This is a version of Cooley's Reel, a traditional Irish Tune I played on Classical guitar.  For the entire piece I used only one guitar and one microphone to create all sounds, beats, etc. This is an idea that has been floating around my head for a while. Hope you like it.

Cooley's Reel

Micko Roche 'Cooley's Reel' (trad/ arr Micko Roche)

Zahl am1  live track 1

VELLOCHORD IS A NEW PROJECT BY DF TRAM & JULIAN BARBER

THIS TRACK PERTAINS TO THE NUCLEAR DISASTER AT FUKUSHIMA,JAPAN. WHICH IS STILL HAPPENING.

VELLOCHORD-RADIATION(the warning mix featuring COPPE')

Jose Padilla knows a great record when he hears one, so does Chris Coco. During the making of this album Jose was the first to start playing a couple of the early productions in his DJ sets and Chris snapped up the track "Baltimore" for volume 1 of the highly acclaimed "Balearic" series which curates fresh and inspiring music with a balearic edge and has now also released a single from Micko's other project The Madrigal earlier this year. Pete Gooding then picked "Meadows" for last year’s Cafe Mambo release. Here is the album, full of beautifully crafted songs and instrumentals. 
A new balearic star is rising.

Bleu

TECUMSEH

Here's my take on the last 12 months which includes two tracks that appeared on the physical release of "Speck of Gold" in 2003 but were never released digitally as they didn't seem to fit the rest of the album. Now I know why, for me they resonate far more with present day issues and how people feel about life then they did back in the "noughties". Both tracks were co written with Matt Black and Jonathan More from Coldcut and Holly Chand. I also made a cover of "The World is a Ghetto" by War who I met at a gig in Los Angeles and by far one of the best bands I have ever seen live.

THE WAY TO SAN JOSE

ON BEING

ROOD BEATZ

ON THE INSIDE

Here's my take on the last 12 months which includes two tracks that appeared on the physical release of "Speck of Gold" in 2003 but were never released digitally as they didn't seem to fit the rest of the album. Now I know why, for me they resonate far more with present day issues and how people feel about life then they did back in the "noughties". Both tracks were co written with Matt Black and Jonathan More from Coldcut and Holly Chand. I also made a cover of "The World is a Ghetto" by War who I met at a gig in Los Angeles and have to say they are one of the best bands I have ever seen play live.

OCTOPUS

DISPARU

We’re happy to announce that Afterlife is back with another full length offering entitled “String Theory”. This time, Miller seems to shed a bit more of the White Isle in his productions, with the album presenting a deeper, more introspective angle of his musical prowess. As per usual, plenty of different influences are to be found within, from the impeccable flamenco-inspired tremolo guitar of the title track to the driving rhythm and vivid textures of Give It Up, there is not a single flaw to be found. The album is diverse yet remarkably coherent, rightfully demonstrating why Afterlife is a name that hasn’t faded for 20 years.

STRING THEORY

Home to Afterlife, No Logo, Lux, The Normalites, DF Tram, Fondue, Micko Roche and all things balearic

STRING THEORY

Subatomic UK

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