Don Kashew returns to Subject To Restrictions Discs with the album 'Bellows'. A haunting, melodic, maudlin affair, as one would expect from the Zurich-based producer, with a variety of 'breathing' instruments as a fulcrum, that challenges any physicality.

The compositions draw from the pool of New Age music and neo-folk of the 80s and 90s. But 'Bellows' stretches and looks at the future, deliberately blurring lines that were supposedly anchored. So, Don Kashew has begun a new phase in his musical expression; quivering, but grounded and interwoven in a rich arras of synth work and overlapping woodwind sounds.

Don Kashew is a sonic Dilletant, who is digging, compiling and composing music. Inspired by the DJ and sampling culture, his work focuses on recontextualising music to dissolve boundaries and create new connections between different eras, regions and genres. His musical style is raw, hypnotic and yearning at the same time.

www.subjecttorestrictions.ch
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Written, Composed and Produced by Don Kashew
Co-Produced and Mixed by Tim Wettstein
Additional Drums and Percussion by Mario Hänni
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Graphics by Nevin Goetschmann
Photo by Runa Barbagelata
A&R by Dominik André
Original Release by Subject To Restrictions Discs
Copyright 2025
Distributed by Bordello A Parigi

Don Kashew - Bellows

Slow-moving finger-picked ambient folk straddling the synthetic and organic divide – that is "The Ending Was A Typical Part", the first album by the Zurich-based duo Gūsū. It combines the tradition of playing the guzheng with electronic instruments, allowing different yet harmonious worlds to collide.

The collaboration between Xueyan Chen and Nicolas Balmer alias Gūsū was born out of their shared musical explorations in 2022 and has evolved into a dialogue of sound. Chen's guzheng, an instrument deeply linked to Chinese history, resonates with improvised and self-composed melodies, freeing its pentatonic scale from its traditional bounds. Her playing is underscored with the cryptic hum of Balmer's modular synthesizers, the deep bass and layered textures that combine the organic with the electronic. Together they create a sonorous exploration of identity, displacement and unity.

Xueyan Chen has been playing the Guzheng since her early childhood. With her moving to Zurich, Switzerland she started reimagining its historical identity through improvisation and self-composed melodies. With this approach, Chen emancipates the instrument from its classical heritage, weaving a contemporary and deeply personal narrative. Nicolas Balmer meanwhile brings a contrasting yet complementary dimension with modular synthesizers, bass guitar, and electronic textures. His layered soundscapes amplify and distort the Guzheng's pentatonic timbres, enveloping them in mysterious tones and expansive harmonics.

Gūsū is a transcultural music project born from the confluence of two distinct artistic voices: Xueyan Chen and Nicolas Balmer. Together, they create a complex dialogue of sound that bridges the ancient and the modern, exploring the liminal spaces between tradition and experimentation. Gūsū's inception was serendipitous, sparked by a shared stage in late 2022. What began as spontaneous improvisations has since evolved into a profound collaboration. The duo has performed under various monikers, finding their ultimate identity in the name Gūsū, a nod to both heritage and transformation.

www.subjecttorestrictions.ch
___________________________
Written and Composed by Xueyan Chen & Nicolas Balmer
Produced by Nicolas Balmer
Vocals and Lyrics by Xueyan Chen
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Graphics by Emilie Meyer
A&R by Dominik André
Unterstützt von Stadt Zürich Kultur
Original Release by Subject To Restrictions Discs
Copyright 2025

Gūsū - The Ending Was A Typical Part

Emerging from the fertile chaos of Düsseldorf’s Salon des Amateurs scene, Sequence of Events, the collaborative project of Deniz Saridas and Joshua Gottmanns, presents The Art of Memory, an album that feels both intimate and ungraspable, like recalling a dream that fades upon waking.

Rooted in the post-industrial landscapes of West Germany, The Art of Memory channels the bleak resilience of these environments into its sound. It’s a collage of kraut-infused electronics, shoegaze textures, and industrial pulses, filtered through a lens of introspective psychedelia. “We don't consciously break down or combine genres,” they explain. “Everything is interwoven, like chemistry. Some reactions happen immediately, others take years under pressure.”

