The debut album "Unbändige Kinder" by Angelo Repetto and Nicolas Balmer, alias Konstant, blossoms from the burdens of days gone by and describes their world in a phase of change and new beginnings.

Constantly looking ahead, driven by New Wave, Kraut and Post Punk, they define their own musical form. Both have been active in the Zurich scene for a long time and have come together to create their own language. The album is characterised by rawness, bluntness and the syllables from the heart. Honest and direct.

Recorded and produced by Domi Chansorn at Studio G5, the recording describes the rawness of our time. Perhaps the feeling of a generation – maybe just a breath of the wind.

For the release of "Unbändige Kinder", Subject To Restrictions Discs and Default Mode Records are joining forces and releasing the music into a world that needs it.

www.subjecttorestrictions.ch
___________________________
Musik geschrieben von Angelo Repetto und Nicolas Balmer Aufgenommen, arrangiert und gemischt von Domi Chansorn im Studio G5 in Zürich Gemastert von Sneaker in den Tail Out Studios Collage von Marco Repetto A&R by Dominik André Vielen Dank an den Popkredit der Stadt Zürich, C. und A. Kupper Stiftung und Erna und Curt Burgauer Stiftung Originalveröffentlichung in einer Zusammenarbeit von Subject To Restrictions Discs & Default Mode Records

Konstant - Unbändige Kinder

Collapsing new rhythms and industrial visions meet restless melodic vocals on Gateway, the debut album from San Francisco duo YANTRA on Swiss label Subject To Restrictions Discs. This isn't dance music, but you will dance to it. It isn't ritual music, but it will channel spirits.

The dreamer is still asleep. She awakens to heed the call. Curious downtempo drums, spartan and potent, animate the body. Running through the city, shadows dance on walls, and alluring voices, whispered, sung, and soaring, possess the mind. At the end of the path, gazing at the mirror's edge, she finds the source of the voice—and realizes it's her own. 

YANTRA are artist-producer Yaniv de Ridder, also known by the alias YNV, and lyricist-vocalist-instrumentalist Janina Angel Bath. The pair have worked together for some time, beginning with YNV's 2021 LP Golden Hour Ritual. On Western Paradox, a YNV EP released last year on Subject To Restrictions Discs, Bath contributed vocals—and so YANTRA, the project and the concept, was born. Working together, the pair craft new forms of transcendent sound, timeless and familiar all at once.

www.subjecttorestrictions.ch
___________________________
Written and Composed by Yaniv De Ridder and Janina Angel Bath
Produced by Yaniv De Ridder
Mixed by Laurent Delforge
Mastered by Dietrich Schoenemann
Lacquer Cut by Stefan Betke at Scape Mastering
Graphics by Yaniv De Ridder
A&R by Dominik André
Release Text by Chris Zaldua
Original Release by Subject To Restrictions Discs
Copyright 2024
Distributed by Bordello A Parigi

Yantra - Gateway

Don Kashew returns to Subject To Restrictions Discs with the album 'Bellows'. A haunting, melodic, maudlin affair, as one would expect from the Zurich-based producer, with a variety of 'breathing' instruments as a fulcrum, that challenges any physicality.

The compositions draw from the pool of New Age music and neo-folk of the 80s and 90s. But 'Bellows' stretches and looks at the future, deliberately blurring lines that were supposedly anchored. So, Don Kashew has begun a new phase in his musical expression; quivering, but grounded and interwoven in a rich arras of synth work and overlapping woodwind sounds.

