Ark studio veteran, Larry McDonald, lays down all the shaking, scraping, and rattling sounds as well as his signature conga patterns that dance around the bubbling organ skank.  Scratch blends his spirituality with signature humor, proclaiming “I am free” and that he is "black Moses", here to free the people, imploring the to feel it, smell it, and taste it. Scratch was a huge influence on the Beastie Boys, one of the few respected artists also known for their humor. Beastie Boys who featured Scratch on their track Dr. Lee Phd.

Lee "Scratch" Perry + Subatomic Sound System | Curly Dub (Sing Along Jah Jah Children)

Out now on Super Ape Returns To Conquer [Length: 3:20 Tempo: 77.5/155bpm Key: A minor ] “Lucifer son of the morning, I’m gonna chase you out earth!” One of the most memorable beginnings to any song, one of the most sampled, and one the most classic in tunes in reggae, Scratch wrote “Chase the Devil” with singer Max Romeo, but in his typical fashion did several remixes and dubs of it, one of which was the hit “Disco Devil” sung by Scratch, and another called “Croaking Lizard” with chatting vocals, chatting being what Jamaicans called the rhythmic speaking which would later in the USA become rap music.  All those concepts are tied together in this version with Brooklyn’s Jahdan Blakkamoore nailing the opening vocal, Scratch adding new verses to taunt Satan, and NYC dancehall don Screechy Dan chatting inna classic Jamaican party rocking style while Emch recreated the music with impeccable reverence to the genius original Black Ark production but with heavy 808 kicks, sub-bass lines, and dubwise congas from Larry McDonald (who performed on the original 1976 Black Ark recording) guaranteed to move a 21st century dancefloor.  Note the elaboration on the guitar melody in the verses, revealing new lines that sound like missing parts from 1976 finally revealed and brought up in the mix 41 years later.   “Chase the Devil” has been sampled and referenced in countless popular tunes across genres, recently by Kanye West & Jay Z on “Lucifer” all the way back to the 90s rave anthem by The Prodigy called “Outer Space”.

Lee "Scratch" Perry + Subatomic Sound System | Chase The Devil w/ Jahdan Blakkamoore & Screechy Dan

Out now on 'Super Ape Returns To Conquer' album! Zion’s Blood [Length: 4:24 Tempo: 67/134bpm Key: A minor ] The roots of the mystic spiritual vibes Scratch conjured up from Africa and was known to have instilled in the likes of Bob Marley are here combined with Subatomic Sound’s pulsing 21st century sub bass and 909 kick drums guaranteed to rattle massive bass bins like the latest trap or dubstep track while maintaining  a deep meditation.  “Zion’s Blood is flowing through my vein, and I&I shall never work in vein/ African blood is flowing through my vein/ and I&I will never fade away” is repeated like a mantra throughout the song, upending typical song structure and in many ways capturing the essence of Scratch’s creativity and ideology, reclaiming his lost African history through musical production, inventing the genres of reggae and dub to establish his reputation, but refusing even at 81 years old to stop innovating.  Rebuilding this song with no samples from the original, it was critical to capture the magic of the original like the introductory heavy tom toms and whistle that announce the arrival of the Super Ape and the majestic African horns signal the royal Emperor H.I.M. Selassie who Scratch claims to be his spiritual twin (notice the resemblance of their faces).  The Wes Montgomery style guitar lines in the original are further developed here by Emch and the regal horns lines, though produced in gritty and vintage Black Ark fashion, are pushed to the forefront to pump up the energy and highlight the African roots of the composition.

Super Ape Returns to Conquer

Lee "Scratch" Perry + Subatomic Sound System | Zion's Blood

NYC-2-AFRICA riddim dropping digitally this Tues, Nov.9: a Subatomic Sound (NYC) production in collaboration with African hip hop label Nomadic Wax and Peoples Records (Kingston, JA). 
iTunes - http://bit.ly/nycit2
Juno -  http://bit.ly/nycju2
Beatport - http://bit.ly/ssBPRT
Amazon - http://amzn.to/nycam2

Check out this intense video of the recording and explosive political events surrounding the creation of the Anthony B track "Dem Can't Stop We From Talk" in Jamaica: http://www.youtube.com/watch?v=h8pPQxwiv44

SUBATOMIC SOUND presents 
”NYC-2-AFRICA”
SUBATOMIC SOUND SYSTEM &amp; NOMADIC WAX  
FEATURING ANTHONY B (JAMAICA), JAHDAN BLAKKAMOORE (NYC), &amp; BAJAH of DRY EYE CREW (SIERRA LEONE, AFRICA)


Striking right to the core of our very existence: Survival, corrupt politics, preserving authentic culture, and the destruction of our environment are the topics of the three heart wrenching vocals delivered straight from the souls of Anthony B, Jahdan, &amp; Bajah on this crucial release.