From the opening track TAR, with its stoic vocals and drum-heavy propulsion, to the robotic Meagre Gardens, where autotuned chants coil around unconventional drum programming, the album moves like a fever dream through fragmented memories. Soul Divider unfolds like a cinematic journey through yearning and desire, its repetitive pulses echoing the ache of unfulfilled longing, while Nature Hates Life distills pop music through the eyes of a killjoy: “Kurt Cobain on an AKAI MPC2000,” as the band describes it. Even moments of...  more
credits

www.subjecttorestrictions.ch
___________________________
Music written and produced by Deniz Ahmet Saridas and Joshua Gottmanns
Lyrics by Joshua Gottmanns
Recorded in Düsseldorf and Berlin
Additional recordings with Alexander Fuchs at Hotel Viktoria in Meersburg
Mixed by Deniz Ahmet Saridas
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Cover and inner sleeve by Deniz Ahmet Saridas, concept by Joshua Gottmanns
Liner Notes: Caroline Whiteley
A&R by Dominik André & Nevesthika Muralitharan
Original Release by Subject To Restrictions Discs
Distributed by Bordello A Parigi

Sequence Of Events - The Art Of Memory

Tóxico and Subject To Restrictions Discs present a retrospective on Switzerland's hidden analogue gear scene from 2017 and 2018. A vibrant yet undocumented chapter in the country's music history. The 10 tracks, originally released exclusively on cassette and heard only by a small circle of listeners, are now compiled for the first time on vinyl as “Tóxico Tapes”. The collection captures the scene's raw, hands-on energy through off-kilter rhythms, low-key EBM, ominous wave and free-form synth excursions.

Founded and curated by the former DJ and producer Narco Marco, the Tóxico label became a hub for Switzerland's analogue gear enthusiasts. Between 2016 and 2020, it released a series of 10 tapes – albums and compilations – that now stand as a blueprint of the DIY, machine-driven underground of the time. Narco Marco is a key figure in Swiss electronic music. As a long-time clerk at “Oldiesshop” record store in Bern, he has championed eclectic sounds across decades. His in-depth knowledge of 1980s music, combined with his work as a musician, avid record collector, and founder of the “Hot Jam” label, influenced an entire generation of musicians and DJs in Switzerland at the time.

Subject To Restrictions Discs joins forces with Narco Marco to present a selected set of 10 songs as a tribute to Tóxico and this creative era. The material draws primarily from the Autumn Tape and Winter Tape compilations, which spotlighted artists from Zurich and Bern – two cities at the heart of this analogue revival.

www.subjecttorestrictions.ch
___________________________
B1 written and produced by Olaf Yarce & Jean Daniel Tömör; vocals by Loa Mauna
A1 to A3, A5, B2 recorded & mixed at Matelier 55 by Narco Marco
B3 and B5 written and produced by Michele Ottini
A4 written and produced by Simon Schär
B4 written and produced by Timon Kurz
Mastered by Marcel Schneider
DMM cut at Pauler Acoustics
Graphics by Dominik André
Licensed from Tóxico
Copyright 2025
Distributed by Bordello A Parigi (worldwide) & The Business (US)
Compiled by Dominik André, Nevesthika Muralitharan & Narco Marco

Various - Tóxico Tapes

Zürich-based musician Angelo Repetto returns with his new album Between Worlds: Interference, released on Subject to Restrictions Discs. The record is the result of a unique collaboration with Argentinian visual artist Clara Grabowiecki, extending their immersive live project Between Worlds into a sonic and tangible form.

«This album is a continuation of the deep conversations Clara and I had about concepts of perception that led us to question silence, time, transcendence, and the future», says Repetto. «It's not about finding answers, but about opening spaces where sound, image, and emotion can flow freely.»

Between Worlds: Interference oscillates between hypnotic rhythms, kraut-inspired synth layers, and psychedelic atmospheres – hallmarks of Repetto's style that listeners may recognize from earlier releases such as Sundown Explosion and Kamiokande. At its core it is an invitation into an open dimension where disciplines, experiences, and realities dissolve into one another. It is both a deeply personal statement and a collective journey into new perceptual spaces.

www.subjecttorestrictions.ch
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Music written, recorded, performed and produced by Angelo Repetto at Inner Sub Space Studio Zurich
Bass on B1 by Nicolas Balmer
Mixed by Domi Chansorn
Mastered and Lacquer Cut by Isabel Schröer at Scape Mastering
Artwork by Clara Grabowiecki (www.claragrabowiecki.xyz)
Photo (Back Cover) by Mathyas Kurmann
A&R by Dominik André and Nevesthika Muralitharan
Original Release by Subject To Restrictions Discs
Copyright 2026
Distributed by Bordello A Parigi (worldwide) & The Business (US)

Angelo Repetto - Between Worlds: Interference

"As I walk between the shadows I can see my full light" is the mantra and story Anna Vs June tells on "Ersi", her debut on Subject To Restrictions Discs. It is about personal thoughts and experiences on topics like faith and motherhood. Beginning with "As I Walk" as the clumsy state of any beginning, it continues with "Between The Shadows" where Anna relives her years as a teenager. Continuing the narrative with "I Can See", we listen to what it was like to grow up, finally ending with the yearning acceptance of the unknown on "My Full Light". Anna Vs June's musical language is based on her exploration of traditional Greek music, which she learns and whose characteristics she reinterprets in her own production. This album was produced in Anna's studio in Athens during the months of lockdown.

