:) - Part 1

A PawPaw Rod EP

PawPaw Rod - Glass House [GODMODE]

Music by Subculture Sage // BUY HERE: bit.ly/WV8j2M

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TWITTER: twitter.com/subculturesage

PIGEONS & PLANES: " A stream of conscious wisdom with a blunted flow that straddles the lines between rapping and spoken word"


1=1=1

Two classics in their own genre re-imagined

Jazz Charge Sample

I'm The Moon

‘Angels/Your Love feat. BJ The Chicago Kid’ off the album ‘God First’ out July 14th – pre-order: https://MrJukes.lnk.to/GodFirst

God First

Angels / Your Love (feat. BJ The Chicago Kid)

BILL $ABER - MRS

Afterhours...
For the ladies.
******************
It's like 1 A.M. rn, I have school in 7 hours lol.
I'm out.
*********************
This is on Spotify now, go enjoy.
https://open.spotify.com/album/502AuY2J06Xe9KXgWeW4yI

SPOTIFY

Be Your Lady

From the album We're the Ones, released April 13, 2019
On limited edition clear orange vinyl & CD
Available at https://fold.bandcamp.com/album/were-the-ones

Also available on Spotify https://open.spotify.com/track/4Vybd9w9HxlrZyBn8DBeaW?si=VlHSF13CT0mmepw20SSL0g

Having been played 3 times by Gideon Coe on BBC 6 Music and made an editor's pick at Indie Shuffle, Teacher seems to be many people's top track from the album. There is a strong Brazilian jazz & psychedelic influence along with a Stereolab-esque indie sensibility and even a bit of Isaac Hayes and David Axelrod in the orchestration. It is a thoroughly organic sound with full horn section, string section, drums, bass and guitar all done live.

The speech is edited from a rather tender talk given to students by James Baldwin at a predominantly Black high school in Oakland, California 1963. On the one hand he highlights the function, importance and value of an education and finding self-worth in a white society. On the other hand there is a universal message about education being a two way street – that as students we must ask questions and as teachers we ought to keep our minds open to learning from those we teach.

We're the Ones

Buy on Vinyl

Teacher

Recorded at Mason Jar Music in Brooklyn, Good Future features nine original and hard-hitting tracks, with guest vocal appearances by Chico Mann and Gabriel Garzon-Montano. Good Future is a powerful statement by a powerful band—it is a refreshing and energetic mixture of afrobeat, funk, soul and rock, all fused together to form the irresistible EMEFE sound. The music sounds like a band that is excited and ready to make listeners forget their worries and dance. After listening to all 9 tracks, through every horn solo, every group chant and every drum breakdown, you can't deny that EMEFE exists to bring a Good Future to everybody within earshot. 

Download of the full album comes with the digital version of the CD booklet!
credits
released 06 July 2012 
Produced by Miles Arntzen and Dan Knobler 
www.emefemusic.com 

Miles Arntzen: drums, percussion 
Jas Walton: tenor saxophone 
Christian Anderson: baritone saxophone 
Ray Mason: trombone 
Michael Fatum: trumpet 
Jake Pinto: Hammond organ, Farfisa, Wurlitzer 
Deen Anbar: guitar 
Davy Levitan: guitar 
Doug Berns: bass 
Javier Ramos: congas, percussion 

Lead trumpet on tracks 1 and 2, additional tpt on tracks 4, 9: Billy Aukstik 
Vocals on track 3: Chico Mann, Gabriel Garzón-Montano, Luna 
Garzón-Montano, EMEFE 
Vocals on track 4: Phoebe Ryan, Jon Seale, EMEFE 
Vocals on track 5: Gabriel Garzón-Montano, Le'Asha Julius, Luna 
Garzon-Montano, George Ross, EMEFE 
Jawbone/ancient Pakistani bell on track 5: Dan Knobler 
Pure Evil on track 5: CZ1000 
Additional keys (Casiotone, Hammond organ), sogo drum, shekere, 
guitars on track 6 part 1: Miles Arntzen 
Vocals on track 8: Gabriel Garzón-Montano, Le'Asha Julius, Luna Garzón-Montano, George Ross, EMEFE 