Do you know about the new subway line connecting NYC, Jamaica, and Africa? No? It may not exist yet, but thanks to producers Emch (Subatomic Sound System) &amp; Benny Beats (Nomadic Wax), this vision already has a soundtrack: The NYC-2-Africa EP was recorded in New York City; Kingston, Jamaica; and Dakar, Senegal, using a single original riddim to trace the diaspora back through history from hip hop’s inception on NYC’s gritty streets to its Jamaican dancehall reggae roots, and from the Jamaican dancehall to its foundation in African rhythms—represented here by a battery of Senegalese sabar drums. 

The politics, culture, and environmental awareness fundamental to this musical history are represented vocally by three artists crucial to the diaspora, each delivering what people are calling some of their all time best performances: Jamaican culture dancehall superstar Anthony B; NYC’s reggae/electronic/hip hop firebrand Jahdan Blakkamoore, of Smif ‘n Wesson “Soundbwoy Burial” fame &amp; winner of iTunes 2009 reggae album of the year; and Sierra Leone, Africa’s #1 rapper and bonafide musical hero, Bajah of the Dry Eye Crew.  The combination of this music and history is explosive.

Anthony B's politically charged anthem is particularly riveting because it called out JA's Prime Minister Bruce Golding at the time he was struggling with civil war surrounding the United States-requested extradition of "Dudus," a don from the Tivoli Gardens garrison district of Kingston and a leader of the Prime Ministers main constituency—an obvious point of hypocrisy.  Anthony B recorded his vocals in Kingston in April 2010, as the the city broke out in riots capped off by the Tivoli Gardens extradition raid.  Tensions were further heightened by a drought that led to water supplies to many of Kingston’s residents being cut off for days at a time.  When Anthony first heard the African drums, his eyes lit up and he and his crew began a classic African call and response chant to the beat. After listening to the riddim over and over on repeat, he demanded to go straight into the studio and, without a word written, delivered a blistering performance, waiving his lighter and literally jumping off the walls of the vocal booth while singing like a man possessed by inspiration.

To make this dream a reality required a truly international collaboration, spearheaded by NYC label Subatomic Sound, a cornerstone of current dub and bass culture, in conjunction with African hip hop label and documentary film makers Nomadic Wax out of Brooklyn (producers of the controversial film “Democracy in Dakar”) and also longtime roots and dancehall foundation label, Peoples Records from Kingston, JA.

This digital release features political, cultural and environmentally charged vocal versions by Anthony B (Jamaica), Jahdan Blakkamoore (NYC/Guyana), Bajah (Sierra Leone), plus the dubbed up instrumental, and a combination medley of the versions (for DJs).


Anthony's track is slated for  7" release by People's Records in JA with worldwide distro followed by a 12" on Subatomic Sound focused on Anthony B's tune which will include this riddim, a harder beat called "Urban Warfare" (that Paul Zasky and Emch produced) and mixes by several other of our favorite producers.

Anthony B w/ Subatomic Sound System & Nomadic Wax - Dem Can't Stop We From Talk

Antiserum remix with plenty elements from the original represented including Jean Michel Jarre's full Oxygene Part 4 melodies.  Coming soon on vinyl

OUT NOW ON <a href="http://bit.ly/chritn">iTUNES</a>, JUNO, AND EVERYWHERE. Coming in Nov on "Chrome Optimism" part 2 vinyl 12"!  Vinyl collectors check the part one 12" vinyl release with alternate versions http://bit.ly/junoS1

"I got into sort of cosmic explosions, euphoric chrome optimism." – David Lynch
“Hello, Hell is very low, and Heaven is very, very high” – Lee Scratch Perry

SUBATOMIC SOUND presents “CHROME OPTIMISM REMIXED" digital release (SS015)
DUBBLESTANDART meets DAVID LYNCH & LEE ‘SCRATCH’ PERRY

Following up the vinyl release, Subatomic Sound drops the full length digital album with remixes covering dub and dubstep of course, but also less expected twists on dubwise bass heavy sounds like tropical, electro, 2step/garage, minimal tech, and ambient dub. The remixers include top new producers of these genres from the USA: Antiserum, Dub Gabriel and Kush Arora from SF andDave Q, Liondub, Subatomic Sound System, Ming, & April White from NYC, as well as Tony Dubshot out of the Netherlands and Dubblestandart from Vienna.