Anna Vs June is the solo project of Anna Papaioannou, a musician and producer who enjoys playing with machines in her room in the heart of Athens. Her sound aims to capture the balance between electronic and traditional music by also incorporating Eastern and Western music references. For her music production, she travelled to remote rural villages and recorded songs by locals while practising microtonal gestures with her own voice. Anna released her debut album Prosper Easter in 2020 and has been featured on compilations by labels such as Invisible Inc, Osàre! Editions as well as on the "Elsewhere" series curated by soFa.

www.subjecttorestrictions.ch
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Written and Produced by Anna Papaioannou 
Tabla by Iro Iordanoglou on Between The Shadows
Mixing and additional production by Aggelos Baltas
Mastered by Dietrich Schoenemann
Cover Picture by Tassilo Rüster
A&R by Dominik André
Original Release by Subject To Restrictions Discs

Ersi

Anna Vs June - I Can See (Anatolian Weapons Remix)

The Athenian producer Aggelos Baltas alias Anatolian Weapons captures on the album Earth the feeling of an optimistic future that grows on the soil of the sweet bitterness of the present and the past.

Under his pseudonym Anatolian Weapons, Baltas combines polyrhythmic percussion and wailing tones of Greek folk music with a thrilling and open Krautrock attitude. The album Earth takes us on a mystical journey through the northern Greek highlands, backed by Baltas' unique machine-assisted folk, infused with psychedelic drones and exuding an aura that is neither then nor now, neither there nor here. Instead, it exists in a small pocket of its own cosmos. A crossroads of dimensions. A mystical offering to nature and the divinities.

Baltas has explored and reframed various Greek scenes of yesteryear in the past, such as with his Fantastikoi Hxoi project, which created Krautrock mutations from 60s and 70s pop, but Earth is an even more far-reaching expedition. It is a folk reckoning with ancient Greek musical traditions with a modern upgrade. The album reconstructs a sonic narrative of ancient traditions, enhanced with psychedelic and space-rock elements. In the reverb cycle, one hears a certain agrarian reinterpretation of the world, filled with harvest rituals and celestial incantations.

It is with great pleasure to welcome Anatolian Weapons to the label. During a longer stay in Athens, a friendship developed that led to a variety of musical projects and ideas. One of them is the release of the album Earth.

Aggelos Baltas has been producing music for more than 20 years. His projects such as Anatolian Weapons, Dream Weapons, and Fantastikoi Hxoi are praised locally and internationally for his bold blend of different styles and influences, covering a wide spectrum of psychedelic dance music. He is a resident DJ at Astron Bar and Bios in his hometown. He also regularly plays in European clubs and makes acclaimed mixes for platforms such as Digital Tsunami, Knekelhuis, Les Yeux Orange and Sameheads. He releases on renowned labels such as Beats In Space, Emotional Response, Dark Entries, Invisible Inc., Lurid Music and Kame House, to name a few.

www.subjecttorestrictions.ch
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Written and produced by Aggelos Baltas
Mastered by Isabel Schröer at Scape Mastering
Lacquer Cut by Stefan Betke and Isabel Schröer at Scape Mastering
A&R & Graphics by Dominik André
Original Release by Subject To Restrictions Discs

Earth

Anatolian Weapons - Earth

Anatolian Weapons - Heliotrope

Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems remix "Kraus is the Limit" by the Zurich electronic-wave duo Dâdalus & Bikarus and take the original to new dimensions.

"Kraus is the Limit (Remixes)” preserves the raw energy and emotion of Dâdalus & Bikarus' live performances while introducing new textures. It is not merely a collection of remixes but an intimate experience that invites listeners to rediscover the original tracks through the lenses of Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems.
Saeko Killy translates Voran into a mesmerizingly timeless journey that is even more kraut-y and space-y. Jamie Paton brings his distinctive style to the table by adding laidback and dubby vibes to Gone and Youri Gagarine. Andrei Rusu strippes down Tous Tes Mensonges, creating a sonic whirlwind that takes the listener on an thrilling and hypnotic ride. Anastasia Zems' take on Voran lets us wallow in the depths of an acid abyss. A tripped-out experience is guaranteed.