Tracks 2, 5, 7, 9 written by Miles Arntzen (smilesahead music, ASCAP) 
Tracks 1, 4, 6 written by Miles Arntzen & Jas Walton (Boogie Mo Music, ASCAP) 
Track 3 written by Miles Arntzen, Jas Walton & Marcos Garcia (Emma Lulu Music, BMI) 
Track 8 written by Gabriel Garzón-Montano, Miles Arntzen & Jas Walton 
Track 4 contains words from an Ewe traditional song entitled "Ewo na do do" 

All songs performed by EMEFE 
Produced by Miles Arntzen & Dan Knobler 
Recorded and mixed by Dan Knobler at Mason Jar Music in Brooklyn, NY (masonjarmusic.com) 
Assistant engineer: Phoebe Holiday Ryan 
Mastered by Michael Fossenkemper at Turtletone Studios, NYC 
Original album artwork: Nick Kokkinis 
All songs copyright 2012

greed (featuring gabriel garzon-montano)

Iman Omari - "Turmoil" 
out on all Digital Platforms June 21st, 2019

Prod & Written by: Iman Omari 
Co-Written by Cavalier
Drum Break by: Andre Harris 
Photography by: Jack McKain


Lyric
Verse 1: 

I'm in need of you 
just like you're in need of me 

So tell me why cant we 
Seem to be a family? 

you tell me I got problems 
and i gained them on my own 

but you gave me this trauma 
thats been keeping me from home 

creating resentment 
only two is who to blame 

I can feel your pain 
Don't you know i feel the same? 

Tell me whats the difference, 
if I'm gone or if I'm near? 

Cause I cant seem to see 
the love you grew in me 




Hook: 

I hear the tone 
it wont be long 

(Bom bom dum bom, 
Bam bah dum Bom bom) 

and you'll be singing 
that ol' song 

(Bom bom dum bom, 
Bam bah dum bah) 

I'd stand in line 
to find the key 

(Bom bom dum bom, 
Bam bah dum Bom bom) 

instead of end in Misery 

(Bom bom dum bom, 
Bam bah dum bah) 




Verse: 2 

How soon we forget 
About things we swore we wouldn’t 

now you get upset 
before we could manifest 

leaves me with these questions 
that I try to keep at bay 

is it worth it to keep on 
Can we function on & on 

reflecting frustration 
it’s a street that goes two ways 

I can see the signs 
How much longer you’ll be mine 

All that we've invested 
Do I leave or do I stay 

Cuz I can’t seem to see 
The love you grew in me 





Hook: 

I hear the tone 
it wont be long 

(Bom bom dum bom, 
Bam bah dum Bom bom) 

and you'll be singing 
that ol' song 

(Bom bom dum bom, 
Bam bah dum bah) 

I'd stand in line 
to find the key 

(Bom bom dum bom, 
Bam bah dum Bom bom) 

instead of end in Misery 

(Bom bom dum bom, 
Bam bah dum bah)

Turmoil

94 Camry Music

💿 Stream/Support
→ https://fanlink.to/Contrasts


dryhope offers an impressive aural treat with his new EP “Contrasts”. The Swedish producer has put together a consistently nostalgic and reassuring ambience that carries throughout the release. Perfectly filtered chords and airy atmospheric chops are tied together with soft, yet bouncy drum patterns. Press play, and feel the calm trickle through your synapses. Stay safe everyone! 🙏

🎵 Music by dryhope
→ https://soundcloud.com/dryhope
→ https://open.spotify.com/artist/50Ej4gF8iYESted3e4JZ4t
→ https://music.apple.com/fr/artist/dryhope/1474796717