Don Kashew is a sonic Dilletant, who is digging, compiling and composing music. Inspired by the DJ and sampling culture, his work focuses on recontextualising music to dissolve boundaries and create new connections between different eras, regions and genres. His musical style is raw, hypnotic and yearning at the same time.

www.subjecttorestrictions.ch
___________________________
Written, Composed and Produced by Don Kashew
Co-Produced and Mixed by Tim Wettstein
Additional Drums and Percussion by Mario Hänni
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Graphics by Nevin Goetschmann
Photo by Runa Barbagelata
A&R by Dominik André
Original Release by Subject To Restrictions Discs
Copyright 2025
Distributed by Bordello A Parigi

Don Kashew - Bellows

Slow-moving finger-picked ambient folk straddling the synthetic and organic divide – that is "The Ending Was A Typical Part", the first album by the Zurich-based duo Gūsū. It combines the tradition of playing the guzheng with electronic instruments, allowing different yet harmonious worlds to collide.

The collaboration between Xueyan Chen and Nicolas Balmer alias Gūsū was born out of their shared musical explorations in 2022 and has evolved into a dialogue of sound. Chen's guzheng, an instrument deeply linked to Chinese history, resonates with improvised and self-composed melodies, freeing its pentatonic scale from its traditional bounds. Her playing is underscored with the cryptic hum of Balmer's modular synthesizers, the deep bass and layered textures that combine the organic with the electronic. Together they create a sonorous exploration of identity, displacement and unity.

Xueyan Chen has been playing the Guzheng since her early childhood. With her moving to Zurich, Switzerland she started reimagining its historical identity through improvisation and self-composed melodies. With this approach, Chen emancipates the instrument from its classical heritage, weaving a contemporary and deeply personal narrative. Nicolas Balmer meanwhile brings a contrasting yet complementary dimension with modular synthesizers, bass guitar, and electronic textures. His layered soundscapes amplify and distort the Guzheng's pentatonic timbres, enveloping them in mysterious tones and expansive harmonics.

Gūsū is a transcultural music project born from the confluence of two distinct artistic voices: Xueyan Chen and Nicolas Balmer. Together, they create a complex dialogue of sound that bridges the ancient and the modern, exploring the liminal spaces between tradition and experimentation. Gūsū's inception was serendipitous, sparked by a shared stage in late 2022. What began as spontaneous improvisations has since evolved into a profound collaboration. The duo has performed under various monikers, finding their ultimate identity in the name Gūsū, a nod to both heritage and transformation.

www.subjecttorestrictions.ch
___________________________
Written and Composed by Xueyan Chen & Nicolas Balmer
Produced by Nicolas Balmer
Vocals and Lyrics by Xueyan Chen
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Graphics by Emilie Meyer
A&R by Dominik André
Unterstützt von Stadt Zürich Kultur
Original Release by Subject To Restrictions Discs
Copyright 2025

Gūsū - The Ending Was A Typical Part

Emerging from the fertile chaos of Düsseldorf’s Salon des Amateurs scene, Sequence of Events, the collaborative project of Deniz Saridas and Joshua Gottmanns, presents The Art of Memory, an album that feels both intimate and ungraspable, like recalling a dream that fades upon waking.

Rooted in the post-industrial landscapes of West Germany, The Art of Memory channels the bleak resilience of these environments into its sound. It’s a collage of kraut-infused electronics, shoegaze textures, and industrial pulses, filtered through a lens of introspective psychedelia. “We don't consciously break down or combine genres,” they explain. “Everything is interwoven, like chemistry. Some reactions happen immediately, others take years under pressure.”

From the opening track TAR, with its stoic vocals and drum-heavy propulsion, to the robotic Meagre Gardens, where autotuned chants coil around unconventional drum programming, the album moves like a fever dream through fragmented memories. Soul Divider unfolds like a cinematic journey through yearning and desire, its repetitive pulses echoing the ache of unfulfilled longing, while Nature Hates Life distills pop music through the eyes of a killjoy: “Kurt Cobain on an AKAI MPC2000,” as the band describes it. Even moments of...  more
credits

www.subjecttorestrictions.ch
___________________________
Music written and produced by Deniz Ahmet Saridas and Joshua Gottmanns
Lyrics by Joshua Gottmanns
Recorded in Düsseldorf and Berlin
Additional recordings with Alexander Fuchs at Hotel Viktoria in Meersburg
Mixed by Deniz Ahmet Saridas
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Cover and inner sleeve by Deniz Ahmet Saridas, concept by Joshua Gottmanns
Liner Notes: Caroline Whiteley
A&R by Dominik André & Nevesthika Muralitharan
Original Release by Subject To Restrictions Discs
Distributed by Bordello A Parigi