www.subjecttorestrictions.ch
___________________________
Written by David Hänni & Benedikt Merz
A1 Remix by Saeko Killy, Mixed by Max Ferrer; A2 + A3 Remix by Jamie Paton
B1 Remix by Andrei Rusu; B2 Remix by Anastasia Zems
Mastered by Isabel Schröer at Scape Mastering
Lacquer Cut by Stefan Betke and Isabel Schröer at Scape Mastering
Graphics by Monelle Aimée Kanza
A&R by Dominik André
Original Release by Subject To Restrictions Discs

Kraus is the Limit (Remixes)

Dâdalus & Bikarus - Voran (Anastasia Zems Remix)

Dâdalus & Bikarus - Voran (Saeko Killy Remix)

Bellows

Don Kashew - Las Alas Rojas

Don Kashew - Windy Outside

Don Kashew - Reibung II

Don Kashew - Ethereal Mechanics

Don Kashew - Pair of Bellows

The Ending Was A Typical Part

Gūsū - 镜子后面的幽灵

Gūsū - 垂柳戏水

Gūsū - 兰亭春

Gūsū - Rural

Gūsū - Resist

Gūsū - Liúyì Wǒde Xūqiú

Sequence Of Events - A Hollow Drum

Sequence Of Events - Nature Hates Life

Sequence Of Events - TAR

Sequence Of Events - Soul Divider

Sequence Of Events - Tame

Deniz Ahmet Saridas & Dominik André @ Sameheads, Berlin

Deniz Ahmet Saridas & Dominik André - Subject To Restrictions Discs @ Sameheads 02.05.25

babyschön - Subject To Restrictions Discs @ Sameheads 02.05.25

Nive - Subject To Restrictions Discs @ Sameheads 02.05.25

Max Bunt live from Don Kashew's 'Bellows' Release Party

International Bauer live from Don Kashew's 'Bellows' Release Party

Tóxico and Subject To Restrictions Discs present a retrospective on Switzerland's hidden analogue gear scene from 2017 and 2018. A vibrant yet undocumented chapter in the country's music history. The 10 tracks, originally released exclusively on cassette and heard only by a small circle of listeners, are now compiled for the first time on vinyl as “Tóxico Tapes”. The collection captures the scene's raw, hands-on energy through off-kilter rhythms, low-key EBM, ominous wave and free-form synth excursions.

Founded and curated by the former DJ and producer Narco Marco, the Tóxico label became a hub for Switzerland's analogue gear enthusiasts. Between 2016 and 2020, it released a series of 10 tapes – albums and compilations – that now stand as a blueprint of the DIY, machine-driven underground of the time. Narco Marco is a key figure in Swiss electronic music. As a long-time clerk at “Oldiesshop” record store in Bern, he has championed eclectic sounds across decades. His in-depth knowledge of 1980s music, combined with his work as a musician, avid record collector, and founder of the “Hot Jam” label, influenced an entire generation of musicians and DJs in Switzerland at the time.

Subject To Restrictions Discs joins forces with Narco Marco to present a selected set of 10 songs as a tribute to Tóxico and this creative era. The material draws primarily from the Autumn Tape and Winter Tape compilations, which spotlighted artists from Zurich and Bern – two cities at the heart of this analogue revival.

www.subjecttorestrictions.ch
___________________________
B1 written and produced by Olaf Yarce & Jean Daniel Tömör; vocals by Loa Mauna
A1 to A3, A5, B2 recorded & mixed at Matelier 55 by Narco Marco
B3 and B5 written and produced by Michele Ottini
A4 written and produced by Simon Schär
B4 written and produced by Timon Kurz
Mastered by Marcel Schneider
DMM cut at Pauler Acoustics
Graphics by Dominik André
Licensed from Tóxico
Copyright 2025
Distributed by Bordello A Parigi (worldwide) & The Business (US)
Compiled by Dominik André, Nevesthika Muralitharan & Narco Marco


Ost-Berliner Nachtrag - Mäntel & Dinger

Narco Marco - Gorbatschovv

Caus'ette - Pilotes

Tóxico and Subject To Restrictions Discs present a retrospective on Switzerland's hidden analogue gear scene from 2017 and 2018. A vibrant yet undocumented chapter in the country's music history. The 10 tracks, originally released exclusively on cassette and heard only by a small circle of listeners, are now compiled for the first time on vinyl as “Tóxico Tapes”. The collection captures the scene's raw, hands-on energy through off-kilter rhythms, low-key EBM, ominous wave and free-form synth excursions.

