SUBINTERIOR + SELAXON LUTBERG  "The Meeting" 
[ 2xLP - Denovali / Murkhouse ] Total time: 73 min. - Tracks: 12 

Stunning 4-part collaborative series between these 2 Italian ambient artists, released together in one glorious 2xLP set! Originally released on Selaxon Lutberg's own label, Cold Current Productions, each part is dedicated to a season and was released separately on 3" CD-R in an edition of only 50 copies. We (denovali + murkhouse) just thought this was too good to be heard by so few people and limited to the CD-R format, though. Beginning with Winter Meeting and going through the seasons in order to end with Fall Meeting, each part will be given one side of 12" vinyl. The mood on each part is slightly different, reflective of the mood or feel of its respective season, ranging from cold, icy textures to warm, soothing ambience. 

www.denovali.com 


Subinterior+Selaxon Lutberg - Prayer behind the sun

"Mesmerize" (AFE Records - afe108lcd - 2008) 

Subinterior is the dark-ambient oriented project of Andrea Freschi from Milan, Italy.
Andrea is part of the band Canaan as drummer and he's also a member of Konau, along with Gabriele Panci (New Risen Throne), whose debut CD was released by Eibon Records in early 2006.
He also played drums on Weltschmerz's "Capitale de la Doleur" and self-released "#10110", the dark-ambient / industrial debut of Coma Divine, one of his side-projects.
Subinterior is a project born from the urge to create tracks using only excerpts taken from the usual noises and sounds that normally surround us.
The equipment he uses to create his compositions consists of a mini-disc recorder that is mainly used to capture atmospheres created by millers, lapping wheel, lathes, industrial refrigeration plants, safety doors and other unusual "instruments".
These recordings are usually massively processed and assembled using computer technology and softwares.
With this simple but effective method, during 2002-2003 he created and self-released two good CD-R albums entitled "Outfall" and "Insomnie". Both of them were re-released by Silentes in late 2005.
His third attempt at creating obsessive and gloomy atmospheres was entitled "Obstacles". It was released in Japan by Deserted Factory in early 2005.
During the years Subinterior's music was featured on some compilations, including "No Abiding Places" on Afe. 
A serie of collaborative MiniCD-R 3" with Selaxon Lutberg dedicated to the four seasons was released by Cold Current Prod. in 2006-2007.
"Mesmerize" is Andrea Freschi's fifth full-lenght work. Once again it was created with almost no samples and keyboards as most of the sounds included consists of field-recordings manipulated by computer technology and softwares.
The result falls into the dark ambient / experimental musical territory, althought the overall effect is aurally dynamic, as usually happens with Subinterior's releases.
"Mesmerize" basically follows on from the previous Subinterior release, "The Chrysalis Secret", showcasing his ability at creating deep and obscure atmospheres without falling into cheap clichés.
The album spreads over five tracks and has a dense start with "The White Space", which becomes more minimal and then is filled with mysterious noises resembling an haunted aviary.
"The Dominant Colour" is a short number built on layers of windy and metallic drones from which a disturbing voice suddendly emerges.
"Azuria"'s undercurrents follow on with their subliminal microevents and effected metallic chimes, before turning into a shifting simple melody which ends up in mild distortion.
"Instant Forever" continues the journey with a sort of percussive loop that fades into a sustained drone later filled with distorted sonic scoriae of undefined nature.
The title track, being the longest on the album, slowly evolves from an unsettling crowded inception into a basic drone number via backward effects. The last section of the track is enriched by an evocative reversed/bowed melody, which closes the disc as a real mesmerizing treatment. 

www.aferecords.com 


Subinterior - Azuria

"Outfall + Insomnie" (Silentes 20050903 - 2005) 

Total time: 71'57'' - Tracks: 13 

www.silentes.net 


Subinterior - Close to the End

Subinterior - Mesmerize

"The Chrysalis Secret" (AFE Records - afe068lcd - 2006).  