Sequence Of Events - The Art Of Memory

Powerful beats that evolve over time – repetition as the core idea, instruments and voices used for expression and dynamics. These are musical ideas that inspired Dâdalus & Bikarus to create their first album "Kraus is the Limit".

The duo from Zurich has been playing clubs and festivals in Switzerland for quite some time. The fact that the two are already wowing audiences before their first release makes this record a long-awaited work. On their debut on Subject To Restrictions Discs, you can expect Early Electronics, Kraut, Wave and Boom-Bap vibes. The tracks were recorded as a live session, capturing their performances’ raw energy and emotion, making the album an intimate experience.

www.subjecttorestrictions.ch
___________________________
Written, Produced and Arranged by David Hänni & Benedikt Merz
Additional Drums and Percussion by Mario Hänni 
Guitars by Roland Wäspe on Gone and Youri Gagarine 
Guitars by Mario Hänni and Roland Wäspe on Voran 
Mixed by Roland Wäspe
Mastering by Black Knoll Studio, New York
Graphics by Monelle Aimée Kanza
A&R by Dominik André
Original Release by Subject To Restrictions Discs
Many Thanks to Popkredit der Stadt Zürich for the support

Kraus is the Limit

Dâdalus & Bikarus - Gone

After his debut EP, Don Kashew delivers his first album on Subject To Restrictions Discs, a conceptual work in which he discovers "Reibung" as a core concept of musical expression.

A loudspeaker causes the molecules of the air to vibrate. Friction occurs and the sound spreads out in the room. Physically, friction is at the beginning of every sound. At the same time, the metaphor of friction describes the core of musical creation. As such, creation is always defined by its reference as well as its demarcation from existing artistic and social positions. In a sense, music is always rubbing against itself, its past and its environment, constantly being honed into new forms.

With "Reibung", Don Kashew explores friction as a basic principle of musical expression. Inspired by the avant-rock and experimental music scene of the 80s around the Zurich record label "RecRec Music", techniques are used whose core is the friction of sounds: dissonances, phasing or the preparation of instruments. These techniques are complemented by sampling and recombination of musical forms, existing music and cultural audio products. The idea of "Reibung" is thus at the heart of the production of musical expression.

www.subjecttorestrictions.ch
___________________________
Written and Produced by Don Kashew
Mentoring, Post-Production and Mastering by Tim Wettstein
Graphics by Monelle Aimée Kanza
A&R by Dominik André
DMM Cut at Pauler Acoustics 
Original Release by Subject To Restrictions Discs

Reibung

Don Kashew - Who R U

Don Kashew - Reiter

"As I walk between the shadows I can see my full light" is the mantra and story Anna Vs June tells on "Ersi", her debut on Subject To Restrictions Discs. It is about personal thoughts and experiences on topics like faith and motherhood. Beginning with "As I Walk" as the clumsy state of any beginning, it continues with "Between The Shadows" where Anna relives her years as a teenager. Continuing the narrative with "I Can See", we listen to what it was like to grow up, finally ending with the yearning acceptance of the unknown on "My Full Light". Anna Vs June's musical language is based on her exploration of traditional Greek music, which she learns and whose characteristics she reinterprets in her own production. This album was produced in Anna's studio in Athens during the months of lockdown.