In 2008, NYC based Subatomic Sound teamed up with Vienna’s dub masters Dubblestandart to begin a series of limited edition 12” vinyl exclusives that brought together iconic originators in the history of dub reggae with the gritty underground vibes of the dubstep movement.The lead 12”, “Iron Devil”, included the first ever dubstep tracks from both Lee Scratch Perry and Prince Far-I, produced in collaboration with Dubblestandart and remixed by Subatomic Sound System and Paris’ Tom Watson.Released on hand stamped vinyl in vintage Jamaican jackets, “Iron Devil” disappeared from shelves worldwide in less than a week.In 2009, the follow up vinyl was dedicated to an explosive pairing of Lee ‘Scratch’ Perry with rising Brooklyn dancehall reggae star Jahdan Blakkamoore that revisited Perry’s ‘70s classic “Blackboard Jungle” off the seminal album of the same name, a cornerstone of dub reggae that featured Scratch and King Tubby at the controls.A shot heard round the world, this collaboration culminated that July with a capacity concert in NYC’s Central Park with Lee Perry, Dubblestandart, Subatomic Sound System, & Jahdan Blakkamoore.

The third 12” in the series is entitled “Chrome Optimism” and on this release Dubblestandart brings together the most unbelievable combination yet, a world class summit of mad genius: Jamaican dub originator Lee ‘Scratch’ Perry together with iconic American filmmaker David Lynch, plus as an added bonus, famed French avant garde composer Jean-Michel Jarre. On “Chrome Optimism”, Scratch exercises his inimitable gift to juxtapose spirituality with humor through wordplay that walks a line between nonsense and profundity: “Hello, Hell is very low and Heaven is very, very high!”David Lynch responds with equally mind twisting metaphors like “Euphoric, chrome optimism” and mantras like “The ideas tell you how they want to be”, describing his powerful experience and obsession with transcendental meditation.The otherworldy melody from Jean-Michel Jarre’s famous composition “Oxygen Part 4” floats over the top. Vienna’s Dubblestandart, NYC’s Subatomic Sound System, & Bristol’s RSD switch up the musical vibes beneath, moving from hard charging dubstep to Perry’s classic dub reggae to spacey soundscapes typical of Lynch & Jarre aesthetics.

The first of two vinyl 12"s is out now in the US http://bit.ly/c8HL4K, the UK http://bit.ly/buQvxt and Japan.

Ref#m3

Dubblestandart w/David Lynch & Lee Scratch Perry - Chrome Optimism (Antiserum RMX ft. Bakir)

Subatomic Sound System was asked to remix Sting & Shaggy's Morning is Coming single to promote their new 44/876 album out 4/20. This is the vocal mix that was distributed as a free radio promo and you can get it here for a limited time.  There is also a dub mix that you can find here: https://soundcloud.com/subatomicsound/sting-shaggy-morning-is-dubbing-official-subatomic-sound-system-dub-remix

Sting & Shaggy "Morning Is Coming" official Subatomic Sound System remix [label promo]

2019 relick of Scratch's Black Ark classic Dub Organizer from 'Blackboard Jungle Dub' 45th anniversary tour Feb 7-22, 2019 in the USA and beyond.  More info on upcoming tour dates at www.SubatomicSound.com  - The world's 1st dub album, live for the 1st time! History in the making with the legendary dub and reggae pioneer just before his 83rd birthday! Come to the shows and feel the vibrations!

Dub Organizer

FREE DL-> Lee "Scratch" Perry & Subatomic Sound System - A Me - The Dub Organizer - 2019

ATTENTION: Full frequency range speakers or headphones are essential and a SubPac is highly recommended for listening to "Shaolin Dub" 

Check the "Shaolin Dub" release party at NuBlu 151 in New York City, Friday August 2, with Subatomic Sound System and special guests and also the live video from the Subatomic tour with Julian Marley featuring Emch on the dub mix, Troy on the sax, and reggae percussion legend Larry McDonald on congas: subatomicsound.com/subatomic-sound-system-shaolin-dub-release-party-friday-aug-2-nublu-new-york-city/ 

Shaolin Dub was written and recorded by Subatomic in the downtime during the pre-production of the "Super Ape Returns To Conquer" album with Lee Scratch Perry and inspired by the mostly instrumental African jazz influenced dub reggae on the original Super Ape album but re-contextualized in a Subatomic production environment that includes both analog and digital recording & mixing technology. Additional live instrument recording was done in Brooklyn at the Bridge Studio and is documented in the EMC educational video with Subatomic Sound System on live dub mixing. "Shaolin Dub" has been performed live throughout the 2017-2019 tours but never released until now. 

Subatomic Sound System is back on tour in USA & Mexico Sept 19-29 with Lee "Scratch" Perry. More on that and additional upcoming releases at subatomicsound.com  
credits
released August 1, 2019

Shaolin Dub

Subatomic Sound System "Shaolin Dub" out now everywhere!