"The Chrysalis Secret" is Andrea Freschi's fourth work and comes after the self-released "Outfall" and "Insomnie" (both recently re-issued as a full-lenght disc by Silentes), and "Obstacles", which was released in Japan by Deserted Factory. 
The album clearly showcases Subinterior's skills at creating good dark atmospheres and it's another step forward in his music career. 
It's impressive that, as usual, almost no synthesizers and samples were used during the creative process: the equipment used to create "The Chrysalis Secret" simply consists of a mini-disc recorder that was mainly used to capture sounds and noises created by millers, lapping wheel, lathes, industrial refrigeration plants, safety doors and other unusual "instruments"... 
These recordings were massively processed and assembled using computer technology and softwares, and turned into the finished work. 
"The Chrysalis Secret" is a long evocative track divided in three parts. The journey begins with a sort of repeated bell-like sound which is soon backed by an unsettling and obsessive echoed pad. 
Along the road we encounter deep drones - both of a windy and metallic nature - and abstract textures keep on overlapping themselves creating slow but ever changing atmospheres, like an infinite serie of reflections created by subtly different distorting mirrors. 
Low frequencies make room for more recognizible sounds of what seem to be flowing water and animals. We can even imagine (...or are they really there?) a few piano notes at some point... 
Sometimes the music seems to stop and drones turn into a minimalistic affaire, but suddendly melodies emerge from the background filling the air with colours for a while, just before turning back to black again. 
Intertwined with some isolationist passages, "The Chrysalis Secret" offers many abstract moments and more complex sections of aural psychedelia. We can't help to recommend it, even to our most demanding listeners. 

www.aferecords.com 


Subinterior - The Chrysalis Secret - Part 2

"The Chrysalis Secret" (AFE Records - afe068lcd - 2006). 

"The Chrysalis Secret" is Andrea Freschi's fourth work and comes after the self-released "Outfall" and "Insomnie" (both recently re-issued as a full-lenght disc by Silentes), and "Obstacles", which was released in Japan by Deserted Factory. 
The album clearly showcases Subinterior's skills at creating good dark atmospheres and it's another step forward in his music career. 
It's impressive that, as usual, almost no synthesizers and samples were used during the creative process: the equipment used to create "The Chrysalis Secret" simply consists of a mini-disc recorder that was mainly used to capture sounds and noises created by millers, lapping wheel, lathes, industrial refrigeration plants, safety doors and other unusual "instruments"... 
These recordings were massively processed and assembled using computer technology and softwares, and turned into the finished work. 
"The Chrysalis Secret" is a long evocative track divided in three parts. The journey begins with a sort of repeated bell-like sound which is soon backed by an unsettling and obsessive echoed pad. 
Along the road we encounter deep drones - both of a windy and metallic nature - and abstract textures keep on overlapping themselves creating slow but ever changing atmospheres, like an infinite serie of reflections created by subtly different distorting mirrors. 
Low frequencies make room for more recognizible sounds of what seem to be flowing water and animals. We can even imagine (...or are they really there?) a few piano notes at some point... 
Sometimes the music seems to stop and drones turn into a minimalistic affaire, but suddendly melodies emerge from the background filling the air with colours for a while, just before turning back to black again. 
Intertwined with some isolationist passages, "The Chrysalis Secret" offers many abstract moments and more complex sections of aural psychedelia. We can't help to recommend it, even to our most demanding listeners. 

www.aferecords.com 


Subinterior - The Chrysalis Secret - Part 3

"Obstacles"  (Deserted Factory - DF021 - 2005) 

Total time: 38'29'' - Tracks: 6 

www.desertedfactory.com 





Subinterior - The corridor of the empty rooms

SUBINTERIOR + SELAXON LUTBERG  "The Meeting" 
[ 2xLP - Denovali / Murkhouse ] Total time: 73 min. - Tracks: 12 

Stunning 4-part collaborative series between these 2 Italian ambient artists, released together in one glorious 2xLP set! Originally released on Selaxon Lutberg's own label, Cold Current Productions, each part is dedicated to a season and was released separately on 3" CD-R in an edition of only 50 copies. We (denovali + murkhouse) just thought this was too good to be heard by so few people and limited to the CD-R format, though. Beginning with Winter Meeting and going through the seasons in order to end with Fall Meeting, each part will be given one side of 12" vinyl. The mood on each part is slightly different, reflective of the mood or feel of its respective season, ranging from cold, icy textures to warm, soothing ambience. 

www.denovali.com 




Subinterior+Selaxon Lutberg - Il Sole Muore e Noi con Lui

Subinterior+Selaxon Lutberg - Last day

Subinterior+Selaxon Lutberg - October

Subinterior project was born from the impulse to create tracks with the only use of samples and noises surrounding us. 
The equipment used to record the sounds consists in a mini-disc recorder utilised to capture atmospheres created by millers, 
lapping wheel, lathes, industrial refrigeration plants, safety doors and other unusual "instruments" 
Everything is then processed through musical software.

Other side projects and collaborations: 
Canaan, Neronoia, Weltschmerz, 
Konau, Hall of Mirrors.

subinterior

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