Anna Vs June is the solo project of Anna Papaioannou, a musician and producer who enjoys playing with machines in her room in the heart of Athens. Her sound aims to capture the balance between electronic and traditional music by also incorporating Eastern and Western music references. For her music production, she travelled to remote rural villages and recorded songs by locals while practising microtonal gestures with her own voice. Anna released her debut album Prosper Easter in 2020 and has been featured on compilations by labels such as Invisible Inc, Osàre! Editions as well as on the "Elsewhere" series curated by soFa.

www.subjecttorestrictions.ch
___________________________
Written and Produced by Anna Papaioannou 
Tabla by Iro Iordanoglou on Between The Shadows
Mixing and additional production by Aggelos Baltas
Mastered by Dietrich Schoenemann
Cover Picture by Tassilo Rüster
A&R by Dominik André
Original Release by Subject To Restrictions Discs

Ersi

Anna Vs June - I Can See (Anatolian Weapons Remix)

The White Series continues after a little pit stop. Tankwart is at the start with four tracks of wave, triphop and kraut and leads us into a cosmic slipstream. As one half of Dâdalus & Bikarus he is already known to us and now shows a more danceable side of his productions. Tankwart is known around here for his versatile DJ sets, which always surprise us with a pinch of the unexpected. We also find this in his music - Tankwart gives the supposedly familiar a new and sparkling twist.

Tankwart hails from the basement. The place where it can get beautifully cold and dark when being on your own, or warm and sweaty when dancing with friends. The place where social media lose reach and the reverb sounds so nice. You‘ll find him in his studio: a big mess that fosters his DIY production style. His musical interest starts when genres blend and punk is an approach. Wave, Triphop, Acid, Kosmische Musik. No cliches, blurred lines only.

www.subjecttorestrictions.ch
___________________________
All tracks written, produced and arranged by Benedikt Merz
Mixed by Roland Wäspe
Mastered by Isabel Schröer at Scape Mastering
Laquer Cut by Stefan Betke and Isabel Schröer at Scape Mastering
A&R by Dominik André
Original Release by Subject To Restrictions Discs

White Series #3

Tankwart – Gärung

The Athenian producer Aggelos Baltas alias Anatolian Weapons captures on the album Earth the feeling of an optimistic future that grows on the soil of the sweet bitterness of the present and the past.

Under his pseudonym Anatolian Weapons, Baltas combines polyrhythmic percussion and wailing tones of Greek folk music with a thrilling and open Krautrock attitude. The album Earth takes us on a mystical journey through the northern Greek highlands, backed by Baltas' unique machine-assisted folk, infused with psychedelic drones and exuding an aura that is neither then nor now, neither there nor here. Instead, it exists in a small pocket of its own cosmos. A crossroads of dimensions. A mystical offering to nature and the divinities.

Baltas has explored and reframed various Greek scenes of yesteryear in the past, such as with his Fantastikoi Hxoi project, which created Krautrock mutations from 60s and 70s pop, but Earth is an even more far-reaching expedition. It is a folk reckoning with ancient Greek musical traditions with a modern upgrade. The album reconstructs a sonic narrative of ancient traditions, enhanced with psychedelic and space-rock elements. In the reverb cycle, one hears a certain agrarian reinterpretation of the world, filled with harvest rituals and celestial incantations.

It is with great pleasure to welcome Anatolian Weapons to the label. During a longer stay in Athens, a friendship developed that led to a variety of musical projects and ideas. One of them is the release of the album Earth.

Aggelos Baltas has been producing music for more than 20 years. His projects such as Anatolian Weapons, Dream Weapons, and Fantastikoi Hxoi are praised locally and internationally for his bold blend of different styles and influences, covering a wide spectrum of psychedelic dance music. He is a resident DJ at Astron Bar and Bios in his hometown. He also regularly plays in European clubs and makes acclaimed mixes for platforms such as Digital Tsunami, Knekelhuis, Les Yeux Orange and Sameheads. He releases on renowned labels such as Beats In Space, Emotional Response, Dark Entries, Invisible Inc., Lurid Music and Kame House, to name a few.

www.subjecttorestrictions.ch
___________________________
Written and produced by Aggelos Baltas
Mastered by Isabel Schröer at Scape Mastering
Lacquer Cut by Stefan Betke and Isabel Schröer at Scape Mastering
A&R & Graphics by Dominik André
Original Release by Subject To Restrictions Discs

Earth

Anatolian Weapons - Earth

Anatolian Weapons - Mountains

Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems remix "Kraus is the Limit" by the Zurich electronic-wave duo Dâdalus & Bikarus and take the original to new dimensions.