Founded and curated by the former DJ and producer Narco Marco, the Tóxico label became a hub for Switzerland's analogue gear enthusiasts. Between 2016 and 2020, it released a series of 10 tapes – albums and compilations – that now stand as a blueprint of the DIY, machine-driven underground of the time. Narco Marco is a key figure in Swiss electronic music. As a long-time clerk at “Oldiesshop” record store in Bern, he has championed eclectic sounds across decades. His in-depth knowledge of 1980s music, combined with his work as a musician, avid record collector, and founder of the “Hot Jam” label, influenced an entire generation of musicians and DJs in Switzerland at the time.

Subject To Restrictions Discs joins forces with Narco Marco to present a selected set of 10 songs as a tribute to Tóxico and this creative era. The material draws primarily from the Autumn Tape and Winter Tape compilations, which spotlighted artists from Zurich and Bern – two cities at the heart of this analogue revival.

www.subjecttorestrictions.ch
___________________________
B1 written and produced by Olaf Yarce & Jean Daniel Tömör; vocals by Loa Mauna
A1 to A3, A5, B2 recorded & mixed at Matelier 55 by Narco Marco
B3 and B5 written and produced by Michele Ottini
A4 written and produced by Simon Schär
B3 written and produced by Timon Kurz
Mastered by Marcel Schneider
DMM cut at Pauler Acoustics
Graphics by Dominik André
Licensed from Tóxico
Copyright 2025
Distributed by Bordello A Parigi (worldwide) & The Business (US)
Compiled by Dominik André, Nevesthika Muralitharan & Narco Marco


B. M. Cinelli - Beijing Genomics Institute

Neu Verboten & Nyn - Worlds End 3 (feat. Loa Mauna)

Frank M. Dux - Aurora Borealis

Poppy Wonnacott - Pretence

Between Worlds: Interference

Angelo Repetto - Within The Source

Angelo Repetto - Phantasma

Angelo Repetto - Unknown Paradise

Angelo Repetto - Dr. Growlove

Angelo Repetto - Crystal Meadows

Angelo Repetto - Through The Lense Of Love

Angelo Repetto - Aquatic Energy Fields

Angelo Repetto - Eyes Of The Knowing

Angelo Repetto - Kalliope Solaris

Three artists discover the wider field of dark electronic dance music. Although young, these producers already have a big understanding of sound. A sound which is past-oriented but every track has a certain twist which makes the music contemporary and timeless. On A1 – Dein Letztes Hemd – Nicola Toma from Berlin combines acid cuts with German Vocals (by Camila Strasdas) and a pushy bassline. Nothing else needed. Zurich's Prioleau opens up a totally new world on A2. 'Never Trust A Mirror' is an energy driven tune without compromises. A dark new wave-y and kraut influenced masterpiece. On the b-side are two tracks produced by Hesychia369, a well-known producer from Zurich under a new alias. With 'Dmbrisded' and 'Diffspherez' he shows his love for acid basslines and fast rhythms.

www.subjecttorestrictions.ch
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Mastered & reel to reel transfer by Sneaker at TailOut Studios
Graphics by Dylan Moore
Compiled by Dominik André
Original Release by Subject To Restrictions Discs

Never Trust A Mirror EP

BANDCAMP

Nicolai Toma - Dein Letztes Hemd feat. Camila Strasdas

We all know Nights are nicer when you are with your friends, so Ethimm asked some of his old friends and favourite acts to remix his recent EP 'By Night'. Quite a few hopped on the bandwagon: Germany's most prolific remixer and DJs DJ Gerd Janson turned Ethimm's 'Lies' into a relentlessly deep and driving house cut with drums reminiscent of New Order. Balearic boss Lexx stripped the track down to its bare vocal and rebuilt it with a 90ies New York vibe. Bell Towers added his prototypical leftfield approach to 'Don't Go Away' while Berlin's legendary DJ Kaos remade it into a classic acid stomper. The remix EP is completed by newcomer Never4Ever's breakbeat treatment of the same track and swiss experimental queen Belia Winnewisser's treatment of 'Island Jam'.

www.subjecttorestrictions.ch
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Mastered by Daniele 'Shield' Contrini at the Rebirth Studio
Graphics by Dylan Moore
A&R by Dominik André & Jenny Kamer 
Original Release by Subject To Restrictions Discs

By Night (Remixes)

Download

Ethimm - Lies (feat. T.A.V.) (Gerd Janson Remix)

Be away from the edge. Steep slope.
https://links.subjecttorestrictions.ch



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Distribution: Bordello A Parigi (worldwide), The Business (USA)
Licensing: licensing@subjecttorestrictions.ch

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