Champion Sound

Champion Sound (Roots 7" Mix)

Babylon Soon Fall

Wicked Man Soon Fall (Babylon Soon Fall Horns Dub)

Babylon Soon Fall (Rockers 7" Mix)

NYC dub & bass specialists: performers, label, events since Y2K spearheaded by Emch. DJ or live, worldwide. Check http://www.subatomicsound.com Founded Dub Champions Festival (USA/ Europe). Stacks of music w/ Lee Scratch Perry, Anthony B, Elephant Man, Jahdan, and more.  Spearheaded by Emch Subatomic Sound is the label and Subatomic Sound System is the crew, DJ, live band, production team and radio show on www.BrooklynRadio.com

Select list of Subatomic Sound System shows...
Dub Champions Festival USA & Europe tours 2011-2019 w/ Lee Perry
USA May 2019 tour w/Julian Marley 
Coachella 2013 w/ Lee Scratch Perry
Red Bull Music Academy  2014 NYC  w/ Lee Scratch Perry & Adrian Sherwood

Check www.SubatomicSound.com for good stuff.
www.DubChampions.com for the festival.

Latest releases: 
SS039 Subatomic Sound & Screechy Dan "Babylon Soon Fall"
SS038 Subatomic Sound & Junior Dread "Revolution 2 Freedom"
SS037 Subatomic Sound & Screechy Dan "Champion Sound"
SS036 Subatomic Sound System "Shaolin Dub"
SS035 Sting & Shaggy "Morning is Coming" Subatomic Sound System remix
SS034 Lee Scratch Perry & Subatomic Sound "A Me"
SS033 Lee Scratch Perry & Subatomic Sound "Super Ape Returns To Conquer"
SS032 Word Sound Power "Discipline"
SS031 NYC-2-Africa-2-Brasil
SS030
SS029 Lee Scratch Perry & Subatomic Sound "Black Ark Vampires"
SS028
SS027
SS026
SS025 Noble Society "Living the Life"
SS022 Anthony B "Dem Can't Stop We From Talk - Remixed" LP (digital) March 2012
SS024 Anthony B meets Subatomic Sound "Dem Can't Stop We From Talk" vinyl Oct 2011
SS023 Anthony B meets Dubblestandart "Dem Can't Stop We From Talk rmx" vinyl Oct 2011
SS021 Sancocho e' Tigres "Lujo de Pobre" LP (digital)
SS020 Sancocho e' Tigres "Lujo de Pobre: Single & Samples" EP (digital) 
SS019 Elephant Man "Vampires & Informers" LP (digital) April 2011
SS018 Elephant Man "Vampires & Informers"  (vinyl) 
SS016 NYC-2-Africa Nov 2010
SS017 Elephant Man "Vampires & Informers" EP (digital) Oct 2010
SS015 Dubblestandart meets David Lynch & Lee Scratch Perry "Chrome Optimism" (digital & vinyl) Sept 2010
SS014 Subatomic Sound System meets Ari-Up & Lee Scratch Perry "Hello, Hell is Very Low" (vinyl) Aug 2010
SS009 Lee Scratch Perry & Dubblestandart meet  Subatomic Sound System & Jahdan Blakkamoore "Blackboard Jungle" (vinyl) April 209
SS008 Subatomic Sound System meets Lee Scratch Perry "Iron Devil" (vinyl) Oct 2008

For over a decade Emch has been the producer, selector, and musician behind Subatomic Sound System and the Subatomic Sound label. Founded at the turn of the millennium, NYC’s Subatomic Sound System has built a reputation worldwide for explosive shows, genre bending production, and breaking down barriers with their unique adaptation of 1970’s Jamaican sound system culture and dub reggae studio techniques to all types of bass heavy music genres, current technology, and live performances. A record label, DJ/production crew, live band, and event promoters, the Subatomic Sound crew is at work in NYC on every level. For 3 years, Subatomic Sound Radio blasted out to a footprint of eleven million terrestrial listeners in the greater NYC area on KEXP's Radio New York broadcast, 91.5fm and also via BrooklynRadio.com  

Subatomic Sound System has toured throughout N. America, Europe, & Asia  including with Lee Scratch Perry at NYC's Central Park, RBMA NYC, Poland's One Love, and Moscow's Milk with John Forte.

As the Subatomic Sound record label head, Emch has produced and released dub reggae innovator Lee Scratch Perry's first dubstep tracks plus eclectic collaborations with icons like filmmaker David Lynch, Prince Far-i, & UK punk pioneer Ari Up of the Slits as well as new school torchbearers like Anthony B, Elephant Man, Jahdan Blakkamoore, Dubblestandart, & his own group Subatomic Sound System.

Want to book Subatomic Sound? Hit us on Soundcloud or mail BOOKING (at) SubatomicSound (dot) COM  

Pushing dub and bass globally! Next stop your city or festival?

Subatomic Sound

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