"Kraus is the Limit (Remixes)” preserves the raw energy and emotion of Dâdalus & Bikarus' live performances while introducing new textures. It is not merely a collection of remixes but an intimate experience that invites listeners to rediscover the original tracks through the lenses of Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems.
Saeko Killy translates Voran into a mesmerizingly timeless journey that is even more kraut-y and space-y. Jamie Paton brings his distinctive style to the table by adding laidback and dubby vibes to Gone and Youri Gagarine. Andrei Rusu strippes down Tous Tes Mensonges, creating a sonic whirlwind that takes the listener on an thrilling and hypnotic ride. Anastasia Zems' take on Voran lets us wallow in the depths of an acid abyss. A tripped-out experience is guaranteed.

www.subjecttorestrictions.ch
___________________________
Written by David Hänni & Benedikt Merz
A1 Remix by Saeko Killy, Mixed by Max Ferrer; A2 + A3 Remix by Jamie Paton
B1 Remix by Andrei Rusu; B2 Remix by Anastasia Zems
Mastered by Isabel Schröer at Scape Mastering
Lacquer Cut by Stefan Betke and Isabel Schröer at Scape Mastering
Graphics by Monelle Aimée Kanza
A&R by Dominik André
Original Release by Subject To Restrictions Discs

Kraus is the Limit (Remixes)

Dâdalus & Bikarus - Voran (Anastasia Zems Remix)

Dâdalus & Bikarus - Voran (Saeko Killy Remix)

Konstant - Unbändige Kinder

Konstant - Siehst Du Mich

Konstant - Mädchen

Konstant - Grüne Wiese

Konstant - Feuer

Yantra - Racing Thoughts

Yantra - Puzzle

Yantra - In Stride

Yantra - Shadows

Bellows

Don Kashew - Las Alas Rojas

Don Kashew - Windy Outside

Don Kashew - Reibung II

Don Kashew - Ethereal Mechanics

Don Kashew - Pair of Bellows

The Ending Was A Typical Part

Gūsū - 镜子后面的幽灵

Gūsū - Did You Ever Tried To Write

Gūsū - 垂柳戏水

Gūsū - 兰亭春

Gūsū - Rural

Gūsū - Resist

Gūsū - Liúyì Wǒde Xūqiú

Sequence Of Events - A Hollow Drum

Sequence Of Events - Becomings

Sequence Of Events - Nature Hates Life

Sequence Of Events - OC

Sequence Of Events - TAR

Sequence Of Events - Meagre Gardens

Sequence Of Events - Something In Your Touch

Sequence Of Events - Soul Divider

Sequence Of Events - Tame

Deniz Ahmet Saridas & Dominik André @ Sameheads, Berlin

Deniz Ahmet Saridas & Dominik André - Subject To Restrictions Discs @ Sameheads 02.05.25

babyschön - Subject To Restrictions Discs @ Sameheads 02.05.25

Nive - Subject To Restrictions Discs @ Sameheads 02.05.25

Max Bunt live from Don Kashew's 'Bellows' Release Party

International Bauer live from Don Kashew's 'Bellows' Release Party

Be away from the edge. Steep slope.
https://links.subjecttorestrictions.ch



___________________________
Distribution: Bordello A Parigi (worldwide), The Business (USA)
Licensing: licensing@subjecttorestrictions.ch

Subject To Restrictions Discs

Pinned to spotlight

Popular tracks