🎶 Tracklist
[00:00] Amber
[02:04] Down River
[04:25] Someday
[07:09] First Light
[09:07] Contrasts
[11:43] Shade


🎨 Artwork by Klegs
→ https://www.instagram.com/klegsart/
→ https://klegs.deviantart.com/
→ https://twitter.com/KlegsART/

🎼 Listen to ChilledCow everywhere
→ bit.ly/chilledcow-spotify
→ bit.ly/chilledcow-applemusic
→ bit.ly/chilledcow-soundcloud

👕 Check out the ChilledCow merch
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dryhope - Contrasts

No Distraction

No Distraction (Khruangbin Remix)

https://stpanther.lnk.to/thesedays 
Written by Daniela Bojorges-Giraldo
Published by Big Deal Beats / Gold Room Special Music / St. Panther Publishing (BMI) (Administered by Words & Music)
Produced by St. Panther and Nate Mercereau
Drums, Percussion, Bass, Vocals by St. Panther
Synth by Nate Mercereau
Drum Programming, Effects Programming by St. Panther and Nate Mercereau
Recorded at Elysian Park and Lower Peter's Canyon
Engineered by St. Panther and Nate Mercereau
Mixed by David Nakaji at Slick Suze Sound in Los Angeles, California. 
Assisted by John Bruington.
Mastered by Daddy Kev at Cosmic Zoo

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)
HA HA HA
HA HA HA, HA HA

IT’S UNBELIEVABLE
THIS SHIT IS PHYSICAL
AND I AIN’T TALKIN’ ‘BOUT SMOKING ON SOME SHIT

I’M BLASTING FROM MY HEAD TO MY BONES
NEVER THINK I’VE DONE THIS BEFORE
AND WHEN YOU LEAVE ME AT THE DOOR
TELL ME WHY YOU ALWAYS HANG BACK FOR MORE

IF YOU FUCK WITH ME, I’LL PUT MY HEART ON A PLATE
IN A VAN WHILE WE’RE TRAVELLING STATE TO STATE
SHOW LOVEON A MIC ALL AROUND THE WORLD
THAT’S RIGHT, THAT’S RIGHT, I’M YOUR GOLDEN GIRL

IF YOU FUCK WITH MY I’LL PROBABLY TAKE YOU TO THE TOP
CONVERSATIONS WITH THE CLOCK, NAH, THEY NEVER STOP
NO TIME LEFT TO SLEEP SO I RELAPSE, JUST NEED FEEDBACK
HEY, CAN YOU RUN MY BEAT BACK?

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)HA HA HA
HA HA HA, HA HA

LIKE A CHRYSLER, BABY
I HOPPED IN YOUR SOUL, HELLO COROLLA
SEE THAT MOTOROLA DRIFTING ON SILENT A WHILE
LET’S TURN IT OVER

WISHING ON A FOUR LEAF CLOVER
THAT THEY NEVER KNOCK ME DOWN WHEN MY FEET LET UP
THEY ALWAYS TRY TO KNOCK YOU DOWN WHEN YOUR FEET LET UP
BUT I SAID NO, PLEASE DON’T LEAVE ME ON MY DRIVEWAY

I’VE BEEN BLEEDING THE TIME
WHY YOU THINK I’M SO GOOD WITH MY HANDS MOTHERFUCKER?
I CAN’T COME DOWN
EVEN WHEN I TRY, I’M FLOATING
SO YOU CAN’T EVEN PRETEND
THAT YOU CAN’T SEE ME COMING
BABY, THIS LIKE A HIGHWAY
SO MANY MILES I’M DRIVING, HEY

OKAY, HA HA HA
HA HA HA, HA HA
ALRIGHT, HA HA HA
HA HA HA, HA HA
(PLEASE DON’T TREAD ON ME, NO)

OKAY, HA HA HA
HA HA HA, HA HA
(SHOW ME SOME LOVE)
HA HA HA
HA HA HA, HA HA

1=1=1

Subculture Sage

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